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    ุตูŠุบุฉ ุงู„ู‚ูŠู… ุงู„ุฏูŠู†ูŠุฉ ูˆู…ุนู†ุงู‡ุง ููŠ ุฃู„ุจูˆู… ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ู„ู…ุงู‡ุฑ ุฒูŠู†: ุฏุฑุงุณุฉ ู…ูŠุชุงุณูŠู…ูŠูˆุชูŠูƒูŠุฉ ู„ูˆูŠุณ ู‡ุฌู„ู…ุณู„ูˆ

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    ู…ุณุชุฎู„ุต ุงู„ุจุญุซ ูˆุงู„ุฃู„ุจูˆู… ุงู„ู…ุตุบุฑ ู„ุฃุบู†ูŠุฉ ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ุงู„ุฐูŠ ุบู†ุงู‡ ู…ุงู‡ุฑ ุฒูŠู† ุŒ ู‡ูˆ ุฃู„ุจูˆู… ูŠุตุฏุฑ ุนุงู… 2021 ูˆุชุธู„ู‡ ู…ุคุณุณุฉ Awakening music ุฏุงุฑ ุงู„ุฅู†ุชุงุฌ. ูˆูŠุนูˆุฏ ุฅุทู„ุงู‚ ุฃู„ุจูˆู… ุฅู„ู‰ ุชุฌุฑุจุฉ ูƒุงุชุจ ุงู„ุฃุบุงู†ูŠ ููŠ ุนูŠุด ุญูŠุงุชู‡ ุงู„ุฑูˆุญูŠุฉ ู…ู† 10 ุณู†ูˆุงุช. ูŠุญุชูˆูŠ ุงู„ุฃู„ุจูˆู… ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ุนู„ู‰ ุนุฏุฉ ู…ู‚ุทูˆุนุงุช ู…ู†ู‡ุง ุฑู…ุถุงู† ุฌุงู†ุง ูˆู‚ู„ุจูŠ ุณุฌุฏ ูˆู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ูˆู„ูŠุชูƒ ู…ุนู†ุง ูˆู‡ูˆ ุฃุญู…ุฏ. ูˆูŠุชู… ูˆุตู ุงู„ู‚ูŠู… ุงู„ุฏูŠู†ูŠุฉ ุงู„ู…ูˆุฌูˆุฏุฉ ููŠ ุงู„ุฃู„ุจูˆู… ุจุงุณุชุฎุฏุงู… ู†ุธุฑูŠุฉ ู…ูŠุชุงุณูŠู…ูŠูˆุชูŠูƒูŠุฉ ู„ูˆูŠุณ ู‡ุฌู„ู…ุณูˆ. ุชู‡ุฏู ู‡ุฐู‡ ุงู„ุฏุฑุงุณุฉ ุฅู„ู‰ ุงู„ูƒุดู ูˆุงู„ูˆุตู ูˆุงู„ุชุญู„ูŠู„ ุนู† ุตูŠุบุฉ ุงู„ู‚ูŠู… ุงู„ุฏูŠู†ูŠุฉ ูˆู…ุนู†ุงู‡ุง ููŠ ุงู„ุฃู„ุจูˆู… ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ุนู„ู‰ ู…ูŠุชุงุณูŠู…ูŠูˆุชูŠูƒูŠุฉ ู„ูˆูŠุณ ู‡ุฌู„ู…ุณู„ูˆ (Louis Hjelmslev). ู‡ุฐุง ุงู„ู†ูˆุน ู…ู† ุงู„ุจุญุซ ู‡ูˆ ุจุญุซ ู†ูˆุนูŠ ูˆูˆุตููŠ. ู…ุตุฏุฑ ุงู„ุจูŠุงู†ุงุช ููŠ ู‡ุฐู‡ ุงู„ุฏุฑุงุณุฉ ู‡ูˆ ุฃู„ุจูˆู… ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ู„ู…ุงู‡ุฑ. ูƒุงู†ุช ุชู‚ู†ูŠุงุช ุฌู…ุน ุงู„ุจูŠุงู†ุงุช ุงู„ู…ุณุชุฎุฏู…ุฉ ููŠ ุงู„ุฏุฑุงุณุฉ ู‡ูŠ ุชู‚ู†ูŠุงุช ุงู„ู‚ุฑุงุกุฉ ูˆุชู‚ู†ูŠุงุช ุงู„ูƒุชุงุจุฉ. ุชุชูƒูˆู† ุชู‚ู†ูŠุฉ ุชุญู„ูŠู„ ุงู„ุจูŠุงู†ุงุช ู…ู† ู…ุฑุญู„ุชูŠู† ุŒ ูˆู‡ู…ุง ุงู„ู†ู…ูˆุฐุฌ ุงู„ุฅุฑุดุงุฏูŠ ูˆุงู„ู†ู…ูˆุฐุฌ ุงู„ุนุตุจูŠ. ูŠุญุชูˆูŠ ุงู„ุฃู„ุจูˆู… ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ ุนู„ู‰ ุตูŠุบุฉ ู…ู† ุงู„ู‚ูŠู… ุงู„ุฏูŠู†ูŠุฉ ุงู„ุชูŠ ุชุชูƒูˆู† ู…ู†: ( ุฃ ) 3 ุตูŠุบุฉ ู…ู† ู…ุถู…ูˆู† ุงู„ุชุนุจูŠุฑ ูˆู…ุถู…ูˆู† ุงู„ู…ุญุชูˆูŠ ููŠ ุฃุบู†ูŠุฉ ุฑู…ุถุงู† ุฌุงู†ุง. (ุจ) 7 ุตูŠุบุฉ ู…ู† ู…ุถู…ูˆู† ุงู„ุชุนุจูŠุฑ ูˆู…ุถู…ูˆู† ุงู„ู…ุญุชูˆูŠ ููŠ ุฃุบู†ูŠุฉ ู‚ู„ุจูŠ ุณุฌุฏ. (ุฌ) 5 ุตูŠุบุฉ ู…ู† ู…ุถู…ูˆู† ุงู„ุชุนุจูŠุฑ ูˆู…ุถู…ูˆู† ุงู„ู…ุญุชูˆูŠ ููŠ ุฃุบู†ูŠุฉ ู†ูˆุฑ ุนู„ู‰ ู†ูˆุฑ. (ุฏ) 6 