Local/global: amateur cinema and new forms of valorization in archival film festivals

This paper will focus on the new landscapes of valorization and access to amateur/small gauge films within the archival film festival context. Archival small gauge film festivals present themselves as something completely different from those festivals dedicated to amateur and experimental cinema in the past, mainly because their goal is to valorize assets that have been deposited in specialized archives from the 1980s onwards. This film heritage is composed not only by the products of serious amateurs, but also by home movies and experimental films. We will start from the cases of Home Movie Day, a project developed in 2002 by archivists, cura- tors and film historians in the US, Archivio Aperto in Italy, and Orphan Film Symposium, founded in 1999. Throughout the years they have become a blueprint for archival small gauge film festivals and a label to which different experiences refer: small archival film festivals; meeting activities where the broader field of ‘non-thea- trical film’ is addressed; the Home Movie Marathon, a live streaming in which amateur films from all across the world are screened, etc. Furthermore, we will focus on examples from the European context, such as Archivio Aperto and its recent developments with the Memoryscapes digital platform

Geografie del quotidiano: il video amatoriale e la rappresentazione dello spazio

In this article the author aims, first of all, to outline a possible framework for a geographical analysis of amateur videos. Drawing on the notion of geosemiotics, developed by the Italian geographer Adalberto Vallega, the author reflects upon several issues posed by geography as the epistemic act of representing the space that surrounds us. If geography is, above all, a geo-graphy, we have a set of possible representations that exceeds verbal language: cartographies, paintings, and amateur films and videos as well. That being stated, the questions the author asks himself are thus as follows: how do amateur videos represent space? And, more specifically, which kind of space is described by the techno-gestures of home-videomakers? The article tries to answer them, analysing also a specific case study, a video shot by Luigi Cavallotti, an amateur film and videomaker from Milan

Geografie del quotidiano: il video amatoriale e la rappresentazione dello spazio

In this article the author aims, first of all, to outline a possible framework for a geographical analysis of amateur videos. Drawing on the notion of geosemiotics, developed by the Italian geographer Adalberto Vallega, the author reflects upon several issues posed by geography as the epistemic act of representing the space that surrounds us. If geography is, above all, a geo-graphy, we have a set of possible representations that exceeds verbal language: cartographies, paintings, and amateur films and videos as well. That being stated, the questions the author asks himself are thus as follows: how do amateur videos represent space? And, more specifically, which kind of space is described by the techno-gestures of home-videomakers? The article tries to answer them, analysing also a specific case study, a video shot by Luigi Cavallotti, an amateur film and videomaker from Milan