1,973 research outputs found
The neurobiology of cortical music representations
Music is undeniable one of humanity’s defining traits, as it has been documented since the earliest
days of mankind, is present in all knowcultures and perceivable by all humans nearly alike.
Intrigued by its omnipresence, researchers of all disciplines started the investigation of music’s
mystical relationship and tremendous significance to humankind already several hundred
years ago. Since comparably recently, the immense advancement of neuroscientific methods
also enabled the examination of cognitive processes related to the processing of music. Within
this neuroscience ofmusic, the vast majority of research work focused on how music, as an auditory
stimulus, reaches the brain and howit is initially processed, aswell as on the tremendous
effects it has on and can evoke through the human brain. However, intermediate steps, that is
how the human brain achieves a transformation of incoming signals to a seemingly specialized
and abstract representation of music have received less attention. Aiming to address this gap,
the here presented thesis targeted these transformations, their possibly underlying processes
and how both could potentially be explained through computational models. To this end, four
projects were conducted. The first two comprised the creation and implementation of two
open source toolboxes to first, tackle problems inherent to auditory neuroscience, thus also affecting
neuroscientific music research and second, provide the basis for further advancements
through standardization and automation. More precisely, this entailed deteriorated hearing
thresholds and abilities in MRI settings and the aggravated localization and parcellation of the
human auditory cortex as the core structure involved in auditory processing. The third project
focused on the human’s brain apparent tuning to music by investigating functional and organizational
principles of the auditory cortex and network with regard to the processing of different
auditory categories of comparable social importance, more precisely if the perception of music
evokes a is distinct and specialized pattern. In order to provide an in depth characterization
of the respective patterns, both the segregation and integration of auditory cortex regions was
examined. In the fourth and final project, a highly multimodal approach that included fMRI,
EEG, behavior and models of varying complexity was utilized to evaluate how the aforementioned
music representations are generated along the cortical hierarchy of auditory processing
and how they are influenced by bottom-up and top-down processes. The results of project 1
and 2 demonstrated the necessity for the further advancement of MRI settings and definition
of working models of the auditory cortex, as hearing thresholds and abilities seem to vary as
a function of the used data acquisition protocol and the localization and parcellation of the
human auditory cortex diverges drastically based on the approach it is based one. Project 3
revealed that the human brain apparently is indeed tuned for music by means of a specialized
representation, as it evoked a bilateral network with a right hemispheric weight that was not
observed for the other included categories. The result of this specialized and hierarchical recruitment
of anterior and posterior auditory cortex regions was an abstract music component
ix
x SUMMARY
that is situated in anterior regions of the superior temporal gyrus and preferably encodes music,
regardless of sung or instrumental. The outcomes of project 4 indicated that even though
the entire auditory cortex, again with a right hemispheric weight, is involved in the complex
processing of music in particular, anterior regions yielded an abstract representation that varied
excessively over time and could not sufficiently explained by any of the tested models. The
specialized and abstract properties of this representation was furthermore underlined by the
predictive ability of the tested models, as models that were either based on high level features
such as behavioral representations and concepts or complex acoustic features always outperformed
models based on single or simpler acoustic features. Additionally, factors know to influence
auditory and thus music processing, like musical training apparently did not alter the
observed representations. Together, the results of the projects suggest that the specialized and
stable cortical representation of music is the outcome of sophisticated transformations of incoming
sound signals along the cortical hierarchy of auditory processing that generate a music
component in anterior regions of the superior temporal gyrus by means of top-down processes
that interact with acoustic features, guiding their processing.Musik ist unbestreitbarer Weise eine der definierenden Eigenschaften des Menschen. Dokumentiert
seit den frühesten Tagen der Menschheit und in allen bekannten Kulturen vorhanden,
ist sie von allenMenschen nahezu gleichwahrnehmbar. Fasziniert von ihrerOmnipräsenz
haben Wissenschaftler aller Disziplinen vor einigen hundert Jahren begonnen die mystische
Beziehung zwischen Musik und Mensch, sowie ihre enorme Bedeutung für selbigen zu untersuchen.
