To Dwell for the Postcolonial

Non

The Work of Staying-With

There is a breathlessness to Frantz Fanon’s Black Skin, White Masks. Fanon leaves us in no doubt that he is an author with a great deal to say about matters, among which racism, colonialism and the effect of both on the black body and psyche are his preeminent concern, that are politically urgent. As they are. Such is Fanon’s urgency that he uses every resource at his disposal – works of literature that turn on the colonial condition, psychoanalysis (from Freud to Lacan with the likes of Mannoni in between), as well as the occasional philosophical invocation (Hegel is a presence if by no means a fleshed-out one; although, it must be said, it is Jean-Paul Sartre who is called to do duty most often). Although Fanon suggests that he considered presenting Black Skin, White Masks as a doctoral thesis, one finds it difficult to imagine such a prospect, in no small measure because the project is so stylistically incoherent. Black Skin, White Masks is an admixture of the anecdotal (Fanon has no trouble extracting political or psychoanalytic conclusions from his personal encounters; a tendency which applies as much to his Martinican past as to his experience of living in France; a tendency that extends to making deductions based on his observations in colonized Algeria), the psychoanalytic, the implicitly philosophical and the rhetorical. That is, the rhetorical in the sense that this is how Fanon structures his argument: through the declarative, through declamation. A scientific work Black Skin, White Masks is not.

Letting-be: Dwelling, Peace and Violence in Ngugi wa Thiong’o’s Petals of Blood

It is dwelling that allows mortals to initiate themselves in time and space. As such, dwelling constitutes the event of being. In his essay “Building Dwelling Thinking,” Martin Heidegger stipulates that dwelling can only be achieved through harmonious relations among the constituents, earth, sky, mortals and gods (“divinities”), of the “fourfold.” Heidegger writes, “To preserve the fourfold, to save the earth, to receive the sky, to await the divinities, to initiate mortals – this fourfold preserving is the simple essence of dwelling.” Initiating themselves in time and space is the great difficulty that the residents of Ilmorog, the remote village in postcolonial Kenya in which Ngugi wa Thiong’o’s novel Petals of Blood is set, experience; in Petals of Blood, dwelling is what defines mortals’ being

Introduction: The Persistence of Dwelling

Each of the essays collected here presents one or more flashpoints or crises in a history of 20th- and 21st-century dwelling

«Nostalgieria»: Derrida przed i po Frantzu Fanonie

Monolingualism ofthe Other; or, The Prosthesis of Origin (MO) Jacques Derrida (1998) takes up Frantz Fanon's project in The Wretched of the Earth (WE) at its very core. Derrida thinks "decolonization" from the very place for which Fanon— and from which Derrida, symbolically and metonymically—struggled and wrote, Algeria. The author explores the experience of writing "nostalgerically.

Growth of Islamic Banking in Middle East and South Asian Countries

The main purpose of this article is to check the growth and trend of Islamic banking and finance in the world of finance. It shows the globalization of Islamic banking through total assets of Islamic banks of different countries of the Middle East and South Asia. The findings hold that Islamic banking is becoming more popular and making so many improvements day by day as compare to conventional banking system throughout the world. The growing hubs of Islamic Banks provide the base line and launching pad for the promotion of Islamic banking and finance in the world market. Especially, the increase in oil prices in the Middle East Countries made the economy strong and prolong boom in the market and this factor is the cause of successful Islamic Banking in the Middle East Countries. The total assets of top class Islamic Banks of Middle East Countries (Bahrain, Iran, Jordan, Kuwait, and Lebanon) and South Asian Countries (Pakistan, Bangladesh) shows the growth and advancements of Islamic banking within the globe. This article focuses on the globalization of Islamic banking by showing the total assets in (USD million) of Islamic banks of Middle East and South Asia. For this purpose the annual reports of the perspective Islamic Banks have been taken and total assets have been showed by converting different currencies into one currency in USD million. It reflects that how the Muslim governments and Muslim community are enjoying the Islamic banking (Interest free Banking) and finance and Islamic banking is promoting day by day throughout the world

