Aspects of voice irregularity measurement in connected speech

Applications of the use of connected speech material for the objective assessment of two primary physical aspects of voice quality are described and discussed. Simple auditory perceptual criteria are employed to guide the choice of analysis parameters for the physical correlate of pitch, and their utility is investigated by the measurement of the characteristics of particular examples of the normal-speaking voice. This approach is extended to the measurement of vocal fold contact phase control in connected speech and both techniques are applied to pathological voice data

Evaluation of product sound design within the context of emotion design and emotional branding

Thesis (Master)--Izmir Institute of Technology, Industrial Design, Izmir, 2005Includes bibliographical references (leaves: 111-122)Text in English; Abstract: Turkish and Englishxi, 127 leavesThe main purpose of this thesis is to set out the relationships between the work of product designers and the perceptions of costumers regarding the acceptability of product sounds. Product design that provides aesthetic appeal, pleasure and satisfaction can greatly influence success of a product. Sound as a cognitive artifact, plays a significant role in the cognition of product interaction and in shaping its identity. This thesis will review emotion theories end their application to sound design and sound quality modeling, the measurement of emotional responses to sound, and the relationship between psycho-acoustical sound descriptions and emotions. In addition to that, affects of sounds to emotionally significant brands will be evaluated so as to examine marketing values. One of the main purposes of chapter 2 is to prove knowledge about psychoacoustics; as product sound quality is a basic understanding of the underlying psychoacoustics phenomena. Perception; particularly sound perception and its elements are described during chapter 2. Starting with the description of sound wave and how our hear works, sound perception and auditory sensation is reviewed in continuation. In chapter 3, product sound quality concept and its evaluation principles are reviewed. Thus, in order to understand the coupling between the acoustic perception and the product design; knowledge of general principles for product sound quality are required. Chapter 4 can be considered as two main sections. .How does emotion act as a delighter in product design?. is examined to better understand customer and user experiences impacting pleasure-ability in first section. In the second section, emotion is evaluated through sound design. A qualitative evaluation is done so as to examine cognition and emotion in sound perception. Chapter 5 leads subject through emotional branding. Sounds that carry the brand.s identity are evaluated within. Sound design is re-evaluated as marketing strategy and examined with several instances. Keywords: Product sound design, psychoacoustics, product sound quality, emotion design, emotional branding

Acoustic measurement of overall voice quality in sustained vowels and continuous speech

Measurement of dysphonia severity involves auditory-perceptual evaluations and acoustic analyses of sound waves. Meta-analysis of proportional associations between these two methods showed that many popular perturbation metrics and noise-to-harmonics and others ratios do not yield reasonable results. However, this meta-analysis demonstrated that the validity of specific autocorrelation- and cepstrum-based measures was much more convincing, and appointed ‘smoothed cepstral peak prominence’ as the most promising metric of dysphonia severity. Original research confirmed this inferiority of perturbation measures and superiority of cepstral indices in dysphonia measurement of laryngeal-vocal and tracheoesophageal voice samples. However, to be truly representative for daily voice use patterns, measurement of overall voice quality is ideally founded on the analysis of sustained vowels ánd continuous speech. A customized method for including both sample types and calculating the multivariate Acoustic Voice Quality Index (i.e., AVQI), was constructed for this purpose. Original study of the AVQI revealed acceptable results in terms of initial concurrent validity, diagnostic precision, internal and external cross-validity and responsiveness to change. It thus was concluded that the AVQI can track changes in dysphonia severity across the voice therapy process. There are many freely and commercially available computer programs and systems for acoustic metrics of dysphonia severity. We investigated agreements and differences between two commonly available programs (i.e., Praat and Multi-Dimensional Voice Program) and systems. The results indicated that clinicians better not compare frequency perturbation data across systems and programs and amplitude perturbation data across systems. Finally, acoustic information can also be utilized as a biofeedback modality during voice exercises. Based on a systematic literature review, it was cautiously concluded that acoustic biofeedback can be a valuable tool in the treatment of phonatory disorders. When applied with caution, acoustic algorithms (particularly cepstrum-based measures and AVQI) have merited a special role in assessment and/or treatment of dysphonia severity