Seit einem vergleichsweise kurzem Zeitraum ist es durch den immensen Fortschritt
neurowissenschafticher Methoden auch möglich die kognitiven Prozesse, welche an der Verarbeitung
von Musik beteiligt, sind zu untersuchen. Innerhalb dieser Neurowissenschaft der
Musik hat sich ein Großteil der Forschungsarbeit darauf konzentriert wie Musik, als auditorischer
Stimulus, das menschliche Gehirn erreicht und wie sie initial verarbeitet wird, als auch
welche kolossallen Effekte sie auf selbiges hat und auch dadurch bewirken kann. Jedoch haben
die Zwischenschritte, also wie das menschliche Gehirn eintreffende Signale in eine scheinbar
spezialisierte und abstrakte Repräsentation vonMusik umwandelt, vergleichsweise wenig Aufmerksamkeit
erhalten. Um die dadurch entstandene Lücke zu adressieren, hat die hier vorliegende
Dissertation diese Prozesse und wie selbige durch Modelle erklärt werden können in
vier Projekten untersucht. Die ersten beiden Projekte beinhalteten die Herstellung und Implementierung
von zwei Toolboxen um erstens, inhärente Probleme der auditorischen Neurowissenschaft,
daher auch neurowissenschaftlicher Untersuchungen von Musik, zu verbessern
und zweitens, eine Basis für weitere Fortschritte durch Standardisierung und Automatisierung
zu schaffen. Im genaueren umfasste dies die stark beeinträchtigten Hörschwellen und
–fähigkeiten in MRT-Untersuchungen und die erschwerte Lokalisation und Parzellierung des
menschlichen auditorischen Kortex als Kernstruktur auditiver Verarbeitung. Das dritte Projekt
befasste sich mit der augenscheinlichen Spezialisierung von Musik im menschlichen Gehirn
durch die Untersuchung funktionaler und organisatorischer Prinzipien des auditorischen
Kortex und Netzwerks bezüglich der Verarbeitung verschiedener auditorischer Kategorien vergleichbarer
sozialer Bedeutung, im genaueren ob die Wahrnehmung von Musik ein distinktes
und spezialisiertes neuronalenMuster hervorruft. Umeine ausführliche Charakterisierung
der entsprechenden neuronalen Muster zu ermöglichen wurde die Segregation und Integration
der Regionen des auditorischen Kortex untersucht. Im vierten und letzten Projekt wurde
ein hochmultimodaler Ansatz,welcher fMRT, EEG, Verhalten undModelle verschiedener Komplexität
beinhaltete, genutzt, umzu evaluieren, wie die zuvor genannten Repräsentationen von
Musik entlang der kortikalen Hierarchie der auditorischen Verarbeitung generiert und wie sie
möglicherweise durch Bottom-up- und Top-down-Ansätze beeinflusst werden. Die Ergebnisse
von Projekt 1 und 2 demonstrierten die Notwendigkeit für weitere Verbesserungen von MRTUntersuchungen
und die Definition eines Funktionsmodells des auditorischen Kortex, daHörxi
xii ZUSAMMENFASSUNG
schwellen und –fähigkeiten stark in Abhängigkeit der verwendeten Datenerwerbsprotokolle
variierten und die Lokalisation, sowie Parzellierung des menschlichen auditorischen Kortex
basierend auf den zugrundeliegenden Ansätzen drastisch divergiert. Projekt 3 zeigte, dass das
menschliche Gehirn tatsächlich eine spezialisierte Repräsentation vonMusik enthält, da selbige
als einzige auditorische Kategorie ein bilaterales Netzwerk mit rechtshemisphärischer Gewichtung
evozierte. Aus diesemNetzwerk, welches die Rekrutierung anteriorer und posteriorer
Teile des auditorischen Kortex beinhaltete, resultierte eine scheinbar abstrakte Repräsentation
von Musik in anterioren Regionen des Gyrus temporalis superior, welche präferiert Musik enkodiert,
ungeachtet ob gesungen oder instrumental. Die Resultate von Projekt 4 deuten darauf
hin, dass der gesamte auditorische Kortex, erneut mit rechtshemisphärischer Gewichtung, an
der komplexen Verarbeitung vonMusik beteiligt ist, besonders aber anteriore Regionen, die bereits
genannten abstrakte Repräsentation hervorrufen, welche sich exzessiv über die Zeitdauer
derWahrnehmung verändert und nicht hinreichend durch eines der getestetenModelle erklärt
werden kann. Die spezialisierten und abstrakten Eigenschaften dieser Repräsentationen wurden
weiterhin durch die prädiktiven Fähigkeiten der getestetenModelle unterstrichen, daModelle,
welche entweder auf höheren Eigenschaften wie Verhaltensrepräsentationen und mentalen
Konzepten oder komplexen akustischen Eigenschaften basierten, stets Modelle, welche
auf niederen Attributen wie simplen akustischen Eigenschaften basierten, übertrafen. Zusätzlich
konnte kein Effekt von Faktoren, wie z.B. musikalisches Training, welche bekanntermaßen
auditorische und daherMusikverarbeitung beeinflussen, nachgewiesen werden.
