Technology and feminism : a strange couple

The "gender digital divide" constitutes a prolific research program that compares the differences between women and men in access to Information and Communication Technologies (ICT). Nevertheless, those using feminist socio-constructivist perspectives argue for the need to pay attention, not only to "access," but also to "design," in addition to considering social relations as something that is coded within technological artifacts. From this perspective, gender constitutes an integral part of technological production. This paper explores the co-constitution of gender and technology, considering a specific action-research experience. It is argued that the re-signification of gendered and technological codes drifts through: a) the opening of gendered and technological codes; b) the production of new cultural imaginaries that question hegemonic representations of gender; and c) the production of new subjectivities through the reorganization of socio-technical practices to develop performative acts that transform patriarchal relationsLa "brecha digital de género" constituye un prolífico programa de investigación que compara las diferencias entre mujeres y hombres en el acceso a las Tecnologías de Información y Comunicación. Las perspectivas socio-constructivistas feministas, sin embargo, abogan por la necesidad de prestar atención no sólo al "acceso", sino también al "diseño", y consideran las relaciones sociales como elementos codificados en el interior los artefactos tecnológicos. Desde esta perspectiva, el género constituye una parte integral de la producción tecnológica. Este trabajo explora la constitución conjunta de género y tecnología a partir de una experiencia de investigación-acción específica. Se argumenta que la resignificación de los códigos de género y tecnológicos se desplaza a través de: a) la apertura de los códigos de género y tecnológicos; b) la producción de nuevos imaginarios culturales que cuestionan las representaciones hegemónicas de género; y c) la producción de nuevas subjetividades a través de la reorganización de las prácticas socio-técnicas para el desarrollo de actos performativos que transforman las relaciones patriarcales

Dancing amidst the flames: Imagination and self-organization in a minor key

Drawing from Deleuze and Guattari's (1986) formulation of the concept of a 'minor literature' and Nick Thoburn's extension of this into a 'minor politics' (2003a) this paper examines the relation between the workings of the imagination and forms of self-organization found within anticapitalist organizing of the Industrial Workers of the World and related movements. This paper explores the modulations of the social imaginary found within these particular examples as indicative of a more general process of minor composition. Rather than affirming an already existing and known subjective position (of the people, the workers), it will be argued that rather such campaigns have playfully and strategically redirected and appropriated the social energies found within pop culture to articulate their demands. Copyright © 2008 SAGE Publications