Regional and local land use planning and mapping in Ohio from Skylab EREP data

There are no author-identified significant results in this report

Evaluate the potential of Skylab photographic and infrared imagery for environmental quality, agricultural and forestry, and geographic applications in the State of Ohio

There are no author-identified significant results in this report

Relevance of ERTS to the State of Ohio

There are no author-identified significant results in this report

Specifications for and preliminary design of a plant growth chamber for orbital experimental experiments

It was proposed that plant experiments be performed on board the space shuttle. To permit the proper execution of most tests, the craft must contain a plant growth chamber which is adequately designed to control those environmental factors which can induce changes in a plant's physiology and morphology. The various needs of, and environmental factors affecting, plants are identified. The permissilbe design, construction and performance limits for a plant-growth chamber are set, and tentative designs were prepared for units which are compatible with both the botanical requirements and the constraints imposed by the space shuttle

Archival of Seasat-A satellite scatterometer data merged with in situ data at selected, illuminated sites over the ocean

A large data base of Seasat-A Satellite Scatterometer (SASS) measurements merged with high-quality surface-truth wind, wave, and temperature data has been documented. The data base was developed for all times when selected in situ measurement sites were within the SASS footprint. Data were obtained from 42 sites located in the coastal waters of North America, Australia, Western Europe, and Japan and were assembled by correlating the SASS and surface-truth measurements in both time and distance. These data have been archived on a set of nine-track 6250 bpi ASCII coded magnetic tapes, which are available from the National Technical Information Service

Assessment of the microbial communities associated with white syndrome and brown jelly syndrome in aquarium corals

Bacterial and ciliate assemblages associated with aquarium corals displaying white syndrome (WS) and brown jelly syndrome (BJS) were investigated. Healthy (n = 10) and diseased corals (WS n = 18; BJS n = 3) were analysed for 16S rRNA gene bacterial diversity, total bacterial abundance and vibrio-specific 16S rRNA gene abundance. This was conducted alongside analysis of 18S rRNA gene sequenc-ing targeting ciliates, a group of organisms largely overlooked for their potential as causal agents of coral disease. Despite significant differences between healthy and diseased corals in their 16S rRNA gene bacterial diversity, total bacterial abundance and vibrio-specific rRNA gene abundance, no domi-nant bacterial ribotypes were found consistently within the diseased samples. In contrast, one ciliate morphotype, named Morph 3 in this study (GenBank Accession Numbers JF831358 for the ciliate isolated from WS and JF831359 for the ciliate isolated from BJS) was observed to burrow into and underneath the coral tissues at the disease lesion in both disease types and contained algal endosym-bionts indicative of coral tissue ingestion. This ciliate was observed in larger numbers in BJS compared to WS, giving rise to the characteristic jelly like substance in BJS. Morph 3 varied by only 1 bp over 549 bp from the recently described Morph 1 ciliate (GenBank Accession No. JN626268), which has been shown to be present in field samples of WS and Brown Band Disease (BrB) in the Indo-Pacific. This result indicates a close relationship between these aquarium diseases and those observed in the wild

Re-thinking the Legacy 2012: The Olympics as commodity and gift

This paper opens discussion about the nature of Olympic ‘legacy’ and articulates a contradiction in the way ‘legacy’ is conceived - between ’gift’ and ’commodity’ (Mauss 1954).The The paper argues that establishing working definitions and parameters for ‘legacy’ is a difficult task. Defining ‘legacy’ is problematic especially if conceived as an entirely predictable or measurable set of objectives. Indeed, the definition of ‘legacy’ is partly constitutive of the legacy itself, a component of achievements that the city might make. Such a ‘legacy definition’ will become a functional term in the complex planning and evolving conceptions underpinning urban change for some time—if successfully negotiated and if governable. As such, ‘legacy’, and the activities and values entailed to it, can come to provide a catalytic ‘vocabulary of motives’ and a legitimating discourse enabling politicians, communities and their individual representatives to justify investments, evolving strategies and activities connected to and connecting developmental gains in a more or less healthy fashion. It is because of this that legacy and its various meanings come to matter

Keep A Moving

A photo of a man with what seems to be human figures playing instruments to the left and righthttps://scholarsjunction.msstate.edu/cht-sheet-music/13948/thumbnail.jp

JOHN MACKEY’S WINE-DARK SEA: SYMPHONY FOR BAND A DISCOURSE AND ANALYSIS OF JOHN MACKEY’S SYMPHONY FOR BAND

John Mackey’s Wine-Dark Sea: Symphony for Band(2014) is a work of epic proportions and was the winner of the William D. Revelli Composition Contest of the National Band Association in 2015. Wine-Dark Sea: Symphony for Bandhas received much acclaim and many performances including a recording by the University of Texas Wind Ensemble in 2016. The purposes of this dissertation are 1) to provide historical information on the genesis of the work through interviews with its composer, John Mackey, and commissioning director, Jerry Junkin; 2) to provide an analysis of how the programmatic elements of Homer’s Odysseyinteract with the musical aspects of the work. The first chapter discusses biographical information essential to the understanding of John Mackey’s music. Chapter two includes information specific to the creation of Wine-Dark Sea: Symphony for Band. Chapters three through five provide analytical information alongside programmatic information to provide a clear understanding of how the music and programmatic elements combine to create the work. Chapter six concludes the document with some performance suggestions for the conductor. An appendix of information including graphs of how dynamic range corresponds to programmatic elements and interviews with the composer, John Mackey, and the commissioner, Jerry Junkin, are also provided