Independent fashion designers in the elusive fashion city

This article examines the cultural geography of fashion cities, focusing on independent fashion designers’ relationships with their city. Through discussing the Australian city of Brisbane and its place within the hierarchy of fashion cities, we examine the position of modern yet peripheral locations that have what we term an ‘elusive’ fashion identity. The discussion highlights the complexities that make a city a fashion city, specifically the interplay between industry, culture, retail and design, commonly identified as fundamental elements in the construction or transformation of fashion cities. The paper unravels the dynamics and discourses that have contributed to the contemporary conceptualisation of the fashion city; it evaluates the way in which local independent fashion designers (IFDs) can contribute to a reorientation of thinking about cities and their fashion; and it gauges how IFDs sustain a local fashion identity within cities that do not present the commonly recognised characteristics of a fashion city such as infrastructures. We argue that IFDs in peripheral cities have a very different relationship with their city than do IFDs in so-called fashion cities. By examining this relationship, and Brisbane’s modestly placed position on fashion cities’ hierarchy, we propose that, except for the traditional fashion centres, other cities are in a constant state of flux, arguing that the concept of the fashion city itself is elusive. We propose that as cities experience fashion narratives that ebb and flow, they may present multiple characteristics that make them unique at a particular moment, thus they are ‘elusive’ fashion cities

Threats of Zika virus transmission for Asia and its Hindu-Kush Himalayan region

This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made.No specific funding was received for this research. However, the work of RM, UK and DAG was funded by the Federal Ministry of Education and Research of Germany (BMBF) under the project AECO (number 01Kl1717) as part of the National Research Network on Zoonotic Infectious Diseases of Germany

Visualising the future of work: myth, media and mobilities

Microsoft’s Future Vision, Googleplex, Apple’s ‘spaceship’ campus: predictions of the imminent demise of the office workplace coincide with a proliferation of media images of the ‘office of the future’. This article argues these visions function as powerful cultural myths for bringing about and stabilising new mobile and flexible work forms and identities. Cultural myths perform a range of ideological and mediating functions. They are a symbolic form for naturalising the cultural production of meaning and a map or charter for the way that society is ordered in the present. While visions of mobile work forms and arrangements promise a revolutionary break from the past, they also mask the re-inscription of a rational economy of time and gendered relations of labour. These visions maintain their currency because they work with contemporary processes of commodification and mediate the very mobilities they help to bring about