Determinants of Banks Profitability: A Comparative Study of Islamic Verses Non Islamic, Foreign Verses Local, and Public Verses Private Banks in Pakistan

This study examines the determinants of banks profitability in Pakistan. The main objectives of the study are to determine the factors that influence banks profitability in Pakistan and to make recommendations for management decision making and policy objectives. A panel data of 25 banks (commercial, Islamic, foreign and local banks) in Pakistan was analyzed over period of 2006-2015, using panel data regression method to estimate common, fixed and random effect regression models. The two key measures of profitability (dependent variables) analyzed in this study comprised of ROA and Return ROE. The bank-specific factors were incorporated into the regression models, were Credit risk, Expenses Management, Deposits to total assets, non-interest income and size. The results for the ROA model indicate that size and deposit to total assets of bank is positively significant to bank profitability while credit risk, expenses management and non interest income are negatively affect the profitability. Moreover the results of ROE model indicates that credit risk and NII are negatively significant and Size is positively significant with banks profitability. This study also indicates the comparison between Islamic verses non Islamic, Foreign verses local, and public verses private banks which shows there different results on banks profitability

“some kind of thing it aint us but yet its in us”: David Mitchell, Russell Hoban, and metafiction after the millennium

This article appraises the debt that David Mitchell’s Cloud Atlas owes to the novels of Russell Hoban, including, but not limited to, Riddley Walker. After clearly mapping a history of Hoban’s philosophical perspectives and Mitchell’s inter-textual genre-impersonation practice, the article assesses the degree to which Mitchell’s metatextual methods indicate a nostalgia for by-gone radical aesthetics rather than reaching for new modes of its own. The article not only proposes several new backdrops against which Mitchell’s novel can be read but also conducts the first in-depth appraisal of Mitchell’s formal linguistic replication of Riddley Walker

