Personalized vectorの変化に伴うPageRankの近似解法

電気通信大学200

On the Tz'u Poetry of Liu Yung

The tz'u poet Liu Yung, who flourished in the early years of the Northern Sung, is noted for the popular nature of his work. This reputation, it would appear, stems from his erotic poetry, which is the subject of this article. In examining Liu Yung's erotic poetry, comparison has been made with the erotic poetry in tz'u form of T'ang and Five Dynasties times and that by Liu Yung's contemporaries such as Chang Hsien, Yen Shu, and Ou-yang Hsiu. The erotic poetry examined, it was found, could be divided into two categories. The first is the so-called kuei-yuan poetry, the poetry of the woman wronged or neglected. The second is the poetry which concentrates upon a description of the woman herself. An examination of the poetry of the first category reveals that most poets of the T'ang, Five Dynasties, and early Sung tended to convey a sense of the sadness or resentment of the woman neglected by her lover indirectly through a description of her appearance, the articles which surround her, or the setting in which she is seen. Liu Yung's poems of this type, however, are quite different, for he allows the woman to express her feelings by describing them directly in her own words. Poems in the second category by Liu Yung's predecessors and contemporaries, it was found, tended to be devoted entirely to a description of the beauty and attractiveness of the woman portrayed. Those by Liu Yung, however, give voice to the speaker's own love for the woman he beholds. Liu Yung's erotic poems, as may be seen, thus give frank and open expression to the feelings of love and passion in the heart of the speaker or the person depicted, and because of this directness deserve, at least in the writer's opinion, to be evaluated very highly. On the other hand, Liu Yung does not employ a compressed mode of expression, as do many other poets, and his works therefore lack the suggestiveness that generally results from such a mode of expression. It is probable that he wrote in this manner because of the nature of the melodies to which his poems were fitted. The fact that the melodies to which the tz'u poems of this period were sung are now entirely lost is particularly regrettable in the case of Liu Yung, hindering as it does a proper appreciation of his work

ＤＮＡ作用型抗がん剤の効果はミトコンドリアにより決定される

博士(医学)大阪市立大