Zusammengefasst deuten die Ergebnisse der Projekte darauf, hin dass die spezialisierte und
stabile kortikale Repräsentation vonMusik ein Resultat komplexer Prozesse ist, welche eintreffende
Signale entlang der kortikalen Hierarchie auditorischer Verarbeitung in eine abstrakte
Repräsentation vonMusik innerhalb anteriorer Regionen des Gyrus temporalis superior durch
Top-Down-Prozesse, welche mit akustischen Eigenschaften interagieren und deren Verarbeitung
steuern, umwandeln
Amyloid imaging for dementia in clinical practice.
In vivo imaging of brain amyloid using positron emission tomography (PET) scanning is widely used in research studies of dementia, with three amyloid PET ligands being licenced for clinical use. The main clinical use of PET is to help confirm or exclude the likely diagnosis of Alzheimer's disease in challenging cases, where diagnostic uncertainty remains after current clinical and investigative work up. Whilst diagnostically valuable in such select cases, much wider clinical adoption, especially for very early disease, will be limited by both cost and the lack of a currently effective disease-modifying treatment that requires such early case identification. The use of amyloid imaging to appropriately stratify subjects for prognostic studies and therapeutic trials should increase the efficiency and potentially shorten the time of such studies, and its use combined with other biomarkers and genetics will likely lead to new ways of defining and classifying the dementias
Sediment-moss interactions on a temperate glacier: Falljökull, Iceland
Full text of this article can be found at: http://www.igsoc.org/annals/ Copyright IGS. DOI: 10.3189/172756408784700734We present the results of preliminary investigations of globular moss growth on the surface of Falljökull, a temperate outlet glacier of the Vatnajökull ice cap, southern Iceland. Supraglacial debris has provided a basis for moss colonization, and several large (>500 m2) patches of moss growth (Racomitrium spp.) are observed on the surface of the glacier. Each area of moss-colonized supraglacial debris shows a downslope increase in sphericity and moss cushion size and a decrease in percentage surface coverage of moss-colonized and bare clasts. It is suggested that moss growth on supraglacial debris allows preferential downslope movement of clasts through an associated increase in both overall mass and sphericity. Thermal insulation by moss cushions protects the underlying ice surface from melt, and the resulting ice pedestals assist in downslope sliding and toppling of moss cushions. The morphology and life cycle of supraglacial globular mosses is therefore not only closely linked to the presence and distribution of supraglacial debris, but also appears to assist in limited down-glacier transport of this debris. This research highlights both the dynamic nature of the interaction of mosses with supraglacial sedimentary systems and the need for a detailed consideration of their role within the wider glacial ecosystem.Peer reviewe
Looking for a pattern: An MEG study on the abstract mismatch negativity in musicians and nonmusicians
<p>Abstract</p> <p>Background</p> <p>The mismatch negativity (MMN) is an early component of event-related potentials/fields, which can be observed in response to violations of regularities in sound sequences. The MMN can be elicited by simple feature (e.g. pitch) deviations in standard oddball paradigms as well as by violations of more complex sequential patterns. By means of magnetoencephalography (MEG) we investigated if a pattern MMN could be elicited based on global rather than local probabilities and if the underlying ability to integrate long sequences of tones is enhanced in musicians compared to nonmusicians.</p> <p>Results</p> <p>A pattern MMN was observed in response to violations of a predominant sequential pattern (AAAB) within a standard oddball tone sequence consisting of only two different tones. This pattern MMN was elicited even though the probability of pattern deviants in the sequence was as high as 0.5. Musicians showed more leftward-lateralized pattern MMN responses, which might be due to a stronger specialization of the ability to integrate information in a sequence of tones over a long time range.</p> <p>Conclusion</p> <p>The results indicate that auditory grouping and the probability distribution of possible patterns within a sequence influence the expectations about upcoming tones, and that the MMN might also be based on global statistical knowledge instead of a local memory trace. The results also show that auditory grouping based on sequential regularities can occur at a much slower presentation rate than previously presumed, and that probability distributions of possible patterns should be taken into account even for the construction of simple oddball sequences.</p
Wenn der Darm streikt
Zöliakie kommt auch bei Pferden vor, belegen neuere Studien. Als Folge dieser Erkrankung des Verdauungstrakts können Futternährstoffe im Tierkörper nicht mehr vollständig verwertet werden. Betroffene Pferde verlieren Gewicht und leiden an Verdauungsstörungen. Mit einfachen Fütterungsmassnahmen lassen sich die Problemebeheben
Processing of Complex Auditory Patterns in Musicians and Nonmusicians
