Painting article concept is analysed in the present Chinese painting creation of realistic significance

本文通过对画品概念的理解，引出“以人品画”的观点进行论述。通过当下对画品概念的质疑引发人们进一步思考画品概念具有什么样的现实意义和追求价值。面对如今普遍存在的中国画特性和画品格调与画格品质下滑的现象，如何重新认识中国画品质特性和理解人品与画品的内在联系成为中国画学习者们应该思考的问题。 传统画论将画品分为四个品类，以“逸品”为绘画最高境界，由于古代和现代特定的环境不同，现代画家的社会、人文及视觉心理因素，使作品要达到古人“逸品”的程度似乎是难以实现，但逸品的画品格调是可以通过人的自身修养、气质培养慢慢得以提升的。笔者从三个方面论述了画品与人格的修养之间的关系：一是文化环境和社会背景等因素对画...This article through to the understanding of the concept of derivation, the essay discusses the idea of \"painting\" by character. Concept of painting article through the present questions raised further thinking about what kind of painting article concept has the practical significance and the pursuit of value. Face the now ubiquitous feature of Chinese painting and painting article style and pic...学位：文学硕士院系专业：艺术学院_美术学学号：1862014115360

A Study of Overseas Migration Bases on Quanzhou Local Genealogies

族谱是记述以家族世系为中心的历史，在一定程度上体现了某一地区或某一家族的政治、经济及其思想体系的情况和问题。据统计，我国存世的族谱不下2-3万种之多，其数量之巨大，内容之丰富，并不亚于正史和方志。泉州地方族谱作为其中重要的组成部分，不仅具有一般族谱的功用，还记录着众多族人移居海外的原始资料，是研究侨乡华侨史的重要依据。这正是泉州地方族谱有别于我国其他地区谱牒资料的特色之一。 在泉州地方族谱资料中，反映了许多方面问题，如：泉州人移民海外的历史、移民出国的几个主要港口、移民在海外的职业和生活以及移民在海外的悲惨遭遇。这些史料从不同角度展示出华侨华人历史的丰富内涵，为当今海外华人寻根问祖提供最为原...The Genealogy is a history about the family lineage, and it reflects general situations about an area or a family in politics, economy and ideology. There are about twenty thousand or thirty thousand genealogies in the world now. They are not only numerous but also have abundant contents which are as better as official histories and choreographies. As a part of them, the Quanzhou local genealogies...学位：历史学硕士院系专业：南洋研究院_专门史学号：2005130261

Phytoplankton diversity in Futian mangrove wetland of Shenzhen:Composition and distribution

根据深圳福田红树林湿地的浮游植物周年调查资料,分析浮游植物群落多样性的组成与时空分布特征,并利用浮游植物群落多样性指数对湿地水体的营养状态进行评价。共记录浮游植物5门28属51种,各季度浮游植物数量均超过106Ind.l-1。硅藻分布广泛,在种类和数量上均占主导地位,优势种为微小小环藻(CyClOTEllA CASPIA)和诺氏海链藻(THAlASSIOSIrA nOrdEnSkIldI)等,耐受污染的藻类,如小颤藻(OSCIllATOrIA MInIMA)、鱼形裸藻(EuglEnA PISCIfOrMIS)在夏秋2季成为个别站位的优势种。浮游植物种类组成时空变化明显,而数量的空间变化较大、季节变化不大,优势种的时空变化明显,但种类单一,多样性指数的空间变化较大。群落多样性指数评价结果显示,深圳红树林湿地处于中-富营养化状态,有向富营养化过渡的趋势,应加强对内陆径流和污水排放进入红树林湿地的严格控制和管理。Based on the field survey in 2005-2006,the composition and spatiotemporal distribution of phytoplankton diversity in Futian mangrove wetland of Shenzhen were studied,and the water body’s trophic state of the wetland was assessed by using Shannon-Wiener diversity index,Pielou evenness index,Margalef abundance index,and dominance index.A total of 51 species (including 1 variety and 9 unidentified species) belonging to 28 genera in 5 phyta were identified.The phytoplankton density in each season all reached 106 ind·L-1 or more.In terms of species number and quantity,diatom was dominant in the phytoplankton community.Cyclotella caspia and Thalassiosira nordenskildi were the dominant species,while the other pollution-tolerance species such as Oscillatoria minima and Euglena pisciformis became dominant in some stations in summer and autumn.In contrast to the remarkable spatiotemporal variation of species composition,a greater spatial but little temporal variation of phytoplankton quantity was observed.Dominant species had remarkable spatiotemporal variation,but the simplicity was obvious.The four diversity indices presented more spatial variation,and the assessment with these indices showed that the water body’s trophic state of the wetland was at meso-eutrophic,and tended to be eutrophicated.It was necessary to strictly control the wastewater discharging and inland runoff into the mangrove wetland.国家海洋局908专项—中国海洋生物种类名录和图谱资助项目(908-ZC-Ⅱ-02

