Cinéma québécois à l’ombre de la mélancolie

Dans cet article, tout en s'appuyant sur la définition freudienne de la mélancolie, l'auteur cherche à analyser un corpus de trois oeuvres cinématographiques québécoises : La Femme de l'hôtel de Léa Pool (1984), Cargo de François Girard (1990) et Léolo de Jean-Claude Lauzon (1992), trois films qui s'inscrivent dans ce qu'on a appelé le « syndrome postréférendaire », provoqué par l'échec du premier référendum sur la souveraineté-association en 1980.In this article, relying on the Freudian definition of melancholy, the author analyses a corpus of three Quebec films : La Femme de l'hôtel by Léa Pool (1984), Cargo by François Girard (1990), and Léolo by Jean-Claude Lauzon (1992). What these three films share has been called the "post-referendum syndrome" that was brought on by the failure of the first referendum on sovereignty-association in 1980

Entrevista a Walter Lima jr. Jean Claude Lauzon y el sueño romántico

La madriguera (1998). Entrevista a Walter Lima jr. Jean Claude Lauzon y el sueño romántico. Ediciones de intervención cultural S.L. http://hdl.handle.net/10251/41642.Importación Masiva5858

Focus on form as a joint accomplishment: An attempt to bridge the gap between focus on form research and conversation analytic research on SLA

Several debates have recently addressed complementarities and/or (in)compatibilities between two lines of research concerned with second language interactions: Focus on Form research and conversation analytic work on repair in second language interactions. While our expertise primarily lies in the latter, we follow up on recent calls emanating from the former for more qualitatively oriented analysis. In this paper, we report on a study of correction in naturally occurring French L2 classroom interaction addressing the following question: how is attention focus on form distributed among the participants and interactionally organized across the temporal unfolding of talk? We show the analytic difficulty of determining precisely whose focus we observe in focus on form episodes. The findings substantiate an understanding of attention focus - along with the cognitive orientations of participants - as a process that is interactionally occasioned and organized, and the transformation of which into joint focus hinges on the local contingencies of tal

FINANCIAL COMUNICATION THROUGH THE FINANCIAL STATEMENTS ACORDING TO THE INTERNATIONAL ACCOUNTING SETTLEMENTS

The major financial statements are designed to provide a picture of theoverall financial position and performance of the business. In order to provide thisoverall picture, the accounting system will normally produce five major financialreports on a regular recurring basis. These financial statements, taken together,provide on overall picture of the financial health of the business. It says that who hasthe information has the power, and the way that it gets from the receiver iscommunication. From an accounting point of view, the communication is representedby financial statements, witch are regulated by IASB through IAS 1. Its objective is toprescribe the basis for presentation of general purpose financial statements, to ensurecomparability both with the entity’s financial statements of previous periods and withthe financial statements of other entities.financial statements, IASB, IAS/IFRS financial reporting

Spartan Daily, March 23, 2017

Volume 148, Issue 25https://scholarworks.sjsu.edu/spartan_daily_2017/1023/thumbnail.jp

Analyse des habitudes de vie des cégépiens et des cégépiennes (PA2002-006) : rapport synthèse 1 : points saillants /

"Recherche subventionnée par le Ministère de l'éducation du Québec conformément au Programme d'aide à la recherche sur l'enseignement et l'apprentissage"Également disponible en version papier.Titre de l'écran-titre (visionné le 9 juin 2011

Decolonizing Toronto Theatre

This research project, “Decolonizing Toronto Theatre,” examines how Soulpepper, a mainstream Toronto theatre company, and their collaboration with Native Earth Performing Arts are contributing to the equity, diversity, inclusion, and decolonization of Toronto theatre through their recent Indigenous productions: Kamloopa and Where the Blood Mixes. We watched, read, and analyzed both plays to explore how these two productions transform and redefine the intellectual, political, and artistic conventions of Anglo-Canadian theatre. Our analyses of these plays are informed by the various texts centred around Canadian Indigenous history and Indigenous theatre. We also used an ethnographic approach by talking to people involved in both productions. We conducted interviews with the playwrights, the associate artistic director at Soulpepper, and some artists involved in both plays. These conversations with the people involved allowed us to understand these plays beyond their content: the inner workings of how a production comes to fruition. The conversations also allowed for a reflection on the similarities and differences between the creative approaches the artists involved took as well as the positive impacts these productions have had on Toronto theatre. Finally, by applying our ethnographic findings and our analyses of the plays, we composed a journal article that compiles the analyses and research conducted over the course of the internship