Hamming distance kernelisation via topological quantum computation

We present a novel approach to computing Hamming distance and its kernelisation within Topological Quantum Computation. This approach is based on an encoding of two binary strings into a topological Hilbert space, whose inner product yields a natural Hamming distance kernel on the two strings. Kernelisation forges a link with the field of Machine Learning, particularly in relation to binary classifiers such as the Support Vector Machine (SVM). This makes our approach of potential interest to the quantum machine learning community

The Interaction of Relativization and Noun Incorporation in Southern Hokkaidō Ainu

This paper focuses on relativization in Southern Hokkaidō Ainu. Specifically, evidential expressions constitute the scope of this study since within this semantic domain a morphosyntactic layout reminiscent of internally-headed relative clauses (IHRCs) is found. Moreover, the structure of some evidential expressions suggests that what gives rise to an IHRC in those instances is classificatory noun incorporation (CNI). Following from past studies on Ainu, where IHRCs and CNI are never discussed, and with reference to cross-linguistic approaches to relativization and incorporation, this study addresses the interaction of these two processes in Southern Hokkaidō Ainu and suggests their reconsideration

Victims and bystanders: Women in the Japanese war-retro film

While war narratives on film generally focus on male characterisation, this article suggests that analysis of female images in the war film can reveal processes of commemoration and memorialisation at work within the war film genre. Taking examples from the ‘war-retro’ genre popular in 1950s–1970s Japan, the author argues that the female image functions as an emotional screen in the war-retro film, anchoring the sympathies and emotions of the viewer to the leading characters and their inherent political affiliations. The female victims and onlookers of the war-retro film draw the sympathies of the viewer and heighten emotional investment in the stakes of the narrative, emotions which are then transferred to the impassive heroes. This article demonstrates the powerful techniques at work within the imagistic structure of the war-retro film which effect a virtual re-writing of history by creating a new collective national memory of war