Seedling emergence and dispersal pattern of the introduced Sonneratia caseolaris in Shenzhen Bay, China

海桑(Sonneratia caseolaris)是我国华南沿海主要红树林造林树种,在深圳湾引种造林15年后,在天然红树林和光滩中出现了大面积的扩散。为了研究深圳湾红树植物海桑的幼苗扩散及其与生态因子的关系,作者采用样线和样方调查法于2006年9月至2007年9月对深圳福田红树林内天然扩散的海桑幼苗的密度、高度和盖度及其相关生态因子(包括种间竞争、群落类型、光照、扩散距离与滩面高程)进行了6次调查。天然红树林和人工海桑林林下海桑幼苗密度在调查初期分别为24.7棵/m2和19.7棵/m2,到2007年9月林下的一年生海桑幼苗全部死亡,说明林下的弱光生境显著抑制了海桑幼苗的早期生长和自然更新。不同林型下(包括天然白骨壤林和秋茄林、人工海桑林)的海桑幼苗的密度、高度、盖度差异不显著(P>0.05);而林中空地各指标显著高于林下(P0.05),而人工海桑林林下的海桑幼苗密度与光照强度呈显著正相关,且相关系数逐次增大,说明海桑幼苗的早期生长受到光照强度的影响极为显著。因此,深圳湾引种海桑的繁殖体在天然白骨壤林和秋茄林下的扩散主要受与母树距离的影响,但在海桑人工林下光照强度是影响幼苗分布的最重要生态因子。Due to its rapid growth, Sonneratia caseolaris, a mangrove species indigenous to Hainan, was introduced to Shenzhen Bay, Guangdong for afforestation purpose during the early 1990s. The seedling emergence, early growth and dispersal pattern of S. caseolaris and their responses to environmental factors have not been well studied in the new habitat. In this study, we evaluated the density, height and coverage of S. caseolaris seedlings underneath the canopies of various mangrove forests (including both natural Kandelia candel and Avicennia marina communities and introduced S. caseolaris communities) and on the mudflats without canopy, in Futian Mangroves Natural Reserve of Shenzhen Bay from September 2006 to September 2007. Line intercept and square intercept methods were used in the survey. Tidal elevation, light intensity, community types and the distance between the sample squares and the nearest adult S. caseolaris were also recorded. The mean densities of S. caseolaris seedlings under the canopies of both the introduced and natural mangrove forests decreased from September 2006 (24.7 seedlings per m2 and 19.7 seedlings per m2 , respectively) to September 2007 (no seedlings survived). No significant differences were found in the seedling density, height or coverage of S. caseolaris among different mangrove communities. However, the density, height and coverage of S. caseolaris seedlings were significantly higher on the mudflats without canopy than under the mangrove canopies, indicating that higher light intensity in on the mudflats without canopy promoted the dispersal and vertical growth of S. caseolaris seedlings. Although the optimal tidal elevation for S. caseolaris seedlings in Shenzhen Bay was between 1.40 m and 1.60 m, an area that falls within the mid-to-high intertidal zones, seedling density and tidal elevation were weakly correlated. The seedling density under the native mangrove canopies was negatively related to dispersal distance. However seedling density were positively correlated with light intensity(P<0.05), and the correlation coefficients for the introduced S. caseolaris forest increased through time with successive surveys. In contrast, there was no significant correlation founded between seedling density and light intensity under native mangrove canopies. We concluded that distance to mother tree was the most important factor determining S. caseolaris seedling density under native mangrove canopies, whereas the light intensity was the most important environmental factor for controlling seedling dispersal pattern under the canopy of the introduced S. caseolaris forest.中国科学院“百人计划”资助项目;; 国家自然科学基金(30700092);; 中国博士后科学基金(20060400529

Seasonal and spatial variation of phytoplankton and relationship with water-quality factors in Futian Mangroves of Shenzhen

