67 research outputs found

    Mavericks on the Border: The Early Southwest in Historical Fiction and Film

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    Twentieth-century authors and filmmakers have created a pantheon of mavericks—some macho, others angst-ridden—who often cross a metaphorical boundary among the literal ones of Anglo, Native American, and Hispanic cultures. Douglas Canfield examines the concept of borders, defining them as the space between states and cultures and ideologies, and focuses on these border crossings as a key feature of novels and films about the region. Canfield begins in the Old Southwest of Faulkner’s Mississippi, addressing the problem of slavery; travels west to North Texas and the infamous Gainesville Hanging of Unionists during the Civil War; and then follows scalpers into the Southwest Borderlands. He then turns to the area of the Gadsden Purchase, known for its outlaws and Indian wars, before heading south of the border for the Yaqui persecution and the Mexican Revolution. Alongside such well-known works as Go Down Moses, The Wild Bunch, Broken Arrow, Gringo Viejo, and Blood Meridian, Canfield discusses novels and films that tell equally compelling stories of the region. Protagonists face various identity crises as they attempt border crossings into other cultures or mindsets—some complete successful crossings, some go native, and some fail. He analyzes figures such as Geronimo, Doc Holliday, and Billy the Kid alongside less familiar mavericks as they struggle for identity, purpose, and justice. J. Douglas Canfield, Regents Professor of English at the University of Arizona, is the author of Tricksters and Estates and Heroes and States, a two-volume cultural history of English Restoration drama. Praiseworthy for its ambitious effort to bring together works written in Spanish and in English, as well as canonical literature, popular literature, and film. —American Literature Locates itself—brilliantly and originally—at the intersection of a geography in the making and a quest for identity, offering the classic Southwest—more an event than a place—as the moral and spiritual region wherein the protagonists attempt a crossing, the shift of identity located in the shifting borderlands. —Armando J. Prats Wise, urbane, persuasive, and comprehensive. . . . Canfield does it all and extremely well. —Choice A fascinating subject and a timely one, dealing as it does with multicultural traditions and with versions of the Western. —John G. Caweltihttps://uknowledge.uky.edu/upk_english_language_and_literature_north_america/1064/thumbnail.jp

    Crossing Laterally into Solidarity in Montserrat Fontes\u27s Dreams of the Centaur

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    Fontes\u27s novel begins with a corrido announcing typical themes of murder and revenge. But the novel has from the outset been interimplicated in a history of the persecution of the Yoeme (Yaquis) at the turn into the twentieth century. Its three main protagonists become mavericks on the border, as they cross ultimately not only into safety in Arizona but into solidarity with the oppressed. Such crossings are existential, resulting in new identities that eschew racial or ethnic purity but instead embrace mixed ethnicity, or mestizaje (to borrow key concepts from Anzaldúa). Such crossings are lateral, non-hierarchic. But Fontes does not allow refuge in some romantic vision: even as one crosses over, one retains one\u27s membership in the group that oppresses. Instead, Fontes\u27s mavericks—and Fontes herself— become tellers of a story too little known, too horrible to be obliterated. United in a kinán of spiritual force, they become potential drops of water that penetrate and soften the land, leaving prints for others to follow