ุตูŠุบุฉ ู…ู† ู…ุถู…ูˆู† ุงู„ุชุนุจูŠุฑ ูˆู…ุถู…ูˆู† ุงู„ู…ุญุชูˆูŠ ููŠ ุฃุบู†ูŠุฉ ู„ูŠุชูƒ ู…ุนู†ุงุ› (ู‡) 5 ุตูŠุบุฉ ู…ู† ู…ุถู…ูˆู† ุงู„ุชุนุจูŠุฑ ูˆู…ุถู…ูˆู† ุงู„ู…ุญุชูˆูŠ ููŠ ุฃุบู†ูŠุฉ ู‡ูˆ ุฃุญู…ุฏ. ูƒู…ุง ูŠุญุชูˆูŠ ุนู„ู‰ ู…ุนู†ู‰ ุงู„ู‚ูŠู… ุงู„ุฏูŠู†ูŠุฉ ุงู„ุชูŠ ุชุชูƒูˆู† ู…ู†: ( ุฃ ) 8 ุตูŠุบุฉ ู…ู† ุดูƒู„ ุงู„ุชุนุจูŠุฑ ูˆุดูƒู„ ุงู„ู…ุญุชูˆูŠ ุญูˆู„ ู‚ูŠู…ุฉ ุงู„ุฃู„ูˆู‡ูŠุฉ/ ุงู„ุชูˆุญูŠุฏ. (ุจ) 9 ุตูŠุบุฉ ู…ู† ุดูƒู„ ุงู„ุชุนุจูŠุฑ ูˆุดูƒู„ ุงู„ู…ุญุชูˆูŠ ุญูˆู„ ู‚ูŠู…ุฉ ุงู„ุนุจุงุฏุฉ ุ› (ุฌ) 3 ุตูŠุบุฉ ู…ู† ุดูƒู„ ุงู„ุชุนุจูŠุฑ ูˆุดูƒู„ ุงู„ู…ุญุชูˆูŠ ุนู„ู‰ ู‚ูŠู…ุฉ ุฃู…ุฑ ุงู„ู…ุนุฑูˆู ู†ู‡ูŠ ุงู„ู…ู†ูƒุฑ ุ› (ุฏ) 2 ุตูŠุบุฉ ู…ู† ุดูƒู„ ุงู„ุชุนุจูŠุฑ ูˆุดูƒู„ ุงู„ู…ุญุชูˆูŠ ุนู† ู‚ูŠู…ุฉ ุงู„ุญุจ ุ› (ู‡) 4 ุตูŠุบุฉ ู…ู† ุดูƒู„ ุงู„ุชุนุจูŠุฑ ูˆุดูƒู„ ุงู„ู…ุญุชูˆูŠ ุนู„ู‰ ู‚ูŠู…ุฉ ุงู„ุตู„ูˆุงุช. ABSTRAK Mini Album lagu Nour Ala Nour yang dibawakan oleh Maher Zain ini merupakan album yang dirilis pada tahun 2021 lalu dan dinaungi oleh Awakening Music sebagai rumah produksinya. Perilisan Album tersebut didasari dari pengalaman penulis lagu dalam menjalani kehidupan spiritualitasnya selama lebih dari 10 tahun. Album Nour Ala Nour memiliki beberapa track lagu di dalamnya, yakni Ramadan Gana, Qolbi Sajad, Nour Ala Nour, Laytaka Maโ€™ana, dan Huwa Ahmadun dengan Nilai Religius yang terdapat pada album dan dijabarkan menggunakan teori Metasemiotika Louis Hjelmslev. Penelitian ini bertujuan untuk mengungkapkan, menguraikan, dan menganalisa bentuk dan makna nilai religius dalam album lagu Nour ala Nour berdasarkan Metasemiotika Louis Hjelmslev. Jenis penelitian ini adalah penelitian kualitataif dan deskriptif. Sumber data dalam penelitian ini ialah album lagu Nour Ala Nour karya Maher Zain. Teknik pengumpulan data yang digunakan dalam penelitian adalah teknik baca, dan teknik catat. Teknik analisis data terdiri dari dua tahapanุŒ yakni model Heuristic dan Hermerosa neutic. Pada album Nour Ala Nour tersebut mengandung bentuk nilai-nilai religius yang terdiri dari: (a) 3 bentuk expression substance dan content substance dalam lagu Ramadan Gana; (b) 7 bentuk expression substance dan content substance dalam lagu Qolbi Sajad; (c) 5 bentuk expression substance dan content substance dalam lagu Nour Ala Nour; (d) 6 bentuk expression substance dan content substance dalam lagu Laytaka Maโ€™ana; (e) 5 bentuk expression substance dan