Rearranged Snowdrops: The Construction of Memory at the Abbaye d’Ardenne

The construction of memory regarding the Second World War is a field in Canaidan historiography that requires further exploration and research. The memorial at the Abbaye d’Ardenne in Normandy provides a case study that speaks to larger patterns of collective commemoration of the war by Canadians and the local population. Memories of war must be examined in the context of their construction. Several factors have given the Abbaye prominence among the many monuments to Canadian the many monuments to Canadian soldiers in Normandy. The monument itself, the physical space it occupies, the motives of those who create and sustain it, and the that has passed since the events all work in the development of the memory crated and how it is woven into the national narrative

Influence of slump folds on tectonic folds: an example from the Lower Ordovician of the Anglo-Brabant Deformation Belt (Belgium)

Although it is generally accepted that buckle folds will not develop in a perfectly planar layer without the presence of some irregularity or perturbation at which the folds initiate, there are very few cases in which individual natural folds can be linked to specific irregularities. Within the Lower Ordovician Abbaye de Villers Formation, Anglo-Brabant Deformation Belt, metre-scale tectonic folds occur, of which the position and, to a certain extent, the geometry appear to be controlled by slump folds and related features. The metre-scale tectonic folds, interpreted as parasitic structures on the limb of a large-scale host fold, occur only within a stratigraphic level affected by slumping. In this level, tectonic antiforms tend to form superimposed on antiformal slump folds and on zones of abrupt, slump-related thickness increase, and tectonic synforms on synformal slump folds and on zones of abrupt thickness decrease. The rather irregular 3D geometry of sedimentary sequences suggests that many more similar cases should exist in which folds can be linked to specific irregularities. However, possibly it is also this abundance of irregularities in sedimentary sequences, in combination with fold and outcrop scale, that makes it difficult to attribute a particular fold to a particular perturbation

From scandal to monastic penance: a reconciliatory manuscript from the early twelfth-century abbey of St. Laurent in Liège

An important element of monastic penance and conflict resolution was its repetitive, almost cyclical nature. The manuscripts that were used during these performances often proceed implicitly, which makes them difficult to contextualize and understand. This article considers a possible example of such "hidden" reconciliatory discourse in a manuscript that was produced for the congregation of St. Laurent in Liege around the turn of the eleventh century: Brussels, Royal Library 9361-9367. It examines the sin of pride in monastic dignitaries, discusses the best way to atone for it, and provides tools for the penitent to start living a more virtuous life in the future. The surviving evidence suggests that this manuscript was produced in reaction to the deeds of abbot Berenger, whose actions in 1095 were considered scandalous by contemporaries because he had led his monks into confusion and sin. The article shows how the combination of texts in this manuscript takes on a different meaning because of these politically charged circumstances, and argues that the St. Laurent manuscript was a discreet but methodical way to end the resulting estrangement between Berenger and his monks. In this interpretation, Brussels RL 9361-9367 is a rare and highly relevant testimony to the ways in which monks in the early twelfth century dealt with psychological and social tensions in the wake of an intra-group conflict

Stencil: a descriptive bibliography

This bibliography lists and describes books, articles, papers, manuscripts and other works that deal with stencil letters or the stencilling of texts, or incorporate substantial or specific remarks on these topics. Several key sources relating to other kinds of stencil work are also included, as are supplemental listings of exhibitions and notable collections of artefacts. The main part of the bibliography is arranged in chronological sections. An introduction to each section highlights developments in how stencil work was discussed during that period; individual entries that follow are arranged alphabetically by author. Each entry is briefly summarised and cross-referenced to other entries where appropriate