The use of photogrammetry in the conservation of painted outdoor sculpture:Adressing Jean Dubutffet’s <i>Jardin d'Email</i>

This research evaluates the use of innovative imaging technolo- gies to aid the conservation of large-scale contemporary painted outdoor sculpture. It explores photogrammetry and image- based 3D modelling as tools during the conservation of Jardin d’émail (1974) by Jean Dubuffet (1901-1985), owned by the Kröller-Müller Museum.In partnership with the 4D Research Lab at the University of Amsterdam, 3D digital models of the sculpture and two scale-models were created.This research assesses the effectiveness of using 3D digital models to inform the repainting of the sculpture’s black lines on white background as part of the treatment process. The use of photogrammetry to document the patterns and forms of the sculpture and scale-models is also evaluated. The creation of 3D digital models from the photogrammetric data allows for devi- ation analysis to be carried out, highlighting where areas of the scale-model and sculpture deviate significantly. The 3D models were uploaded on an app for use on tablets to enable responsive access during treatment. This research showed that photogram- metry is not only useful for large scale sculpture documentation, but can also aid the treatment of outdoor sculpture by producing geometrically accurate representations of the scale-model to be used as a reference during repainting

The use of photogrammetry in the conservation of painted outdoor sculpture:Adressing Jean Dubutffet’s <i>Jardin d'Email</i>

This research evaluates the use of innovative imaging technolo- gies to aid the conservation of large-scale contemporary painted outdoor sculpture. It explores photogrammetry and image- based 3D modelling as tools during the conservation of Jardin d’émail (1974) by Jean Dubuffet (1901-1985), owned by the Kröller-Müller Museum.In partnership with the 4D Research Lab at the University of Amsterdam, 3D digital models of the sculpture and two scale-models were created.This research assesses the effectiveness of using 3D digital models to inform the repainting of the sculpture’s black lines on white background as part of the treatment process. The use of photogrammetry to document the patterns and forms of the sculpture and scale-models is also evaluated. The creation of 3D digital models from the photogrammetric data allows for devi- ation analysis to be carried out, highlighting where areas of the scale-model and sculpture deviate significantly. The 3D models were uploaded on an app for use on tablets to enable responsive access during treatment. This research showed that photogram- metry is not only useful for large scale sculpture documentation, but can also aid the treatment of outdoor sculpture by producing geometrically accurate representations of the scale-model to be used as a reference during repainting

A qualitative analysis of the interfaces between urban underground metro infrastructure and its environment in London

Peer reviewedPostprin

A qualitative analysis of the interfaces between urban underground metro infrastructure and its environment in London

As urban environments densify and cities across the world employ urban underground metros for the effective rapid movement of millions of people a day, there is an essential need to ensure the safe continued presence and operation of those metros. To achieve this, the authors argue there is a need for a more detailed qualitative analysis of how urban underground metro infrastructure and its environment interface. Failure to do so could potentially lead to the development of inaccurate asset management data. This would subsequently lead to the implementation of flawed Building Information Modelling processes for 2, 3, and 4D modelling and mapping, of existing and proposed infrastructure. Following a review of existing asset management approaches which confirms the need for qualitative approaches to the analyses of the interfaces, this paper presents findings from a detailed case study, in the Bayswater area of the City of Westminster in West London, UK.The processes employed for the detailed case study form part of proposed (ultimately) standardised approaches to the gathering, analysis, and sharing, of multi-disciplinary evidence-based data, developed by the authors. Such data is essential to enable effective asset and urban management processes, now and for the future

Include 2011 : The role of inclusive design in making social innovation happen.

Include is the biennial conference held at the RCA and hosted by the Helen Hamlyn Centre for Design. The event is directed by Jo-Anne Bichard and attracts an international delegation

Building information modelling: protocols for collaborative design processes

Numerous frameworks and protocols are being developed to facilitate BIM understanding and implementation. A BIM framework is a structured theoretical construct that can assist in organizing BIM domains of knowledge and facilitate the creation of new knowledge. BIM Protocols explain or simplify aspects of the BIM implementation by providing detailed steps or conditions (e.g. workflows, plans, manuals, etc.) to reach a measurable outcome. Currently available BIM protocols lack the level of details and the inclusion of implementation variables and complexities present at project levels. This research aims to propose protocols for BIM collaborative design that can be utilized at project level by an entire supply chain to increase the efficiency and consistency of information flow and BIM deliverables. A grounded theory approach was adopted due to its particular emphasis on providing explicit strategies for defining and studying processes. The proposed protocols consist of flowcharts, diagrams and matrices that guide the processes of BIM implementation for collaborative design among lead architects, engineering consultants, clients and contractors. A top-level model of the protocols, representing the main elements of the protocols, the relations between elements, the underpinning methodology and a gate decision for technology, process and policy approval, is presented as an abstraction of the content of the protocols. The testing of the protocols in two international design competitions, using a mixed quantitative-qualitative, demonstrated their potential in improving the quality and quantity of information delivered to stakeholders involved in the design process. There are primary and secondary contributions that stemmed from this research. The primary contribution is represented by both the methodology for development and testing and the proposed protocols for BIM collaborative design. The secondary contribution derives from the classification and review of BIM frameworks and the demonstration of the influence of the BIM project physical environment on the performance of teams

Fifth Year Report: Institute of Making, UCL 2017-18

A report on the research activities of the Institute of Making covering the period from March 2017 to March 201

Digital 3D Technologies for Humanities Research and Education: An Overview

Digital 3D modelling and visualization technologies have been widely applied to support research in the humanities since the 1980s. Since technological backgrounds, project opportunities, and methodological considerations for application are widely discussed in the literature, one of the next tasks is to validate these techniques within a wider scientific community and establish them in the culture of academic disciplines. This article resulted from a postdoctoral thesis and is intended to provide a comprehensive overview on the use of digital 3D technologies in the humanities with regards to (1) scenarios, user communities, and epistemic challenges; (2) technologies, UX design, and workflows; and (3) framework conditions as legislation, infrastructures, and teaching programs. Although the results are of relevance for 3D modelling in all humanities disciplines, the focus of our studies is on modelling of past architectural and cultural landscape objects via interpretative 3D reconstruction methods

Bridging the gap between 3D navigation and semantic search. The INCEPTION platform

The paper presents the main outcomes and future development of the INCEPTION project, “Inclusive Cultural Heritage in Europe through 3D semantic modelling”, funded by the European Commission under the Horizon 2020 Work Programme Europe in a changing world – inclusive, innovative and reflective Societies (Call Reflective-7-2014, Advanced 3D modelling for accessing and understanding European cultural assets) and completed in May 2019. In particular, the key-targeted project achievement will be presented: a specific cloud-based platform conceived to accomplish the main objectives of accessing, understanding and strengthening European Cultural Heritage by means of enriched 3D models. The need for digital data interpretation, in addition to documentation, guided the overall process of the cross-disciplinary work methodology, based on new methods and tools for 3D surveying and H-BIM modelling, new approaches and methodologies for Cultural Heritage 3D data inclusive access and exploitation by means of the Platform