La IAML e la documentazione della musica a livello internazionale

IAML (the International Association of Music Libraries, Archives and Documentation Centres), founded in 1951, is structured in professional branches, thematic committees, working groups about specific problems. It carries on an outreach activity, to materials and helps training qualified staff in the so called "developing Countries". From his foundation, IAML has started various projects with other international associations (specifically the International Musicological Society), producing musicological and bibliographical repertoires: RISM (Répertoire International des Sources Musicales), RILM (Répertoire International de Littérature Musicale), RIPM (Répertoire International de la Presse Musicale), and RIdIM (Répertoire International d'Iconographie Musicale). From the 50's, IAML has published the Code international de catalogage de la musique, and the Terminorum musicae index septem linguis redactus. IAML co-operates with the International Federation of Library Associations (IFLA) in developing cataloguing standards and formats, like the bibliographic description standard ISBD(PM) and the UNIMARC format, proposing new tags maintaining code tables for music cataloguing; nowadays new perspectives are open by information retrieval and by multimedia retrieval

Problemi di organizzazione dell’authority control in campo musicale: nomi e titoli convenzionali [Versione italiana presentata alla Conferenza internazionale] = Authority control in the field of the music: names and titles [English version presented at the International Conference]

Parallel to the worldwide dissemination of music is the dissemination of musical documents, presenting some typical characters that differentiate it from the dissemination of literary documents. Music notation is a much more complicated and expensive process than text writing, thus music manuscripts have been widely used until the mid-20th century and are now large part of materials preserved in libraries. Thus compelled by the circumstances, music librarianship recognised by the mid-20th century the need to focus the cataloguing process on all kinds of documents preserving music and information about musical events, regardless of the materials, and developed international repertories, reference tools and standards

La IAML e la documentazione della musica a livello internazionale

IAML (the International Association of Music Libraries, Archives and Documentation Centres), founded in 1951, is structured in professional branches, thematic committees, working groups about specific problems. It carries on an outreach activity, to materials and helps training qualified staff in the so called "developing Countries". From his foundation, IAML has started various projects with other international associations (specifically the International Musicological Society), producing musicological and bibliographical repertoires: RISM (Répertoire International des Sources Musicales), RILM (Répertoire International de Littérature Musicale), RIPM (Répertoire International de la Presse Musicale), and RIdIM (Répertoire International d'Iconographie Musicale). From the 50's, IAML has published the Code international de catalogage de la musique, and the Terminorum musicae index septem linguis redactus. IAML co-operates with the International Federation of Library Associations (IFLA) in developing cataloguing standards and formats, like the bibliographic description standard ISBD(PM) and the UNIMARC format, proposing new tags maintaining code tables for music cataloguing; nowadays new perspectives are open by information retrieval and by multimedia retrieval

Problemi di organizzazione dell’authority control in campo musicale: nomi e titoli convenzionali [Versione italiana presentata alla Conferenza internazionale] = Authority control in the field of the music: names and titles [English version presented at the International Conference]

Parallel to the worldwide dissemination of music is the dissemination of musical documents, presenting some typical characters that differentiate it from the dissemination of literary documents. Music notation is a much more complicated and expensive process than text writing, thus music manuscripts have been widely used until the mid-20th century and are now large part of materials preserved in libraries. Thus compelled by the circumstances, music librarianship recognised by the mid-20th century the need to focus the cataloguing process on all kinds of documents preserving music and information about musical events, regardless of the materials, and developed international repertories, reference tools and standards

IFLA Library Reference Model (LRM) : Un modello concettuale per le informazioni bibliografiche

IFLA Library Reference Model (LRM) is a high-level conceptual reference model developed within an entity-relationship modelling framework. It is the consolidation of the separately developed IFLA conceptual models: FRBR, FRAD, FRSAD. IFLA LRM was developed to resolve inconsistencies between the three separate models. Every user task, entity, attribute and relationship from the original three models was examined, definitions had to be revised, but also some remodelling was required in order to develop a meaningful consolidation. The result is a single, streamlined, and logically consistent model that covers all aspects of bibliographic data and that at the same time brings the modelling up-to-date with current conceptual modelling practices. IFLA LRM was designed to be used in linked data environments and to support and promote the use of bibliographic data in linked data environments

Music Presentation Format: Toward a Cataloging Babel?

<div><p>This case study on cataloging notated music focuses on music presentation format, and the use of controlled vocabularies in a multilingual context, when concepts do not have corresponding terms in one or more languages, and when common language terms are mixed with technical terms in a specialized context. Issues concern the terminological correspondence among different languages, and the consequent risks if only one language is taken into account or the meaning of one word is arbitrarily altered; English linguistic pragmatism may lead to wrong conceptual results when it points directly to the result of a process, while other languages focus on the process needed to obtain that result. Considerations on the use of codes in MARC formats and on how music presentation is treated in Functional Requirements for Bibliographic Records (FRBR) are included, and numerous illustrated examples, understandable even by non-music experts, support the article.</p></div

国际标准书目著录(ISBD)（2011年统一版之2021年更新版）

Chinese translation of the 2021 Update to the 2011 Consolidated Edition of ISB