The Errant Labor of the Humanities: Festschrift Presented to Stipe Grgas

In preparing this Festschrift, we had in mind a specific inflection of the concept of errancy, one that comes from the rich and layered work of the American scholar and philosopher William V. Spanos, who conceived it as a way of rendering the logos and telos of the American project subject to thorough rethinking and redefinition, both in history and at present. By calling attention to the complementarity of the work of the two scholars, Grgas and Spanos, who both hone their critical skills on the theme of the logic of the American project, we do not so much intend to claim a direct influence but rather wish to highlight the confluence, commingling, and inspiration that working in the humanities may engender. This commonality is featured in the work of Spanos and in the work of Grgas as a dedicated and passionate engagement with the practices and possibilities inscribed in the discipline, which also requires the scholar to move beyond the given and inhabit what Spanos calls a meta-level of thinking. Grgas’s work, located at the intersection of several disciplines within the humanities and social sciences (which is reflected in the principal themes of this Festschrift), reveals precisely such a commitment that has in the course of his long, fruitful and versatile career charted out a scholarly position always in the process of becoming, and never quite stabilized and domesticated. Grgas’s academic career has been as diverse as the humanistic disciplinary habitus allows: a provocative and popular lecturer, a researcher of tireless intellectual curiosity, a scholar testing the boundaries of disciplines, an enthusiastic and motivating mentor, a thoughtful and sensitive translator, or, as one of the contribution shows, an unobtrusive poet, Grgas has always displayed a remarkable intellectual energy in every aspect of his engagement with the varied and nowadays often embattled debates in the humanities. However, Grgas’s work as an Americanist, cultural theorist, translator, writer, mentor, and teacher doesn’t merely reflect the exciting, if uncontainable, shifts marking the discipline in the last couple of decades; rather, his intellectual labor has been committed to offering a new way of comprehending this change, its scope, direction, and consequences, so as to create an intense web of connections and interrelations where different disciplines talk to one another, without hastening to provide answers so much as to provoke the right kind of questions. The questioning and questing nature of Grgas’s work has marked his writing from the start, but it has intensified in his later writing as the humanities find themselves facing a whole new set of questions for the new millennium. His sustained effort to bring a new awareness of economic issues to discussions of culture and literature in the recent period has been both timely and critically engaged in its reflection on why this issue is particularly significant at this point in history. The layout of the Festschrift may be said to loosely reflect and acknowledge Grgas’s scholarly interests that have charted out his career in the field of the humanities. (from the Editors’ Preface)In preparing this Festschrift, we had in mind a specific inflection of the concept of errancy, one that comes from the rich and layered work of the American scholar and philosopher William V. Spanos, who conceived it as a way of rendering the logos and telos of the American project subject to thorough rethinking and redefinition, both in history and at present. By calling attention to the complementarity of the work of the two scholars, Grgas and Spanos, who both hone their critical skills on the theme of the logic of the American project, we do not so much intend to claim a direct influence but rather wish to highlight the confluence, commingling, and inspiration that working in the humanities may engender. This commonality is featured in the work of Spanos and in the work of Grgas as a dedicated and passionate engagement with the practices and possibilities inscribed in the discipline, which also requires the scholar to move beyond the given and inhabit what Spanos calls a meta-level of thinking. Grgas’s work, located at the intersection of several disciplines within the humanities and social sciences (which is reflected in the principal themes of this Festschrift), reveals precisely such a commitment that has in the course of his long, fruitful and versatile career charted out a scholarly position always in the process of becoming, and never quite stabilized and domesticated. Grgas’s academic career has been as diverse as the humanistic disciplinary habitus allows: a provocative and popular lecturer, a researcher of tireless intellectual curiosity, a scholar testing the boundaries of disciplines, an enthusiastic and motivating mentor, a thoughtful and sensitive translator, or, as one of the contribution shows, an unobtrusive poet, Grgas has always displayed a remarkable intellectual energy in every aspect of his engagement with the varied and nowadays often embattled debates in the humanities. However, Grgas’s work as an Americanist, cultural theorist, translator, writer, mentor, and teacher doesn’t merely reflect the exciting, if uncontainable, shifts marking the discipline in the last couple of decades; rather, his intellectual labor has been committed to offering a new way of comprehending this change, its scope, direction, and consequences, so as to create an intense web of connections and interrelations where different disciplines talk to one another, without hastening to provide answers so much as to provoke the right kind of questions. The questioning and questing nature of Grgas’s work has marked his writing from the start, but it has intensified in his later writing as the humanities find themselves facing a whole new set of questions for the new millennium. His sustained effort to bring a new awareness of economic issues to discussions of culture and literature in the recent period has been both timely and critically engaged in its reflection on why this issue is particularly significant at this point in history. The layout of the Festschrift may be said to loosely reflect and acknowledge Grgas’s scholarly interests that have charted out his career in the field of the humanities. (from the Editors’ Preface