In the present study we investigated the capacity of the memory store underlying the mismatch negativity (MMN) response in musicians and nonmusicians for complex tone patterns. While previous studies have focused either on the kind of information that can be encoded or on the decay of the memory trace over time, we studied capacity in terms of the length of tone sequences, i.e., the number of individual tones that can be fully encoded and maintained. By means of magnetoencephalography (MEG) we recorded MMN responses to deviant tones that could occur at any position of standard tone patterns composed of four, six or eight tones during passive, distracted listening. Whereas there was a reliable MMN response to deviant tones in the four-tone pattern in both musicians and nonmusicians, only some individuals showed MMN responses to the longer patterns. This finding of a reliable capacity of the short-term auditory store underlying the MMN response is in line with estimates of a three to five item capacity of the short-term memory trace from behavioural studies, although pitch and contour complexity covaried with sequence length, which might have led to an understatement of the reported capacity. Whereas there was a tendency for an enhancement of the pattern MMN in musicians compared to nonmusicians, a strong advantage for musicians could be shown in an accompanying behavioural task of detecting the deviants while attending to the stimuli for all pattern lengths, indicating that long-term musical training differentially affects the memory capacity of auditory short-term memory for complex tone patterns with and without attention. Also, a left-hemispheric lateralization of MMN responses in the six-tone pattern suggests that additional networks that help structuring the patterns in the temporal domain might be recruited for demanding auditory processing in the pitch domain
Neuronal Correlates of Perception, Imagery, and Memory for Familiar Tunes
We used fMRI to investigate the neuronal correlates of encoding and recognizing heard and imagined melodies. Ten participants were shown lyrics of familiar verbal tunes; they either heard the tune along with the lyrics, or they had to imagine it. In a subsequent surprise recognition test, they had to identify the titles of tunes that they had heard or imagined earlier. The functional data showed substantial overlap during melody perception and imagery, including secondary auditory areas. During imagery compared with perception, an extended network including pFC, SMA, intraparietal sulcus, and cerebellum showed increased activity, in line with the increased processing demands of imagery. Functional connectivity of anterior right temporal cortex with frontal areas was increased during imagery compared with perception, indicating that these areas form an imagery-related network. Activity in right superior temporal gyrus and pFC was correlated with the subjective rating of imagery vividness. Similar to the encoding phase, the recognition task recruited overlapping areas, including inferior frontal cortex associated with memory retrieval, as well as left middle temporal gyrus. The results present new evidence for the cortical network underlying goal-directed auditory imagery, with a prominent role of the right pFC both for the subjective impression of imagery vividness and for on-line mental monitoring of imagery-related activity in auditory areas
Klaus Vieweg/Michael Winkler (Hrsg.): Bildung und Freiheit. Ein vergessener Zusammenhang. Paderborn: Schöningh, 2012[Rezension]
Rezension von: Klaus Vieweg/Michael Winkler (Hrsg.): Bildung und Freiheit. Ein vergessener Zusammenhang. Paderborn: Schöningh, 2012, 248 S., EUR 29,90
Sparse Registration - 3D Reconstruction from Pairs of 2D Line Scans
We address a new registration problem: Using a coupled pair of 2d scanners, we capture range data by freely moving the system through the scene. The
registration with regard to six degrees of freedom becomes solvable due to the fact that rst, the pair of line scanners has dierent orientation, and second, we use a volume-oriented algorithm instead of commonly used surface-oriented approaches. We present a method that is based on the idea of preserving the free space represented in each of the scans. The proposed algorithm is evaluated with real range data associated with orientation estimates from an inertia sensor. Additionally, we provide quantitative results with simulated data. In both cases, the algorithm is capable to recover from large translational and moderate rotational errors in the initial conguration
TSPO expression in brain tumours: is TSPO a target for brain tumour imaging?
Positron emission tomography (PET) alone or in combination with MRI is increasingly assuming a central role in the development of diagnostic and therapeutic strategies for brain tumours with the aim of addressing tumour heterogeneity, assisting in patient stratification, and contributing to predicting treatment response. The 18Â kDa translocator protein (TSPO) is expressed in high-grade gliomas, while its expression is comparatively low in normal brain. In addition, the evidence of elevated TSPO in neoplastic cells has led to studies investigating TSPO as a transporter of anticancer drugs for brain delivery and a selective target for tumour tissue. The TSPO therefore represents an ideal candidate for molecular imaging studies. Knowledge of the biology of TSPO in normal brain cells, in-depth understanding of TSPO functions and biodistribution in neoplastic cells, accurate methods for quantification of uptake of TSPO tracers and pharmacokinetic data regarding TSPO-targeted drugs are required before introducing TSPO PET and TSPO-targeted treatment in clinical practice. In this review, we will discuss the impact of preclinical PET studies and the application of TSPO imaging in human brain tumours, the advantages and disadvantages of TSPO imaging compared to other imaging modalities and other PET tracers, and pathology studies on the extent and distribution of TSPO in gliomas. The suitability of TSPO as molecular target for treatment of brain tumours will also be the appraised
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