Postmodern Fiction and the Break-Up of Britain

This is a monograph analysing the symbolic role played by contemporary fiction in the break-up of political and cultural consensus in British public life. This study explores how British identity has been explored and renegotiated by contemporary writers. It starts by examining the new emphasis on space and place that has emerged in recent cultural analysis, and shows how this spatial emphasis informs different literary texts. Having first analysed a series of novels that draw an implicit parallel between the end of the British Empire and the break-up of the unitary British state, the study explores how contemporary writing in Northern Ireland, Scotland and Wales contributes to a sense of nationhood in those places, and so contributes to the break-up of Britain symbolically. Dix argues that the break-up of Britain is not limited to political devolution in Northern Ireland, Scotland and Wales. It is also an imaginary process that can be found occurring on a number of other conceptual coordinates. Feminism, class, regional identities and ethnic communities are all terrains on which different writers carry out a fictional questioning of received notions of Britishness and so contribute in different ways to the break-up of Britain

The Developing Role of the Defense Lawyer in Mental Health Litigation

Hogg Foundation for Mental Healt

Becoming curious about cats: A collaborative writing project

Students’ interests and achievement in writing are often debated and located in theoretical and pedagogical arguments. These issues can polarise understandings of effective teaching practice. This article describes one teacher’s classroom practice in a New Zealand primary school. It outlines a collaborative project between a local teacher and a university lecturer. The two educators were concerned about political and educational changes and the influence this had on teachers’ writing pedagogy. They were concerned about the differences between the children’s reading and writing achievement evident in this year three classroom. As researchers they were keen to explore the ‘power of literature’ as a way of enriching children’s oral and written language experiences. The writers argue that by using quality literature in the classroom, with an explicit focus on authors’ literary techniques, students develop an awareness of how authors craft and construct texts. The young writers were apprenticed to experts and developed a metalanguage, which enhanced their own writing skills

The influence of peer group response: Building a teacher and student expertise in the writing classroom

New Zealand students in the middle and upper school achieve better results in reading than they do in writing. This claim is evident in national assessment data reporting on students’ literacy achievement. Research findings also state that teachers report a lack of confidence when teaching writing. Drawing on the National Writing Project developed in the USA, a team of researchers from the University of Waikato (New Zealand) and teachers from primary and secondary schools in the region collaborated to “talk” and “do” writing by building a community of practice. The effects of writing workshop experiences and the transformation this has on teachers’ professional identities, self-efficacy, and their students’ learning provided the research focus. This paper draws mostly on data collected during the first cycle of the two-year project. It discusses the influence of peer group response – a case study teacher’s workshop experiences that transformed her professional identity, building her confidence and deepening her understandings of self as writer and ultimately transforming this expertise into her writing classroom practice

Statistical Analysis of Lineaments and their Relation to Fracturing, Faulting, and Halokinesis in the East Texas Basin

UT Librarie

Anion transport inhibitor binding to band 3 in red blood cell membranes.

The inhibitor of anion exchange 4,4'-dibenzoamido-2,2'-disulfonic stilbene (DBDS) binds to band 3, the anion transport protein in human red cell ghost membranes, and undergoes a large increase in fluorescence intensity when bound to band 3. Equilibrium binding studies performed in the absence of transportable anions show that DBDS binds to both a class of high-affinity (65 nM) and low-affinity (820 nM) sites with stoichiometry equivalent to 1.6 nmol/mg ghost protein for each site, which is consistent with one DBDS site on each band 3 monomer. The kinetics of DBDS binding were studied both by stopped-flow and temperature-jump experiments. The stopped-flow data indicate that DBDS binding to the apparent high-affinity site involves association with a low-affinity site (3 microM) followed by a slow (4 s-1) conformational change that locks the DBDS molecule in place. A detailed, quantitative fit of the temperature-jump data to several binding mechanisms supports a sequential-binding model, in which a first DBDS molecule binds to one monomer and induces a conformational change. A second DBDS molecule then binds to the second monomer. If the two monomers are assumed to be initially identical, thermodynamic characterization of the binding sites shows that the conformational change induces an interaction between the two monomers that modifies the characteristics of the second DBDS binding site

The Permanent Tourist: Guidebooks in Travel and Education

About a year ago I heard a paper presented by Gary Day at the University of York on the fate of theory in higher education. He looked at the ways in which university departments had been brought within the auspices of a culture of inspection. In a world where higher education commands a fee and is thus becoming more and more commodified, there must be some means of assuring the quality of the product on offer, as there are for other kinds of product on the market ranging from telecommunications to food safety. In particular, he references Catherine Belsey’s Critical Practice (1980) and Peter Barry’s Beginning Theory (1995) as landmark moments in a drive to render the skills gleaned from English courses more quantifiable. If a Higher Education course is a commodity in which students are investing time and money, they need to feel certain that by the end of the course they will have received the skills in which they have invested, otherwise they will select another course from the market. These guidebooks to literary and cultural theory are thus an important means of providing the students with the skills they require. They minimize the students’ personal response to texts, providing instead a checklist of what various authors and critics ‘do.’ It is a scenario in which the reader is rendered entirely passive, as if he or she simply absorbs from the manual a basic sense of how they should approach a text if they want to give it a post-colonial, gay, or Marxist reading. To do this is to measure English and the human sciences against the material progress of science and technology – criteria by which they will always be judged wanting since the study of English per se does not achieve material results. Instead, the trend is to generate a set of students who will at least read and think in certain routine ways, which in this case means not thinking for themselves at all, merely consuming and absorbing passively the skills which their theoretical manuals provide. The use of guidebooks in higher education in many ways thus forestalls the possibility for really creative individual work and expression, generating instead a gradually homogenised discipline, English Literature. The production of a passive reader and routine patterns of response informs my idea of guidebooks more generally. It is in the nature of guidebooks to present stable meanings and self-contained units of information. At the same time, the construction of a guidebook means that it is not amenable to interrogation. To depend on a guidebook is not to know what questions we would need to ask in order to disavow the contents of that book. The user of the guide – whether reader or traveller – is thus in many ways a passive figure. In this paper I look both at travel guides and fictional representations of the Guide and suggest that the line dividing them might not be as clear as it seems

Affective Videogames and Modes of Affective Gaming: Assist Me, Challenge Me, Emote Me

In this paper we describe the fundamentals of affective gaming from a physiological point of view, covering some of the origins of the genre, how affective videogames operate and current conceptual and technological capabilities. We ground this overview of the ongoing research by taking an in-depth look at one of our own early biofeedback-based affective games. Based on our analysis of existing videogames and our own experience with affective videogames, we propose a new approach to game design based on several high-level design heuristics: assist me, challenge me and emote me (ACE), a series of gameplay "tweaks" made possible through affective videogames