    Tricksters and Estates: On the Ideology of Restoration Comedy

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    If the Renaissance was the Golden Age of English comedy, the Restoration was the Silver. These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession. The hybrid nature of these plays has long posed problems for critics, and few studies have attempted to deal with their diversity in a comprehensive way. Now one of the leading scholars of Restoration drama offers a cultural history of the period’s comedy that puts the plays in perspective and reveals the ideological function they performed in England during the latter half of the seventeenth century. To explain this function, J. Douglas Canfield groups the plays into three categories: social comedy, which underwrites Stuart ideology; subversive comedy, which undercuts it; and comical satire, which challenges it as fundamentally immoral or amoral. Through play-by-play analysis, he demonstrates how most of the comedies support the ideology of the Stuart monarchs and the aristocracy, upholding what they regarded as their natural right to rule because of an innate superiority over all other classes. A significant minority of comedies, however, reveal cracks in class solidarity, portray witty heroines who inhabit the margins of society, or give voice to folk tricksters who embody a democratic force nearly capable of overwhelming class hierarchy. A smaller yet but still significant minority end in no resolution, no restoration, but, at their most radical, playfully portray Stuart ideology as empty rhetoric. Tricksters and Estates is a truly comprehensive work, offering serious critical readings of many plays that have never before received close attention and fresh insights into more familiar works. By juxtaposing the comedies of such lesser-known playwrights as Orrery, Lacy, and Rawlins with those of more familiar figures like Behn, Wycherley, and Dryden, the author invites a greater appreciation than has previously been possible of the meaning and function of Restoration comedy. This intelligent and wide-ranging study promises is a standard work in its field. J. Douglas Canfield, Regents\u27 Professor of English at the University of Arizona, is the author of Word as Bond in English Literature from the Middle Ages to the Restoration and coeditor of Cultural Readings of Restoration and Eighteenth-Century Theater. Canfield’s use of genre, admirably, never seems like pigeonholing. He shows that these plays perform different sorts of cultural work, and his study uses the work each play does to locate it generically. —1650-1850 This ambitious book explores the relationship between Restoration comedy and concepts of power and cultural hegemony in late seventeenth-century England. —Albion A book which displays an incisive grasp of what is really at state in Restoration comic plots and which soundly seeks to overturn the negligence of much of what was popularly performed during the Stuart reign. —British Journal for Eighteenth-Century Studies By not relying on generic and formalist perspectives, Canfield enriches understanding of social, economic, political, and religious currents and countercurrents of cultural history and their presence in drama. A model of interdisciplinary interpretation. —Choice Canfield has produced an important and impressive book, both in depth and in coverage. —Kritikon Litterarum Sharpens the focus with which we view the official comedies. —Modern Philology An excellent survey of the comedy of the period and serves a useful role in reminding us to keep our eyes not only on the money but on who gets the land. —Seventeenth-Century News A Choice Outstanding Academic Bookhttps://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/1067/thumbnail.jp

    An expansive human regulatory lexicon encoded in transcription factor footprints.

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    Regulatory factor binding to genomic DNA protects the underlying sequence from cleavage by DNase I, leaving nucleotide-resolution footprints. Using genomic DNase I footprinting across 41 diverse cell and tissue types, we detected 45 million transcription factor occupancy events within regulatory regions, representing differential binding to 8.4 million distinct short sequence elements. Here we show that this small genomic sequence compartment, roughly twice the size of the exome, encodes an expansive repertoire of conserved recognition sequences for DNA-binding proteins that nearly doubles the size of the human cis-regulatory lexicon. We find that genetic variants affecting allelic chromatin states are concentrated in footprints, and that these elements are preferentially sheltered from DNA methylation. High-resolution DNase I cleavage patterns mirror nucleotide-level evolutionary conservation and track the crystallographic topography of protein-DNA interfaces, indicating that transcription factor structure has been evolutionarily imprinted on the human genome sequence. We identify a stereotyped 50-base-pair footprint that precisely defines the site of transcript origination within thousands of human promoters. Finally, we describe a large collection of novel regulatory factor recognition motifs that are highly conserved in both sequence and function, and exhibit cell-selective occupancy patterns that closely parallel major regulators of development, differentiation and pluripotency

    How to combat cyanobacterial blooms: strategy toward preventive lake restoration and reactive control measures

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    Determining crystal structures through crowdsourcing and coursework

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    We show here that computer game players can build high-quality crystal structures. Introduction of a new feature into the computer game Foldit allows players to build and real-space refine structures into electron density maps. To assess the usefulness of this feature, we held a crystallographic model-building competition between trained crystallographers, undergraduate students, Foldit players and automatic model-building algorithms. After removal of disordered residues, a team of Foldit players achieved the most accurate structure. Analysing the target protein of the competition, YPL067C, uncovered a new family of histidine triad proteins apparently involved in the prevention of amyloid toxicity. From this study, we conclude that crystallographers can utilize crowdsourcing to interpret electron density information and to produce structure solutions of the highest quality

    Mirrors, Dreams, and Memory in "Gringo viejo"

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