在探讨深圳福田红树林区浮游植物群落结构及种群数量变化规律的基础上,对红树林区不同水质环境中浮游植物时空变化进行了研究,初步分析主要水质因子与浮游植物密度时空变化的相关关系。分析表明,福田红树林区浮游植物有5门28属51种(含未知9种),以硅藻门种类为主,优势种为微小小环藻(Cyclotella caspia)和诺氏海链藻(Thalassiosira nordenskildi)等,蓝藻、绿藻能发展成为优势类群,优势种为小颤藻(Oscillatoria minima)和小球藻(Chlorella vulgaris)等。浮游植物种类组成季节变化明显,空间变化显著。浮游植物密度空间变化明显,季节差异不大。各季度的浮游植物密度较高,达到106cells·L-1的级别。由于接纳生活污水、工业废水、养殖废水等陆源污水,5个站位的主要水质因子受污水排放影响明显,站位受陆源污水影响的顺序依次为:Ⅳ>Ⅱ>Ⅴ>Ⅰ>Ⅲ,污水排放进入红树林区的水域水质显著区别于完全海水水域。陆源污水输入对浮游植物密度时空变化造成显著影响,浮游植物密度与总氮浓度、盐度相关性较好,与总氮成显著负相关,与盐度成显著正相关。Phytoplankton community were studied at 5 sites in Futian Mangrove Reserves of Shenzhen from Oct. 2005 to Sep. 2006. The species composition, densities and distribution of phytoplankton, in seasonal and spatial scale, were studied. Main water-quality factors were preliminary examined for their relations to phytoplankton densities. As result a total of 51 taxa (including 1 variety and 9 unidentified taxa) belonging to 28 genera in 5 phyta were identified. It showed that diatoms, such as Cyclotella caspia and Thalassiosira nordenski?ldi dominated in 4 seasons in most sites. Among the others, species of Cyanobacteria and Chlorophyta, such as Oscillatoria minima and Chlorella vulgaris, only dominated at a few sites. In contrast to a remarkable seasonal and spatial variation of species compositions, the phytoplankton densities changes little in season though they alternated with sites in spatial. Phytoplankton density was high reaching 106 cells?L-1 in 4 seasons. Water qualities changed with seasons in 5 sites due to the influence of domestic and industrial wastewater. The sites contaminated by the sewage are in sequence of Ⅳ >Ⅱ >Ⅴ >Ⅰ >Ⅲ, the pollution made water quality quite different with that of seawater in the open sea. Correlations of phytoplankton density with total nitrogen and salinity were found. It showed that the phytoplankton density changed positively with salinity but negatively with the total nitrogen.中国近海海洋综合调查与评价项目908-01-ST06和908-02-03-0

Managerial Accounting for Marketing: An Interdisciplinary Issue

现代营销已经从生产、销售导向转向顾客导向,而管理会计的重心仍然停留在内部制造成本的核算上,无法为营销决策提供充分的信息支持,现代营销日益要求以顾客为基础进行营销成本管理。【英文摘要】Modern marketing has shifted from production and sales-orientation to customer-orientation, while managerial accounting still focuses on internal manufacturing cost accounting, unable to provide adequate information support to marketing decision-making. Modern marketing increasingly requires managing marketing cost based on customers

杜牧“‘秋’意象诗”研究 = Research on Du Mu’s autumn imagery poems

以“‘秋’意象”来抒发个人感情、将之融入于诗篇，在整个中国古典诗歌文学的脉络里不胜枚举。而每每提到“‘秋’意象”，人们不经意就会联想到悲伤。这能说是与“‘秋’意象诗”的整个发展脉络的源头有关，也能归结为古代秋天时的民间习俗文化导致这样的印象。杜牧虽然身处于晚唐时期，一个政局逐渐走向没落的年代，同时他又面对着弟弟的眼疾，却依然能够写出另一面的秋天，形成了一个不一样的“‘秋’意象诗”。本文将厘清‘秋’意象诗”与“悲秋诗”的关系，以及对“‘秋’意象诗”下一个定义。并通过文本细读来分析出杜牧“‘秋’意象诗”除了“悲”之外还拥有的其它感情倾向的作品。同时，也将详细的统计出杜牧“‘秋’意象诗”中常用的“秋”意象群是那一些，来发掘出属于他个人此类诗的风格和特色。再通过对比手法，将杜牧独特的“‘秋’意象诗”对应先唐和唐代相似的诗人作品，以便看出杜牧唯有的人格魅力和有别于人的思想心境，进而从理解其诗到了解其人。In the history of Chinese classical poetry, it is prevalent to use “Autumn Imagery” as a mean to express personal feeling and to integrate such feeling into the poetry.Very often when “Autumn Imagery” is mentioned, it gives an impression for people to link it with “Grief”. The cause for this figurative language can be traced back how the development of “Autumn Imagery’s Poems” first started and could also be attributed to the past folk’s culture and customs, which were carried out during the autumn period. Du Mu, a poet from the late Tang Dynasty, despite living in a declining political condition and struggling with his younger brother’s illness, was able to portray a positive vibe for poems related to Autumn, thus forming a new style for “Autumn Imagery’s Poems”.In this thesis, the relationship between “Autumn Imagery’s Poems” and “Grief Autumn Imagery’s Poems” will be explored. Definition for the “Autumn Imagery’s Poems” will also be clarified. Close reading will be used to uncover the emotions between the lines in Du Mu’s poems that may contain feelings other than grief. This thesis would also compute the various repetition usage of certain “Autumn Imagery” in Du Mu’s work, which forms the uniqueness in his poetries. Next, through comparison of works having similar emotion conveyance before the Tang Dynasty and works from the Tang Dynasty with Du Mu’s poetry, this is in hope to discover the unparalleled characters of the poet through understanding his poems.Bachelor of Art