Generalisation : graphs and colourings

The interaction between practice and theory in mathematics is a central theme. Many mathematical structures and theories result from the formalisation of a real problem. Graph Theory is rich with such examples. The graph structure itself was formalised by Leonard Euler in the quest to solve the problem of the Bridges of Königsberg. Once a structure is formalised, and results are proven, the mathematician seeks to generalise. This can be considered as one of the main praxis in mathematics. The idea of generalisation will be illustrated through graph colouring. This idea also results from a classic problem, in which it was well known by topographers that four colours suffice to colour any map such that no countries sharing a border receive the same colour. The proof of this theorem eluded mathematicians for centuries and was proven in 1976. Generalisation of graphs to hypergraphs, and variations on the colouring theme will be discussed, as well as applications in other disciplines.peer-reviewe

Why Delannoy numbers?

This article is not a research paper, but a little note on the history of combinatorics: We present here a tentative short biography of Henri Delannoy, and a survey of his most notable works. This answers to the question raised in the title, as these works are related to lattice paths enumeration, to the so-called Delannoy numbers, and were the first general way to solve Ballot-like problems. These numbers appear in probabilistic game theory, alignments of DNA sequences, tiling problems, temporal representation models, analysis of algorithms and combinatorial structures.Comment: Presented to the conference "Lattice Paths Combinatorics and Discrete Distributions" (Athens, June 5-7, 2002) and to appear in the Journal of Statistical Planning and Inference

Combinatorics in the Art of the Twentieth Century

This paper is motivated by a question I asked myself: How can combinatorial structures be used in a work of art? Immediately, other questions arose: Whether there are artists that work or think combinatorially? If so, what works have they produced in this way? What are the similarities and differences between art works produced using combinatorics? This paper presents the first results of the attempt to answer these questions, being a survey of a selection of works that use or contain combinatorics in some way, including music, literature and visual arts, focusing on the twentieth century.Postprint (published version

History of Catalan numbers

We give a brief history of Catalan numbers, from their first discovery in the 18th century to modern times. This note will appear as an appendix in Richard Stanley's forthcoming book on Catalan numbers.Comment: 10 page