Acoustics of Sequential Spaces

“Sequential spaces” are spatial systems comprising multiple spaces in sequence connected by openings, common in public spaces with crowd transit (e.g., museums, shopping malls, and transportation hubs). Related to sound diffraction and insulation, this thesis aims to achieve a minor breakthrough in architectural acoustics through establishing disciplines, not focusing on a single or performance space, but targeting large-scale buildings with a listener in motion. The necessity of applying good practice in asymmetric dynamic auditory perception between approaching and receding sound sources, and inconsistent sound attenuation with distance for separating partitions of same construction is demonstrated by subjective and objective outcomes through real and virtual acoustics. The first stage observes dynamic auditory perception of noise as a stationary primary sound source in a museum. The asymmetry of the loudness and listener envelopment between approaching and receding sources occurs with broadband noise. Perceptual priority increases with a rising level. The second stage confirms sound attenuation with distance in accordance with the needs of users (connected room volume, individual room volume, source position, and room absorption) in practice. As connected room volume increases, average sound pressure level is remained for rooms originally connected, while reverberation time generally decreases. The level difference between source and first receiving room is magnified to 1.5 times the sequential one. The third stage explores sound attenuation with distance when parameters of contextual (opening dimension and position, number of rooms), acoustic (absorption coefficient and distribution) and source (directional radiation from the opening and an additional source) factors are efficient in predictions based on finite element method. The final stage examines dynamic auditory perception of voice and music with or without background noise through a validated reproduction of virtual environment. Three perceptual distinctions emerge between approaching or receding sound sources and are defined as approach, plummet, and convergence effect

THE RELATIONSHIP BETWEEN ACOUSTIC FEATURES OF SECOND LANGUAGE SPEECH AND LISTENER EVALUATION OF SPEECH QUALITY

Second language (L2) speech is typically less fluent than native speech, and differs from it phonetically. While the speech of some L2 English speakers seems to be easily understood by native listeners despite the presence of a foreign accent, other L2 speech seems to be more demanding, such that listeners must expend considerable effort in order to understand it. One reason for this increased difficulty may simply be the speaker’s pronunciation accuracy or phonetic intelligibility. If a L2 speaker’s pronunciations of English sounds differ sufficiently from the sounds that native listeners expect, these differences may force native listeners to work much harder to understand the divergent speech patterns. However, L2 speakers also tend to differ from native ones in terms of fluency – the degree to which a speaker is able to produce appropriately structured phrases without unnecessary pauses, self-corrections or restarts. Previous studies have shown that measures of fluency are strongly predictive of listeners’ subjective ratings of the acceptability of L2 speech: Less fluent speech is consistently considered less acceptable (Ginther, Dimova, & Yang, 2010). However, since less fluent speakers tend also to have less accurate pronunciations, it is unclear whether or how these factors might interact to influence the amount of effort listeners exert to understand L2 speech, nor is it clear how listening effort might relate to perceived quality or acceptability of speech. In this dissertation, two experiments were designed to investigate these questions

Perception of Reverberation in Domestic and Automotive Environments

nrpages: 227status: publishe

The quality of experience of next generation audio :exploring system, context and human influence factors

PhD ThesisThe next generation of audio reproduction technology has the potential to deliver immersive and personalised experiences to the user; multichannel with-height loudspeaker arrays and binaural techniques offer 3D audio experiences, whereas objectbased techniques offer possibilities of adapting content to suit the system, context and user. A fundamental process in the advancement of such technology is perceptual evaluation. It is crucial to understand how listeners perceive new technology in order to drive future developments. This thesis explores the experience provided by next generation audio technology by taking a quality of experience (QoE) approach to evaluation. System, context and human factors all influence QoE and in this thesis three case studies are presented to explore the role of these categories of influence factors (IFs) in the context of next generation audio evaluation. Furthermore, these case studies explore suitable methods and approaches for the evaluation of the QoE of next generation audio with respect to its various IFs. Specific contributions delivered from these individual studies include a subjective comparison between soundbar and discrete surround sound technology, the application of the Open Profiling of Quality method to the field of audio evaluation, an understanding of both how and why environmental noise influences preferred audio object balance, an understanding of how the influence of technical audio quality on overall listening experience is related to a range of psychographic variables and an assessment of the impact of binaural processing on overall listening experience. When considering these studies as a whole, the research presented here contributes the thesis that to effectively evaluate the perceived quality of next generation audio, a QoE mindset should be taken that considers system, context and human IFs.Engineering and Physical Sciences Research Council (EPSRC) and the British Broadcasting Corporation Research & Development department (BBC R&D