Uplifting manhood to wonderful heights? News coverage of the human costs of military conflict from world war I to Gulf war Two

Domestic political support is an important factor constraining the use of American military power around the world. Although the dynamics of war support are thought to reflect a cost-benefit calculus, with costs represented by numbers of friendly war deaths, no previous study has examined how information about friendly, enemy, and civilian casualties is routinely presented to domestic audiences. This paper establishes a baseline measure of historical casualty reporting by examining New York Times coverage of five major wars that occurred over the past century. Despite important between-war differences in the scale of casualties, the use of conscription, the type of warfare, and the use of censorship, the frequency of casualty reporting and the framing of casualty reports has remained fairly consistent over the past 100 years. Casualties are rarely mentioned in American war coverage. When casualties are reported, it is often in ways that minimize or downplay the human costs of war

The Ethical Implications of an Elite Press

Newspaper publishers are well into the process of bifurcating what once was a single mass-market product. Particularly for larger papers, website versions are taking over the mass-market role, while remaining print products are moving toward targeting a much smaller and more elite readership. This article explores theoretical and ethical issues raised by such a two-tiered newspaper structure and suggests directions for empirical study. Broadly, concerns center on the widening knowledge gap between print and online newspaper readers and its implications for civic discourse and democratic vitality. More narrowly, issues encompass a potential bifurcation of normative standards, including diverging markers of credibility, accuracy, and privacy

Local Narrative-Making on Refugees: How the Interaction Between Journalists and Policy Networks Shapes the Media Frames

AbstractCity narratives are crucial in shaping public attitudes and perceptions, and in defining the viable policy options and cities' responses to hot issues, such as migration and asylum. Nevertheless, the literature on relations between media and political actors is scarce and often unable to account for the complex local mechanisms leading to the production of media frames. This chapter investigates two urban crises: the rapid increase of transit refugees at the Central Station of Milan, and refugees' illegal occupation of four buildings in the ex-MOI area (former Olympic village) in Turin. Both events started in 2013 and have been studied from their beginnings up to mid-2016 by using qualitative techniques and media frame analysis. By matching the media and policy analysis, the authors show the central role that the local institutions can play in shaping media narratives on migrants and how the cohesion of the policy networks strengthens their ability to affect the local media frames. The dynamics of local journalism also matter: the presence of reporters with specific expertise, a commitment to migration and stable engagement in the issue, as well as collaboration within and between newsrooms, namely the existence of a sort of local media community, contribute to the development of consistent narratives over time and the prevalence of humanitarian rather than security frames

Aesthetics of protest: An examination of the photojournalistic approach to protest imagery

Images of protests and demonstrations are crucial to both social movements and protesters who wish to communicate their identity and their messages to wider audiences. However, the photographing of such political events by press photographers is a complex process. The current analysis focuses on questions of aesthetics surrounding issues of visuality regarding protests and demonstrations. Based on empirical data from 17 semi-structured in-depth interviews with Greek photojournalists, this paper examines what is photographed during a protest and how this is affected by the photojournalists’ aesthetic criteria. Drawing on scholarly work on photojournalism (Ritchin and Åker) and photography (Sontag), this article discusses that besides the presumption in the principal of recording reality, photojournalists’ practice is also infused with subjective language and influenced by art photographers’ techniques. Thereupon, the main argument of this paper is that the employment of hybridized photographing practices by photojournalists can have an impact upon their visual decisions with regard to what and how is photographed during a protest. The product of such practices is usually high quality, captivating images with apparent affective qualities

Active participation or just more information? Young people’s take up of opportunities to act and interact on the internet

Given increasing calls for children and young people to participate via the Internet in civic and political activities), this article examines how far, and with what success, such participation is occurring among UK teenagers. Findings from a national survey conducted by the UK Children Go Online project show that young people are using the Internet for a wide range of activities that could be considered ‘participation', including communicating, peer-to-peer connection, seeking information, interactivity, webpage/content creation and visiting civic/political websites. The findings are closely examined using path analysis techniques to identify the direct and indirect relations among different factors that may explain how and why some young people participate more than others. The results suggest that interactive and creative uses of the Internet are encouraged by the very experience of using the Internet (gaining in interest, skills, confidence, etc.) but that visiting civic websites depends primarily on demographic factors (with older, middle-class girls being most likely to visit these sites). Finally, cluster analysis is used to identify three groups of young people – interactors, the civic-minded and the disengaged – each of which is distinctive in its social context and approach to the Internet