The Errant Labor of the Humanities: Festschrift Presented to Stipe Grgas

In preparing this Festschrift, we had in mind a specific inflection of the concept of errancy, one that comes from the rich and layered work of the American scholar and philosopher William V. Spanos, who conceived it as a way of rendering the logos and telos of the American project subject to thorough rethinking and redefinition, both in history and at present. By calling attention to the complementarity of the work of the two scholars, Grgas and Spanos, who both hone their critical skills on the theme of the logic of the American project, we do not so much intend to claim a direct influence but rather wish to highlight the confluence, commingling, and inspiration that working in the humanities may engender. This commonality is featured in the work of Spanos and in the work of Grgas as a dedicated and passionate engagement with the practices and possibilities inscribed in the discipline, which also requires the scholar to move beyond the given and inhabit what Spanos calls a meta-level of thinking. Grgas’s work, located at the intersection of several disciplines within the humanities and social sciences (which is reflected in the principal themes of this Festschrift), reveals precisely such a commitment that has in the course of his long, fruitful and versatile career charted out a scholarly position always in the process of becoming, and never quite stabilized and domesticated. Grgas’s academic career has been as diverse as the humanistic disciplinary habitus allows: a provocative and popular lecturer, a researcher of tireless intellectual curiosity, a scholar testing the boundaries of disciplines, an enthusiastic and motivating mentor, a thoughtful and sensitive translator, or, as one of the contribution shows, an unobtrusive poet, Grgas has always displayed a remarkable intellectual energy in every aspect of his engagement with the varied and nowadays often embattled debates in the humanities. However, Grgas’s work as an Americanist, cultural theorist, translator, writer, mentor, and teacher doesn’t merely reflect the exciting, if uncontainable, shifts marking the discipline in the last couple of decades; rather, his intellectual labor has been committed to offering a new way of comprehending this change, its scope, direction, and consequences, so as to create an intense web of connections and interrelations where different disciplines talk to one another, without hastening to provide answers so much as to provoke the right kind of questions. The questioning and questing nature of Grgas’s work has marked his writing from the start, but it has intensified in his later writing as the humanities find themselves facing a whole new set of questions for the new millennium. His sustained effort to bring a new awareness of economic issues to discussions of culture and literature in the recent period has been both timely and critically engaged in its reflection on why this issue is particularly significant at this point in history. The layout of the Festschrift may be said to loosely reflect and acknowledge Grgas’s scholarly interests that have charted out his career in the field of the humanities. (from the Editors’ Preface)In preparing this Festschrift, we had in mind a specific inflection of the concept of errancy, one that comes from the rich and layered work of the American scholar and philosopher William V. Spanos, who conceived it as a way of rendering the logos and telos of the American project subject to thorough rethinking and redefinition, both in history and at present. By calling attention to the complementarity of the work of the two scholars, Grgas and Spanos, who both hone their critical skills on the theme of the logic of the American project, we do not so much intend to claim a direct influence but rather wish to highlight the confluence, commingling, and inspiration that working in the humanities may engender. This commonality is featured in the work of Spanos and in the work of Grgas as a dedicated and passionate engagement with the practices and possibilities inscribed in the discipline, which also requires the scholar to move beyond the given and inhabit what Spanos calls a meta-level of thinking. Grgas’s work, located at the intersection of several disciplines within the humanities and social sciences (which is reflected in the principal themes of this Festschrift), reveals precisely such a commitment that has in the course of his long, fruitful and versatile career charted out a scholarly position always in the process of becoming, and never quite stabilized and domesticated. Grgas’s academic career has been as diverse as the humanistic disciplinary habitus allows: a provocative and popular lecturer, a researcher of tireless intellectual curiosity, a scholar testing the boundaries of disciplines, an enthusiastic and motivating mentor, a thoughtful and sensitive translator, or, as one of the contribution shows, an unobtrusive poet, Grgas has always displayed a remarkable intellectual energy in every aspect of his engagement with the varied and nowadays often embattled debates in the humanities. However, Grgas’s work as an Americanist, cultural theorist, translator, writer, mentor, and teacher doesn’t merely reflect the exciting, if uncontainable, shifts marking the discipline in the last couple of decades; rather, his intellectual labor has been committed to offering a new way of comprehending this change, its scope, direction, and consequences, so as to create an intense web of connections and interrelations where different disciplines talk to one another, without hastening to provide answers so much as to provoke the right kind of questions. The questioning and questing nature of Grgas’s work has marked his writing from the start, but it has intensified in his later writing as the humanities find themselves facing a whole new set of questions for the new millennium. His sustained effort to bring a new awareness of economic issues to discussions of culture and literature in the recent period has been both timely and critically engaged in its reflection on why this issue is particularly significant at this point in history. The layout of the Festschrift may be said to loosely reflect and acknowledge Grgas’s scholarly interests that have charted out his career in the field of the humanities. (from the Editors’ Preface