Textos inéditos de durkheim

Eduación y pedagogía: ensayos y controversias (Bogotá:Icfes-Universidad Pedagógica Nacional, 1990), 133 páginas, trad de Inés E Castaño y Gonzalo Castañ

EU Competition Policy Revisited: Economic Doctrines Within European Political Work

European Union competition policy is often described as neoliberal, without this leading to more investigation. This paper highlights how the European Competition policy doctrine has been shaped, how the ordoliberal movement and the Chicago school ideas have been implemented and supported by the political work of some key actors. We show that, contrary to what is sometimes said in literature, ordoliberal actors were neither hegemonic nor leaders between Rome Treaty and the eighties, even if some neoliberal principles were introduced in antitrust law. These laws are much more a compromise between French and German representatives, and between neo-mercantilists and ordoliberals. However, things have dramatically changed since the eighties, when both (1) new political work from members of the Commission introduced in the European competition policy elements of Chicago School doctrine to complete the European market and (2) some decisions from the ECJ clarified the doctrine of EU Competition law. Nowadays, European competition policy is a mix between an ordoliberal spirit and some Chicago School doctrinal elements.competition, policy, European Union, neoliberalism, ordoliberalism, political work

Pop stars and idolatry: an investigation of the worship of popular music icons, and the music and cult of Prince.

Prince is an artist who integrates elements from the sacred into his work. He uses popular iconography to present himself as an icon of consumer culture, as a deified ‘rock god’ worshipped by his fans, and as a preacher leading his audience like a congregation. His personality cult mixes spirituality and sexuality, and deals with issues of ecstasy and liberation, a transgressional approach that draws both controversy and public interest. This paper investigates Prince’s work and the role of the pop star as an icon within contemporary culture, an icon that contains a physicality and sexuality not present in contemporary western religious traditions. It discusses to what extent popular musical culture operates as a form of religious practice within contemporary western culture, and the implications that this has. The paper investigates the construction of Prince’s public character, his manipulation of the star system, and how he uses popular iconography to blur the distinctions between spirituality and sexuality, the idealised performer and the real world, the sacred and the profane, and the human and the divine. It explores how he possesses and is possessed by the audience, who enter into the hollow vessel he offers up to his fans

On the nature of national involvement: a preliminary study

Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/67978/2/10.1177_002200276901300303.pd

Normalizing Deviants: Notes on the De-Stigma Trend

This article explores destigmatization discourses in the United States in the early 21st century, as social and political strategies and as narrative social movements unto themselves. We argue that the first decades of the new century see a trend of marginalized actors across many categories, including queer marriage, drugs, (discreditable) mental illness and (discredited) other areas of identity and disability, make narrative attempts to neutralize their “deviant” identities. We argue that de-stigmatization has occurred through the successful use of medicalization and assimilation framing of de-stigma discourses. Assimilationist frames increase “liberal” emphasis on actionable outcomes of de-stigma, like cultural access (i.e. inclusion, visibility, representation), and legal justice for marginalized people. Some assimilationist discourse endeavors to situate stigmatized identities inside of conformist frames, while (fewer and less visible) others resist dominant frames of acceptability. Contested assimilation and radical leftist de-stigmatization, as well as re-stigma discourses are also discussed

A Funeral as a Festival: Celebrations of Life in the Mosuo Tribe in China

This article attempts to provoke a discussion concerning the definition and nature of festivals by considering the process of Mosuo funerals in Southwest China as a festival event. The role of women and men in daily life and within the funeral ceremony is discussed – the Mosuo is a matriarchal society – as are the vernacular architectural settings which have evolved for both ritual and everyday activities. The article looks at the religious perception of death in Mosuo culture, which considers funerals as celebrations of a life cycle including birth, growing up and death; through onsite observations, it documents the process of a Mosuo funeral in relation to its physical space. Even though, unlike most other festivals, funerals occur at unpredictable times, it is argued that for the Mosuo the funeral event is also a festival

The collapse of intermediate structures?

How can we explain the rise of President Trump and the attraction of his campaign behavior before and since he took office? We argue here that the collapse of ‘intermediate structures’ has been a key factor; that the associations and groups which are building blocks of pluralistic politics have been eroded to such an extent that Trump’s personality politics have been able to take over the political stage