In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy

International audienceWe demonstrate multimodal nonlinear optical imaging of historical artifacts by combining Second Harmonic Generation (SHG) and Two-Photon Excited Fluorescence (2PEF) microscopies. We first identify the nonlinear optical response of materials commonly encountered in coatings of cultural heritage artifacts by analyzing one- and multi-layered model samples. We observe 2PEF signals from cochineal lake and sandarac and show that pigments and varnish films can be discriminated by exploiting their different emission spectral ranges as in luminescence linear spectroscopy. We then demonstrate SHG imaging of a filler, plaster, composed of bassanite particles which exhibit a non centrosymmetric crystal structure. We also show that SHG/2PEF imaging enables the visualization of wood microstructure through typically 60 µm-thick coatings by revealing crystalline cellulose (SHG signal) and lignin (2PEF signal) in the wood cell walls. Finally, in situ multimodal nonlinear imaging is demonstrated in a historical violin. SHG/2PEF imaging thus appears as a promising non-destructive and contactless tool for in situ 3D investigation of historical coatings and more generally for wood characterization and coating analysis at micrometer scale. © 2012 OS

Multiphoton microscopy : an efficient tool for in situ study of historical artifacts

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Media 2: In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy

Originally published in Optics Express on 22 October 2012 (oe-20-22-24623

Media 4: In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy

Originally published in Optics Express on 22 October 2012 (oe-20-22-24623

Media 3: In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy

Originally published in Optics Express on 22 October 2012 (oe-20-22-24623

Media 1: In situ 3D characterization of historical coatings and wood using multimodal nonlinear optical microscopy

Originally published in Optics Express on 22 October 2012 (oe-20-22-24623

Synchrotron DUV luminescence micro-imaging to identify and map historical organic coatings on wood

International audienceDeep ultraviolet (DUV) photoluminescence (PL) microimaging is an emerging approach to characterise materials from historical artefacts (see M. Thoury, J.-P. Echard, M. Réfrégiers, B. H. Berrie, A. Nevin, F. Jamme and L. Bertrand, Anal. Chem., 2011, 83, 1737–1745). Here we further assess the potential of the method to access a deeper understanding of multi-layered varnishes coating wooden violins and lutes. Cross-section micro samples from important 16th- to 18th-century instruments were investigated using synchrotron PL microimaging and microspectroscopy. Excitation was performed in the DUV and the near ultraviolet (NUV) regions, and emission recorded from the DUV to the visible region, at a submicrometric spatial resolution. Intercomparison of microspectroscopy and microimaging was made possible by radiometrically correcting PL spectra both in excitation and emission. Based on an optimised selection of emission and excitation bands, the specific PL features of the organic binding materials allowed a vastly enhanced discrimination between collagen-based sizing layers and oil/resin-based layers compared to epiluminescence microscopy. PL therefore appears to be a very promising analytical tool to provide new insights into the diversity of surface coating techniques used by instrument-makers. More generally, our results demonstrate the potential of synchrotron PL for studying complex heterogeneous materials beyond the core application of the technique to life sciences

Historical linseed oil/colophony varnishes formulations: Study of their molecular composition with micro-chemical chromatographic techniques

International audienceMixtures of siccative oil and Pinaceae resin were among the most widespread formulations used for varnishing in the 16th–18th centuries. The aim of this research is to study the molecular composition of different formulations of varnishes based on linseed oil and colophony. The mixtures were prepared by cooking both raw materials in different proportions, following the outlines of historical recipes gathered in treatises and manuscripts from that period. Size exclusion chromatography (SEC) evidenced the presence of numerous oligomeric compounds from linseed oil and colophony. Analysis using Electrospray-Quadrupole-Time of Flight mass spectrometer (ESI-Q-ToF) allowed the characterization of oligomeric compounds from colophony. In particular, structures of dimeric diterpenic acid units attached by ester, ether, anhydride or keto linkage are proposed. Concerning linseed oil, oxidized and chain-shortened triglycerides were characterized with High Performance Liquid Chromatography coupled with Electrospray-Quadrupole-Time of Flight mass spectrometer (HPLC–ESI-Q-ToF). SEC quantitation of compounds allowed us to assess the influence of the oil to colophony ratio on the molecular composition of the varnishes: oil polymerization appears to be minimized in favor of its hydrolysis in presence of colophony, whereas linseed oil seems to inhibit the formation of diterpenic dimers and trimers. In addition, analyses evidence the reaction of diterpenic acids with linseed oil compounds. In particular, we identified hybrid molecules formed by a diglyceride and a diterpenic acid. Addition products of a of a triglyceride and a diterpenic acid may also be present in the mixtures. These results bring new information about the molecular composition of varnishes made from linseed oil and colophony, and will improve the knowledge of historical varnishes. To this purpose, all analytical protocols were implemented on micro-samples so that they could be applied later on ancient artifacts