content substance dalam lagu Huwa Ahmadun. Serta mengandung makna nilai religius yang terdiri dari: (a) 8 expression form dan content form pada nilai ketuhanan/ ketauhidan; (b) 9 expression form dan content form pada nilai ibadah; (c) 3 expression form dan content form pada nilai Amar Maโ€™ruf Nahi Munkar; (d) 2 expression form dan content form pada nilai cinta; (e) 4 expression form dan content form pada nilai sholawat. ABSTRACT The Mini Album of the song Nour Ala NourุŒ is an album by Maher Zain that was released in 2021 and is shaded by Awakening music as the production house. The album's release is based on the songwriter's experience in living his spiritual life for more than 10 years. The album Nour Ala Nour has several tracks in it, namely Ramadan Gana, Qolbi Sajad, Nour Ala Nour, Laytaka Ma'ana, and Huwa Ahmadun with the religious values contained in the album and described using the Metasemiotics theory of Louis Hjelmslev. This study aims to reveal, describe, and analyze the form and meaning of religious words in the album Nour ala Nour based on Louis Hjelmslev's metasemiotics. This type of research is qualitative and descriptive research. The source of the data in this study is the album nour a la nour by Maher Zain. Data collection techniques used in the study were reading techniques, and writing techniques. The data analysis technique consists of two stages, namely the Heuristic model and the Hermerosa neutic model. The album Nour Ala Nour contains forms of religious values which consist of: (a) 3 forms of expression substance and content substance in the song Ramadan Gana; (b) 7 forms of expression substance and content substance in the song Qolbi Sajad; (c) 5 the form of expression substance and content substance in the song Nour Ala Nour; (d) 6 forms of expression substance and content substance in the song Laytaka Ma'ana; (e) 5 forms of expression substance and content substance in Huwa Ahmadun's song. It also contains the meaning of religious values which consist of: (a) 8 expression forms and content forms on the value of divinity / monotheism; (b) 9 expression forms and content forms on the value of worship; (c) 3 expression forms and content forms on the value of Amar Ma'ruf Nahi Munkar; (d) 2 expression form and content form on the value of love; (e) 4 expression forms and content forms on the value of sholawat

