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Adrift or ashore? Desert Island Discs and celebrity culture
Why do we want to imagine celebrities as adrift, as banished from the rest of the world, and yet, at the same time, to find out more about them? The idea of celebrities as 'intimate strangers', with the media providing us with privileged access to the alleged 'real' person 'behind' a distanced, glossy façade of superstardom, has long been a constituent element of modern celebrity culture. Desert Island Discs' capacity to use and perpetuate such motifs has been a key reason for its success. At the same time, the programme also registers shifts in celebrity culture: towards a less white and male-dominated demographic, towards the hyper-intimate confessional, and towards expanding celebrity power. In this chapter I consider how Desert Island Discs connects to changing formations of celebrity culture, to ideas of meritocracy, and to a social culture of individualization
Allison Singley, Director of Parent Relations
In our new Next Page column, Allison Singley, Director of Parent Relations, shares with us the three books she is currently reading and why it might take her a while to finish them, her two desert island books (one of which inspired her doctoral dissertation), how she maintains a habit of reading poetry daily, and why she doesn’t write in books anymore — or feel the need to finish one
Islands within an almost island: History, myth, and aislamiento in Baja California, Mexico
This paper examines the persistent histories and lasting effects of the Baja California peninsula\u27s status as an almost island. The peninsula is almost an island in so many ways. Its reputation as an island-like entity has also ben strengthened by a longstanding myth that it was, in fact, an actual island. In many senses it was an island - isolated, remote, difficult to envision, understand, and control. Geography and climate played a vital role in all of this, but so, too, did human imagination. The author uses the concept of shima, along with discussions about the dual meanings of the Spanish word aislamiento as a way to explore these issues. Aislamiento can refer more concretely to the effects of being on a landform surrounded by water, on the one hand, or the deep social and psychological effects of isolation. Ultimately, the author argues that it is this sense of isolation that works to produce, regardless of geographic and cartographic reality, a powerful sense of islandness
Atomic Afterimage: Cold War Imagery in Contemporary Art
This is the catalogue of the exhibition "Atomic Afterimage" at Boston University Art Gallery
Humpback and Fin Whaling in the Gulf of Maine from 1800 to 1918
The history of whaling in the Gulf of Maine was reviewed primarily to estimate removals of humpback whales, Megaptera novaeangliae, especially during the 19th century. In the decades from 1800 to 1860, whaling effort consisted of a few localized, small-scale, shore-based enterprises on the coast of Maine and Cape Cod, Mass. Provincetown and Nantucket schooners occasionally conducted short cruises for humpback whales in New England waters. With the development of bomb-lance technology at mid century, the ease of killing humpback whales and fin whales, Balaenoptera physalus, increased. As a result, by the 1870’s there was considerable local interest in hunting rorquals (baleen whales in the family Balaenopteridae, which include the humpback and fin whales) in the Gulf of Maine. A few schooners were specially outfitted to take rorquals in the late 1870’s and 1880’s although their combined annual take was probably no more than a few tens of whales. Also in about 1880, fishing steamers began to be used to hunt whales in the Gulf of Maine. This steamer fishery grew to include about five vessels regularly engaged in whaling by the mid 1880’s but dwindled to only one vessel by the end of the decade. Fin whales constituted at least half of the catch, which exceeded 100 animals in some years. In the late 1880’s and thereafter, few whales were taken by whaling vessels in the Gulf of Maine
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