338 research outputs found

    Ban on Partial-Birth Abortion Clears Another Hurdle

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    Quality of Life Predictors: Heart Transplant Spouses

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    The Currency of Art: a collaboration between the Baring Archive and the Graduate School of CCW.

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    This publication arises from a collaborative project undertaken by The Baring Archive and the Graduate School of CCW (Camberwell College of Arts, Chelsea College of Art and Design and Wimbledon College of Art, three of the constituent colleges of University of the Arts London). In 1995, ING acquired the business of Barings plc, after Barings became insolvent as a result of unauthorized trading. Along with the acquisition of the company came a collection of archival material relating to the long history of Barings, whose origins stretch back to 1717 when John Baring of Bremen settled in Exeter and set up business as a merchant and manufacturer. In 1762, his three sons established the London merchant house of John & Francis Baring & Co., later known as Baring Brothers and, by the nineteenth century, the firm had expanded to become a leading financier for overseas governments and businesses. Documentation and objects relating to the illustrious history of the bank were augmented by portraits – eighteenth and nineteenth century paintings of the Baring family by leading practitioners of the period, such as Thomas Lawrence, Benjamin West, John Linnell, Ambrose McEvoy and William Orpen. From the 1970s onwards, a distinguished collection of water-colours was added to the historical archive, containing works by artists such as Paul Sandby, Francis Towne and David Cox, and Barings, with great discernment, had also accrued an impressive group of modern British artworks to hang on its office walls.Prunella Clough, L.S. Lowry, Paul Nash, Matthew Smith, Stanley Spencer, Keith Vaughan and Carel Weight are just a few of the artists represented. The Currency of Art is one outcome of a collaboration initiated with ING seven years ago. Staff and students from Wimbledon College of Art, and pupils from three of its neighbouring secondary schools, were invited to create new works in response to the painting collection which now hangs in ING’s offices at 60 London Wall. The staff, students and schoolchildren – diverse communities in themselves – brought fresh perspectives, distinct from those of financial historians or more traditional academics, to the collection. Residencies, symposia and workshops generated responses to the paintings, culminating in two exhibitions hosted by ING, re:MAKING and re:INVENTING, whereby the newly created works were hung alongside the originals that had inspired them. This represented an unusual opportunity, given the problems associated with conservation and stewardship that often inhibit such a combination

    Geophysical and Archaeological Investigations of Enslaved Peoples at Cannons Point Preserve, Georgia

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    Geophysical and Archaeological Investigations of Enslaved Peoples at Cannons Point Preserve, Georgia Amy Sowers Collins1, Dr. Eileen G Ernenwein1, and Dr. Lindsey Cochran2, Department of Geosciences1 and Department of Sociology and Anthropology2, East Tennessee State University, Johnson City, Tennessee Cannons Point Preserve at St. Simons Island, Georgia was the site for the 2022 East Tennessee State University archaeological field school. The study area was believed to have once housed enslaved peoples at the plantation. Ground penetrating radar (GPR) and magnetometry surveys were performed at the preserve. These geophysical surveys are a common first step in archaeological research, because they can detect and map buried historic and prehistoric features prior to excavation. A real time kinematic (RTK) global navigation satellite system (GNSS) instrument was used to place stakes in the ground demarcating 10m x 10m grids for data collection. GPR data were collected using a GSSI-SIR-4000 system with a 400 MHz center-frequency antenna in south-north traverses spaced 0.5m apart. The system was set to record 100 scans per meter, 512 samples per-scan, using a 50 ns range. Magnetometry data were collected using a Bartington Grad601-2 fluxgate magnetometer in south-north traverses every 0.5m. Magnetometry collects eight readings per meter along transects. GPR data were processed using GPR-Slice software and magnetometry data were processed with ArchaeoFusion. Magnetometry anomalies that could be archaeological features were detected on the west and north side of the survey site. Two rectangular features were detected at 1-1.10m below the surface with GPR. Several linear features were also detected with GPR in the central and southeastern sections of the site. Although no test units were excavated deeper than 0.6m, some of the anomalies in the 0.3m-0.4m GPR slice were verified by excavation. Excavations in focused areas detected with magnetometry yielded ferrous (iron-containing) materials, burned pottery sherds, and burned bricks, as expected at a historic site. GPR and magnetometry successfully mapped buried archaeological features and helped direct excavations. Insight into the material possessions and living conditions of enslaved peoples on the island helps tell the history of those who were not recorded in the written record
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