Giovani e lavoro. NEET: motivazioni e caratteristiche de fenomeno nel territorio triestino a partire dall'esperienza dei partecipati al progetto Garanzia Giovani FVG

4siIl rapporto di ricerca contiene i risultati di una indagine statistica e di una ricerca campionaria che esplora il vissuto e le strategie dei giovani appartenenti alla categoria dei NEET nel mercato del lavoro, con particolare riferimento alla realtà delle provincia di TriesteSi tratta di un rapporto di ricercaopenopenBLASUTIG, GABRIELE; GRECO, DONATELLA; ISCRA, MATEJ; ZANETTI, CHIARABlasutig, Gabriele; Greco, Donatella; Iscra, Matej; Zanetti, Chiar

Comunicação e territorialidades : poder e cultura, redes e mídias

Daniela Zanetti e Ruth Reis, organizadora

Eradication of brown trout (Salmo trutta Linnaeus, 1758) population in the Rosandra stream (Friuli Venezia Giulia, Northeast Italy)

7openopenBertoli M., Franz F., Zanetti M., Bandi E., Manfrin C., Pallavicini A., Pizzul E.Bertoli, M.; Franz, F.; Zanetti, M.; Bandi, E.; Manfrin, C.; Pallavicini, A.; Pizzul, E

Le ‘convenienze teatrali’: i cantanti nelle caricature di Anton Maria Zanetti

The Venetian engraver and collector Anton Maria Zanetti, quondam Girolamo the Elder, amused himself by caricaturing well known people of his time, above all operatic singers and other figures from musical theatre at the beginning of the eighteenth century. Zanetti’s graphic satire can be considered the visual equivalent of the famous Teatro alla moda by Benedetto Marcello: there are exact similarities between the biting literary portraits of male and female singers by the aristocratic Venetian composer and the figurative caricatures of castrati and prime donne by Zanetti. The works of both, full of hilarious wit and inveterate prejudices, are part of that satirical movement which accompanied the commercial musical theatre from its beginnings. This critical essay analyses some caricatures of the most famous singers of the time by Zanetti, and appraises the importance of the satirizing of the so-called convenienze teatrali shared by Marcello’s Teatro alla moda.L’incisore e collezionista veneziano Anton Maria Zanetti quondam Girolamo il vecchio si divertì a mettere in caricatura protagonisti del suo tempo, soprattutto cantanti d’opera e altre figure attinenti al teatro musicale del primo Settecento. La satira grafica zanettiana può considerarsi per molti aspetti l’equivalente visivo del celebre Teatro alla moda di Benedetto Marcello: puntuali le corrispondenze tra i graffianti ritratti letterari di virtuosi e canterine dell’aristocratico musicista veneziano e le icastiche caricature di castrati e primedonne di Zanetti. Gli uni e le altre, colmi di arguzie impagabili e inossidabili pregiudizi, rientrano in quel filone satirico che accompagna il teatro d’opera dei circuiti commerciali fin dai suoi esordi. Il saggio prende in considerazione alcune caricature zanettiane dei più noti cantanti dell’epoca, ponendo in valore quella satira delle cosiddette ‘convenienze teatrali’ condivisa dal libello marcelliano.

Comment on Véronique Zanetti: On Moral Compromise

In this article, I criticize Véronique Zanetti on the topic of moral compromise. As I understand Zanetti, a compromise could only be called a “moral compromise” if (i) it does not originate under coercive conditions, (ii) it involves conflict whose subject matter is moral, and (iii) “the parties support the solution found for what they take to be moral reasons rather than strategic interests.” I offer three criticisms of Zanetti. First, Zanetti ignores how some parties may not have reason to seek social peace at all. Zanetti’s claim that there is consensus on the aim of social peace can involve idealising away from disagreement in a manner that Zanetti accuses Rawls of. Second, even if there is consensus on the aim of seeking social peace, this leaves open the possibility of disagreement about which society different people should belong to. This idealises away from real world conflict concerning borders. Indeed, Zanetti does not mention that her ‘central example’ of moral disagreement, the German Abortion compromise, was enacted in the wake of German reunification. Third, there are at least two things that can be called the ‘German Abortion compromise.’ The compromise that Zanetti speaks of was imposed by the German Federal Constitutional Court. The court declared unconstitutional a law passed in 1992 that had been negotiated in parliament. Zanetti does not dwell on this lack of democratic credentials. Even the substance of the court-imposed solution is itself a dubious example of a moral compromise between parties based on what is acceptable to their reason. (penultimate version - If you would like the .pdf of the final version for personal scholarly use, please contact me through the email address on my profile or my CV.

Urinary incontinence related to perineal muscle strength in the first trimester of pregnancy: cross-sectional study

Objective To analyze pelvic floor muscle strength (PFMS), urinary continence and quality of life related to urinary incontinence (UI) of women in the first trimester of pregnancy. Method Cross-sectional study with a sample of 500 women who started prenatal care in a complementary healthcare facility in Guarulhos, state of São Paulo, from 2012 and 2013. Pelvic floor muscle strength was evaluated through perineometry. The pregnant women who presented UI answered the International Consultation on Incontinence Questionnaire-Short Form (ICIQ-SF). Results It was found that maternal age (OR=1.06; CI95% 1.02-1.11) and prior UI (OR=15.12; 95%CI 8.19-27.92) are the variables that, in tandem, best explain the occurrence of UI at the beginning of pregnancy. The mean score on the ICIQ-SF was 8.2 (SD=3.9), considered a moderate impact on quality of life. Conclusion Older pregnant women with prior UI are more likely to have UI in the first trimester of pregnancy.
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