2,483 research outputs found

    Measurements of surface impedance of superconductors as a function of frequency in microwave range

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    We report measurements of the complex resistivity in YBCO and MgB2_2 thin films over a continuous frequency spectrum in the microwave range, making use of a Corbino disk geometry. The paper mainly focuses on the extraction of the resistivity from raw data, displaying data analysis procedure and its limits of validity. We obtain and show resistivity curves as a function of frequency and temperature denoting a frequency dependent widening of the superconducting transition.Comment: 12 pages, 7 figures. Extended and revised version of cond-mat/0307143 (2003

    Surface impedance of superconductive thin films as a function of frequency in microwave range

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    We report measurements of the complex resistivity in YBCOYBCO and MgB2MgB_2 thin films over a continuous frequency spectrum in the microwave range, making use of a Corbino disk geometry. The paper mainly focuses on the extraction of the resistivity from raw data, displaying data analisys procedure and its limits of validity. We obtain and show resistivity curves as a function of frequency and temperature denoting a frequency dependent widening of the superconductive transition.Comment: 8 pages, Latex, 5 figure

    Vortex state microwave response in superconducting cuprates and MgB2_2

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    We investigate the physics of the microwave response in YBa2_{2}Cu3_{3}O7−ή_{7-\delta}, SmBa2_{2}Cu3_{3}O7−ή_{7-\delta} and MgB2_{2} in the vortex state. We first recall the theoretical basics of vortex-state microwave response in the London limit. We then present a wide set of measurements of the field, temperature, and frequency dependences of the vortex state microwave complex resistivity in superconducting thin films, measured by a resonant cavity and by swept-frequency Corbino disk. The combination of these techniques allows for a comprehensive description of the microwave response in the vortex state in these innovative superconductors. In all materials investigated we show that flux motion alone cannot take into account all the observed experimental features, neither in the frequency nor in the field dependence. The discrepancy can be resolved by considering the (usually neglected) contribution of quasiparticles to the response in the vortex state. The peculiar, albeit different, physics of the superconducting materials here considered, namely two-band superconductivity in MgB2_{2} and superconducting gap with lines of nodes in cuprates, give rise to a substantially increased contribution of quasiparticles to the field-dependent microwave response. With careful combined analysis of the data it is possible to extract or infer many interesting quantities related to the vortex state, such as the temperature-dependent characteristic vortex frequency and vortex viscosity, the field dependence of the quasiparticle density, the temperature dependence of the σ\sigma-band superfluid density in MgB2_{2}Comment: 51 pages, 27 figures, to appear as a book chapter (Nova Science

    Composition and luminescence of AlInGaN layers grown by plasma-assisted molecular beam epitaxy

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    A study of AlInGaN epilayers, grown by plasma-assisted molecular beam epitaxy, was performed using spatially resolved x-ray microanalysis and luminescence spectroscopy in order to investigate competition between the incorporation of In, Al, and Ga as a function of the growth temperature in the 565-660 °C range and the nominal AlN mole fraction. The samples studied have AlN and InN mole fractions in the ranges of 4%-30% and 0%-16%, respectively. Composition measurements show the effect of decreasing temperature to be an increase in the incorporation of InN, accompanied by a small but discernible decrease in the ratio of GaN to AlN mole fractions. The incorporation of In is also shown to be significantly increased by decreasing the Al mole fraction. Optical emission peaks, observed by cathodoluminescence mapping and by photoluminescence, provide further information on the epilayer compositions as a function of substrate temperature, and the dependencies of peak energy and linewidth are plotted

    Structural and optical properties of MOCVD AllnN epilayers

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    7] M.-Y. Ryu, C.Q. Chen, E. Kuokstis, J.W. Yang, G. Simin, M. Asif Khan, Appl. Phys. Lett. 80 (2002) 3730. [8] D. Xu, Y. Wang, H. Yang, L. Zheng, J. Li, L. Duan, R. Wu, Sci. China (a) 42 (1999) 517. [9] H. Hirayama, A. Kinoshita, A. Hirata, Y. Aoyagi, Phys. Stat. Sol. (a) 188 (2001) 83. [10] Y. Chen, T. Takeuchi, H. Amano, I. Akasaki, N. Yamada, Y. Kaneko, S.Y. Wang, Appl. Phys. Lett. 72 (1998) 710. [11] Ig-Hyeon Kim, Hyeong-Soo Park, Yong-Jo Park, Taeil Kim, Appl. Phys. Lett. 73 (1998) 1634. [12] K. Watanabe, J.R. Yang, S.Y. Huang, K. Inoke, J.T. Hsu, R.C. Tu, T. Yamazaki, N. Nakanishi, M. Shiojiri, Appl. Phys. Lett. 82 (2003) 718

    Aspects of Graduateness in Computing Students’ Narratives

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    In this paper, we explore graduates’ characterisations of their learning experiences at university and beyond. Using a narrative methodology, we elicited life stories from graduates of the School of Computing at the University of Kent. We initially review and situate our approach within the wide variety of existing narrative approaches. Then, we turn to an aspect of the student experience that struck us as particularly significant: the “year in industry”. We discuss the accounts of ten participants who completed a year in industry and highlight their perspectives of the effect it had on them. Finally, we propose a narrative construction of the concept of graduateness – of what it means to complete a university degree

    Making judgements about students making work : lecturers’ assessment practices in art and design.

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    This research study explores the assessment practices in two higher education art and design departments. The key aim of this research was to explore art and design studio assessment practices as lived by and experienced by art and design lecturers. This work draws on two bodies of pre existing research. Firstly this study adopted innovative methodological approaches that have been employed to good effect to explore assessment in text based subjects (think aloud) and moderation mark agreement (observation). Secondly the study builds on existing research into the assessment of creative practice. By applying thinking aloud methodologies into a creative practice assessment context the authors seek to illuminate the ‘in practice’ rather than espoused assessment approaches adopted. The analysis suggests that lecturers in the study employed three macro conceptions of quality to support the judgement process. These were; the demonstration of significant learning over time, the demonstration of effective studentship and the presentation of meaningful art/design work

    Optical energies of AllnN epilayers

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    Optical energy gaps are measured for high-quality Al1−xInxN-on-GaN epilayers with a range of compositions around the lattice match point using photoluminescence and photoluminescence excitation spectroscopy. These data are combined with structural data to determine the compositional dependence of emission and absorption energies. The trend indicates a very large bowing parameter of 6 eV and differences with earlier reports are discussed. Very large Stokes' shifts of 0.4-0.8 eV are observed in the composition range 0.13<x<0.24, increasing approximately linearly with InN fraction despite the change of sign of the piezoelectric fiel

    Manageable creativity

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    This article notes a perception in mainstream management theory and practice that creativity has shifted from being disruptive or destructive to 'manageable'. This concept of manageable creativity in business is reflected in a similar rhetoric in cultural policy, especially towards the creative industries. The article argues that the idea of 'manageable creativity' can be traced back to a 'heroic' and a 'structural' model of creativity. It is argued that the 'heroic' model of creativity is being subsumed within a 'structural' model which emphasises the systems and infrastructure around individual creativity rather than focusing on raw talent and pure content. Yet this structured approach carries problems of its own, in particular a tendency to overlook the unpredictability of creative processes, people and products. Ironically, it may be that some confusion in our policies towards creativity is inevitable, reflecting the paradoxes and transitions which characterise the creative process
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