Strike, occupy, transform! Students, subjectivity and struggle

This article uses student activism to explore the way in which activists are challenging the student as consumer model through a series of experiments that blend pedagogy and protest. Specifically, I suggest that Higher Education is increasingly becoming an arena of the postpolitical, and I argue that one of the ways this student-consumer subjectivity is being (re)produced is through a series of ‘depoliticisation machines’ operating within the university. This article goes on to claim that in order to counter this, some of those resisting the neoliberalisation of higher education have been creating political-pedagogical experiments that act as ‘repoliticisation machines’, and that these experiments countered student-consumer subjectification through the creation of new radical forms of subjectivity. This paper provides an example of this activity through the work of a group called the Really Open University and its experiments at blending, protest, pedagogy and propaganda

Cultural Activism and the Politics of Place-Making

In this paper, we explore the relationship between creative practice, activism and urban place-making by considering the role they play in the construction of meaning in urban spaces. Through an analysis of two activist groups based in Stokes Croft, Bristol (UK), we argue that cultural activism provides new political prospects within the wider context of global capitalism through the cultivation of a shared aesthetics of protest. By cultivating aspects of shared history and a mutual enthusiasm for creative practice as a form of resistance, Stokes Croft has emerged as a ‘space of nurturance’ for creative sensibilities. However, we note how Stokes Croft as an autonomous space remains open-ended and multiple for activists interested in promoting different visions of social justice

Alchemist of the revolution: the affective materialism of Georges Bataille

This article examines Georges Bataille?s notion of revolution?as?festival and his attempt, in his writing of the 1930s, to place theories of affect within the framework of Marxist philosophy. Against the various negative characterisations of this project, it looks at Bataille?s ideas in this period in context, in order to understand their vivid contradictions as an attempt to assert a positive project of affect?s utility to the Left, within and against negative categories in early twentieth?century cultural and critical thought

Lives of the Orange Men A Biographical History of the Polish Orange Alternative Movement

Between 1981 and 1989 in Wroclaw Poland, in an atmosphere in which dissent was forbidden and martial law a reality, the art-activist Orange Alternative movement developed and deployed their "socialist sur-realism" in absurd street-painting and large-scale performances comprising tens of thousands of people dressed as dwarves, in an effort to destabilize the Communist government. It worked. Beginning with the ?dialectical painting? of dwarves onto the patches of white paint all over the city?s walls, which uncannily marked the censorship of opposition slogans, the group moved on to both stage happenings and over-enthusiastically embrace official Soviet festivals in a way that transformed both of these into mass expressions of dissent. They illegally restaged the mass spectacle of the storming of the Winter Palace on the anniversary of the October Revolution using their own homemade tanks; organized patriotic gatherings in which anyone waving red flags or wearing red (or eating red borscht, or covering oneself in ketchup) was arrested; and inspired other Orange Alternative groups to appear across the country. Although the group existed to the left of the mainstream opposition of Solidarity, their art was a key, acknowledged factor in the overthrow of the Communist government. Lives of the Orange Men tells the story of the movement?s main protagonists, and is the first stand-alone English-language account of the Orange Alternative, written autobiographically by is central figure, and featuring an appendix of newly translated key texts including Major?s "Manifesto of Socialist Surrealism," a timeline of every Orange Alternative happening, and a new foreword from the Yes Men