    Makna cinta dalam lirik lagu Bismillah Cinta karya Sigit Purnomo: analisis semiotika Ferdinand De Saussure

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    Music is a communication activity by using sound to convey a message to be expressed with a song. The song has a meaning as a literary work which is almost the same as poetry but is conveyed by playing melodies and harmonies. The song starts from a lyric in the form of stanzas created by an author aimed at conveying the message expressed. The messages contained in the lyrics of the created songs can be themed on friendship, motivation, love, and others. This study aims to determine and interpret the meaning of love contained in the lyrics of a song entitled Bismillah Cinta by Sigit Purnomo. This study uses the semiotic approach of Ferdinand De Saussure which makes the analogy of language as a signified and a signifier. This type of research uses descriptive and qualitative analysis. The source of data used in this research is the lyrics of a song entitled Bismillah Cinta by Sigit Purnomo. Through the analysis of the lyrics of the song, the results of this study reveal and convey the meaning that love is a feeling of trust that is trying to be expressed. The belief that everything is easy to pass and does not make the heart sway. Love teaches the meaning of that something we do must be accompanied by confidence without any anxiety and if there is no way out then asking Allah is the best way to solve i

    Religiuos forms and meanings in the song Huwa Ahmadun: Louis Hjelmslevโ€™s metasemiotic analysis

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    Huwa Ahmadun is the one of a song by Maher Zain in Nour Ala Nourโ€™s album. In a song by Huwa Ahmadun, the impact of worshiping Prophet Muhammad SAW is emphasized. The metasemiotics analysis model developed by Louis Hjelmslev is used in this work. This study is depending on Louis Hjelmslevโ€™s Metasemiotics, seeks to reveal, define, and assess a shape and significance of religious values in Huwa Ahmadunโ€™s song. This area includes qualitative, descriptive, and semiotic research. The articleโ€™s data source was the song Huwa Ahmadun. The study used note-taking and reading techniques to gather data. The heuristic and hermerosa neutic models are the two semiotic layers of the data analysis technique. The songs of Huwa Ahmadun has (a) five different types of expression and content material. It also encompasses the meltdown of religious values, that is done in the sections below: (a) one expression form and content form on the value of worship; and (b) four expression forms and content form on the value of prayer

    Religiuos forms and meanings in the song Huwa Ahmadun: Louis Hjelmslevโ€™s metasemiotic analysis

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    Huwa Ahmadun is the one of a song by Maher Zain in Nour Ala Nourโ€™s album. In a song by Huwa Ahmadun, the impact of worshiping Prophet Muhammad SAW is emphasized. The metasemiotics analysis model developed by Louis Hjelmslev is used in this work. This study is depending on Louis Hjelmslevโ€™s Metasemiotics, seeks to reveal, define, and assess a shape and significance of religious values in Huwa Ahmadunโ€™s song. This area includes qualitative, descriptive, and semiotic research. The articleโ€™s data source was the song Huwa Ahmadun. The study used note-taking and reading techniques to gather data. The heuristic and hermerosa neutic models are the two semiotic layers of the data analysis technique. The songs of Huwa Ahmadun has (a) five different types of expression and content material. It also encompasses the meltdown of religious values, that is done in the sections below: (a) one expression form and content form on the value of worship; and (b) four expression forms and content form on the value of prayer
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