Artists' Books Online: From Prototype to Distributed Community

Artists' books are original works of art produced in traditional and experimental formats. An increasing number of scholars are taking an interest in this field. But critical scholarship depends on having access to these works - many of which are rare, out-of-print, and difficult to locate. Artists' Books Online is a networked digital resource designed to provide access to these books in virtual facsimile as page images accompanied by extensive metadata in a form that creates substantial commentary. The infrastructure of the ABsOnline prototype has been designed to aggregate materials that are geographically dispersed into a single "collection" of online objects. NEH funded activity would test a model of "distributed content development" for the repository. By working with a handful of selected collaborators, I will test the viability of building a community of contributors and scaling this prototype of collaborative, online scholarship

The Word Made Flesh

[23] leaves. Cover title. Author\u27s name, Johanna Drucker, appears in copyright statement. Printed by Johanna Drucker between December 1988 and January 1989 .. at the Bow and Arrow Press. Of 55 copies this is #41 --Colophon. Signed by the artist.https://digitalcommons.risd.edu/specialcollections_artistsbooks/1495/thumbnail.jp

Amusements Électroniques

An 1842 compendium of literary curiosities assembled by bibliophile Gabriel Peignot presents a collection of works and rules for their composition that has interesting correlations with electronic, computational, and digital productions of poetic works. Because these works were written under constraint, their rule-bound approach has an algorithmic character that can be compared with the compositional tactics used in computational work. This paper analyzes Peignot’s collection in terms slightly different from those on which he organized his compendium. Rather than sort the works in a typology of formal properties, this paper presents a typology of production methods and compositional techniques. Though not all electronic approaches are anticipated by the works collected in Peignot’s remarkable work, the range and variety of these methods, many of which reach into antiquity, establishes a long lineage for conventions of rule-based poetic composition

Virilization and abdominal mass in a newborn female: A case report

We describe virilization in a newborn female secondary to bilateral congenital juvenile granulosa cell tumor (JGCT). The patient presented with abdominal mass and ambiguous genitalia at birth, and bilateral ovarian masses were discovered on further imaging. The patient underwent bilateral salpingo-oophorectomy in staged procedures, as it became apparent that we could not spare the ovaries. Diagnosis of JGCT was confirmed by surgical pathology. She required no adjuvant therapy and has no signs of recurrence at two-year follow-up

Digital art history : la scène américaine

Aux États-Unis comme ailleurs, l’introduction et l’évolution ininterrompue des technologies numériques dans la recherche, l’édition et l’enseignement de l’histoire de l’art depuis les années 1980 ont modifié la discipline en profondeur. L’abandon des diapositives au profit d’images numérisées est communément désigné comme l’un des premiers signes visibles de ce tournant numérique qui interroge et agite la discipline aujourd’hui. En effet, les outils numériques ont engendré un remodelage de to..

Understanding Digital Humanities

2012 In the first decade of the 21 st century, the researchers in the humanities and humanistic social sciences have gradually started to adopt computational and visualization tools. The majority of this work often referred as "digital humanities" has focused on textual data (e.g., literature, historical records, or social media) and spatial data (e.g., locations of people, places, or events visualization and computational analysis of large collections of images and video suitable for researchers in media studies, the humanities, and the social sciences who do not have technical background, and to apply these techniques to progressively large media data sets. Our second goal was theoretical -to examine existing practices and assumptions of visualization and computational data analysis (thus the name "Software Studies"), and articulate new research questions enabled by humanistic computational work with "big cultural data" in general, and visual media specifically. 3 This chapter draws on the number of my articles written since we started the lab where I discuss history of visualization, the techniques that we developed for visualizing large sets of visual media, and their applications to various types of media. 4 The reader is advised to consult these 1 For recent discussions of digital humanities, see David M

Deflationary tactics with the archive of life: contemporary Jewish art and popular culture

This paper discusses art works by Suzanne Treister, Deborah Kass and Doug Fishbone. It considers the importance of their work for contemporary Jewish identity within the terms of wider conceptual questions that preoccupy contemporary art. These concerns are challenging the perceived structures of power, the “performance” of subjectivity and the questioning of authenticity. A deflationary aesthetic is central to the critique of these structures of thinking fuelled by an interest in the relationship between Jewish subjectivity and popular culture that underpins all of these art works. I argue that popular culture plays a key role as a constituting factor in the production of contemporary Anglophone subjectivity. I use the case studies to develop the argument in the three artists’ specificities and the way they all question the idea of authenticity as a stable source of self-understanding. Suzanne Treister questions history and our relationship with historical events, specifically the Holocaust. She also explores questions of the relationship between structures of power and narratives of history. Debora Kass considers the representation of Jewish women, power and iconicity. Doug Fishbone, a younger artist, takes on self-hate as a transformative tool and as a motif that destabilizes Jewishness as a category, especially in an age of the accelerated post-internet-derived subjectivity

New genetic loci implicated in fasting glucose homeostasis and their impact on type 2 diabetes risk.

Levels of circulating glucose are tightly regulated. To identify new loci influencing glycemic traits, we performed meta-analyses of 21 genome-wide association studies informative for fasting glucose, fasting insulin and indices of beta-cell function (HOMA-B) and insulin resistance (HOMA-IR) in up to 46,186 nondiabetic participants. Follow-up of 25 loci in up to 76,558 additional subjects identified 16 loci associated with fasting glucose and HOMA-B and two loci associated with fasting insulin and HOMA-IR. These include nine loci newly associated with fasting glucose (in or near ADCY5, MADD, ADRA2A, CRY2, FADS1, GLIS3, SLC2A2, PROX1 and C2CD4B) and one influencing fasting insulin and HOMA-IR (near IGF1). We also demonstrated association of ADCY5, PROX1, GCK, GCKR and DGKB-TMEM195 with type 2 diabetes. Within these loci, likely biological candidate genes influence signal transduction, cell proliferation, development, glucose-sensing and circadian regulation. Our results demonstrate that genetic studies of glycemic traits can identify type 2 diabetes risk loci, as well as loci containing gene variants that are associated with a modest elevation in glucose levels but are not associated with overt diabetes