Guest Editorial: On Method, Technorealism and Aesthetic Capitalism

The guest editorial excerpts the keynote address Professor Clough held at the First Annual Graduate Student Conference hosted by the Graduate Center\u27s Sociology Students Association

Deleuze’s Foucault

Deleuze closes his study of the shift in Foucault’s work from the archive to the diagram with a consideration of the outside of the outside, maybe too affirmative a conclusion for Foucault; maybe not yet fully facing what would be the full realization of the diagram only pointed to in the “Postscript.

Activism and Pedagogies: Feminist Reflections

Together our two essays move between scenes of teaching and researching with women and men who are or have been in prison. Having written on ethnography, autoethnography, and participatory research, we both have sought a method that would allow us to abandon superficial identifications, mistaken for deep connection, with those who are or have been incarcerated. While we are conscious of the failures and successes of our attempts, we nonetheless write because what we have learned about the state\u27s support for mass incarceration and the state\u27s retreat from public higher education—particularly for persons of color—more than warrants it. With this essay, we invite readers to take seriously, as we do, the relation of mass incarceration and what today is called prisoner reentry to all that is implied by the terms the personal, the political, the economic, and the social

Brand value: how affective labour helps create brands

One way brands create value is by engaging the capacity of cultural labourers to animate affective connections with consumers. Brands assemble social spaces that harness the communicative capacities of cultural actors. A mode of branding that works by managing an open-ended social process depends on affective labour. Affective labour involves not only the capacity of individuals to produce specific meanings and feelings, but also the open-endedly social capacity to stimulate and channel attention and recognition. This affective labour does not always depend on making particular "authentic" representations, but on facilitating a general circulation of meaning. By investing in social spaces and relations corporate brands engage popular musicians in new forms of labour. This article examines the participation of popular musicians in branding programmes run in Australia by corporate brands between 2005 and 2010. I examine the accounts of musicians and managers who participate in these programmes to consider how they make their participation in social relations that create brand value meaningful. They employ a variety of practices: identifying with brands, endorsing brands' claims of socially responsible investment in culture, and distancing themselves from their own participation in branded space

Watching nightlife: affective labor, social media and surveillance

This article examines the affective labor of nightlife photographers within the surveillance economy of social media. I examine nightlife photographers as “below the line” cultural laborers who employ their identities and communicative capacities to create and circulate images of nightlife online. These images stimulate interaction that can be watched, tracked, and responded to by the databases of social media. The study draws on interviews with nightlife photographers to examine how they account for the creative and promotional aspects of their labor. I argue that the analytical capacities of social media databases, and the modes of promotion they facilitate, depend in the first instance on the affective labor of cultural intermediaries like nightlife photographers

The embodied becoming of autism and childhood: a storytelling methodology

In this article I explore a methodology of storytelling as a means of bringing together research around autism and childhood in a new way, as a site of the embodied becoming of autism and childhood. Through reflection on an ethnographic story of embodiment, the body is explored as a site of knowledge production that contests its dominantly storied subjectivation as a ‘disordered’ child. Storytelling is used to experiment with a line of flight from the autistic-child-research assemblage into new spaces of potential and possibility where the becomings of bodies within the collision of autism and childhood can be celebrated

Derrida's 'The Purveyor of Truth' and constitutional reading

In this article the author explores Jacques Derrida’s reading in ‘The Purveyor of Truth’ of Edgar Allan Poe’s ‘The Purloined Letter’. In his essay, Derrida proposes a reading which differs markedly from the interpretation proposed by Lacan in his Seminar on ‘The Purloined Letter’. To appreciate Derrida’s reading, which is not hermeneutic-semantic in nature like that of Lacan, it is necessary to look at the relation of Derrida’s essay to his other texts on psychoanalysis, more specifically insofar as the Freudian death drive is concerned. The present article explores this ‘notion’ as elaborated on by Freud in Beyond the Pleasure Principle as well as Derrida’s reading of this text. It also investigates the importance of the ‘notion’ of the death drive as well as the significance of Derrida’s reading of The Purloined Letter for constitutional interpretation