Narrativa

As histórias, como vias de compreensão da condição humana, têm preocupado a Filosofia desde Aristóteles. O artigo, baseado em uma visão afirmativa da narratividade (Ricoeur, Rorty e MacIntyre), elabora a ideia de que a resistência à narratividade em nome de modelos redutores de cientificismo deverá ceder à compreensão de que a verdade histórica tanto é propriedade do chamado conhecimento objetivo, como do conhecimento narrativo. Num diálogo crítico entre a poética aristotélica e leituras hermenêuticas contemporâneas, discute as relações entre verdade narrativa e memória; ficção e história; catarse e testemunho; identidade narrativa e responsabilidade moral. Considerando as possibilidades de narrativa interativa e não-linear da era digital, a narrativa é considerada um convite à responsividade ética e poética

Heidegger and the Narrativity Debate

One unresolved dispute within Heidegger scholarship concerns the question of whether Dasein should be conceived in terms of narrative self-constitution. A survey of the current literature suggests two standard responses. The first correlates Heidegger’s talk of authentic historicality with that of self-authorship. To the alternative perspective, however, Heidegger’s talk of Dasein’s existentiality, with its emphasis on nullity and unattainability, is taken as evidence that Dasein is structurally and ontologically incapable of being completed via any life-project. Narrativity imports into Being and Time commitments concerning temporality, selfhood, and ethics, which Heidegger rejects. Although both positions find good exegetic support for their conclusions, they can’t both be right. In this article, I navigate a path between these two irreconcilable positions by applying insights derived from recent debates within Anglo-American literature on personal identity. I develop an alternative thesis to Narrativism, without rejecting it outright, by arguing that Dasein can be analysed in terms of what I call “narratability conditions.” These allow us to make sense of the prima facie paradoxical notion of “historicality without narrativity.” Indeed, rather than reconciling the two standard positions, I hold that the tension between them says something important about Dasein’s kind of existence. Thus I conclude that while the narrativist question “Who ought I to be?” is perfectly legitimate within limits, what the existential analysis of the limits on narratability reveals is that no answer to this question can ever be definitive

A cultural meaning of The New Yorker ‘Lawyer cartoon’

This essay concerns itself with the Lawyer cartoon, a thematic subgenre of the ‘‘The New Yorker Magazine’’ cartoon, which focuses on the legal profession in the US context. An examination of the cultural meaning of this phenomenon is carried out on the strength of ethnography of communication, which discloses the cartoon as a cultural, social and rhetorical artifact. Among the findings of this study are the structural components, functions, and the rules of configuring the Lawyer cartoon toward it becoming a matter of ‘‘risibility’’ as well as a matter of cultural symbolism. By presenting the attorney as an abnormal character with excessive and hypocritical characteristics, the Lawyer cartoon points to the ascriptions of a disrupted self, making the profession appear as fundamentally inauthentic

Football Fandom and Authenticity: A Critical Discussion of Historical and Contemporary Perspectives

Many debates within the sociology of football fandom allude to the ostensible lack of authenticity, or the idea that all forms of football fandom in the present day are merely different forms of post-fandom (Redhead, 1997; King, 1998; Crabbe et al, 2006), and are categorised as such (Giulianotti 2002, Crabbe et al, 2006). It is stated by scholars that to consider one football fan being more authentic than another is problematic. This paper will critically discuss the relevant football fandom literature indelibly linked to fan typologies and authenticity to consider the implications of football support for shaping football fans identities and what this tells us about what it really means to be an ‘authentic’ football fan, in what Bauman (2000) calls a liquid modern society underpinned by consumerism