LMDA Review, volume 6, issue 1

Contents include: A Hollering Place, A Fond Farewell, The NTTF Translation Sourcebook is Now Available, E-mail at Last, New Dramaturgs, Shamanism Vilified and Redeemed Sam Shepard\u27s States of Shock, The Dramaturg\u27s Voice, Announcement: American Dramaturgy, Who Will Buy, Conference Wrap-Up, Annual Meeting, and Is it Something in the Xerox Paper at ICM.https://soundideas.pugetsound.edu/lmdareview/1010/thumbnail.jp

Review: The Journal of Dramaturgy, volume 22, issue 2

Contents include: Editor\u27s Note; Elliott Hayes Award Acceptance Speech From Denver to Gulu, With Thanks to Lynn Nottage; Learning to Speak American: A Writer\u27s Journey, Keynote Remarks Delivered at the Annual Conference of the Literary Managers and Dramturgs of the Americas, Alliance Theatre, Atlanta, GA June 28, 2012; Michael Mark Chemers\u27 Ghost Light: An Introductory Handbook for Dramaturgy; Creative Process in Theatrical Translation: An Interview with Adam Versenyi; Croisades in Quebec: On the Semiotics of Contemporary French Dramaturgie. Issue editors: Sydney Cheek-O\u27Donnell, Debra Cardona, Janine Sobeckhttps://soundideas.pugetsound.edu/lmdareview/1044/thumbnail.jp

The Citizen Artist : 20 Years of Art in the Public Arena : An Anthology from High Performance Magazine 1978-1998, Vol. I

An anthology of articles from High Performance Magazine published between 1978 and 1998, comprised mainly of interviews with artists grouped under three themes: the art/life experiment, the artist as activist, and the artist as citizen. Durland claims the groupings reflect the evolution of the magazine’s editorial concerns, from performance art to activist art to community-based art. Each text, he notes, is linked by the desire to reach beyond the traditional forms, content, and context of the arts to engage with a broader community. Biographical notes. Bibl. 4 p