Call Me Caitlyn: Making and making over the 'authentic' transgender body in Anglo-American popular culture

A conception of transgender identity as an ‘authentic’ gendered core ‘trapped’ within a mismatched corporeality, and made tangible through corporeal transformations, has attained unprecedented legibility in contemporary Anglo-American media. Whilst pop-cultural articulations of this discourse have received some scholarly attention, the question of why this 'wrong body' paradigm has solidified as the normative explanation for gender transition within the popular media remains underexplored. This paper argues that this discourse has attained cultural pre-eminence through its convergence with a broader media and commercial zeitgeist, in which corporeal alteration and maintenance are perceived as means of accessing one’s ‘authentic’ self. I analyse the media representations of two transgender celebrities: Caitlyn Jenner and Nadia Almada, alongside the reality TV show TRANSform Me, exploring how these women’s gender transitions have been discursively aligned with a cultural imperative for all women, cisgender or trans, to display their authentic femininity through bodily work. This demonstrates how established tropes of authenticity-via-bodily transformation, have enabled transgender to become culturally legible through the wrong body trope. Problematically, I argue, this process has worked to demarcate ideals of ‘acceptable’ transgender subjectivity: self-sufficient, normatively feminine, and eager to embrace the possibilities for happiness and social integration provided by the commercial domain

Exploring the Potential of 3D Visualization Techniques for Usage in Collaborative Design

Best practice for collaborative design demands good interaction between its collaborators. The capacity to share common knowledge about design models at hand is a basic requirement. With current advancing technologies gathering collective knowledge is more straightforward, as the dialog between experts can be supported better. The potential for 3D visualization techniques to become the right support tool for collaborative design is explored. Special attention is put on the possible usage for remote collaboration. The opportunities for current state-of-the-art visualization techniques from stereoscopic vision to holographic displays are researched. A classification of the various systems is explored with respect to their tangible usage for augmented reality. Appropriate interaction methods can be selected based on the usage scenario

Exploring ‘events’ as an information systems research methodology

This paper builds upon existing research and commentary from a variety of disciplinary sources including Information Systems, Organisational and Management Studies, and the Social Sciences that focus upon the meaning, significance and impact of ‘events’ in both an organisational and a social sense. The aim of this paper is to define how the examination of the event is an appropriate, viable and useful Information Systems methodology. Our argument is that focusing on the ‘event’ enables the researcher to more clearly observe and capture the complexity, multiplicity and mundaneity of everyday lived experience. The use and notion of ‘event’ has the potential to reduce the methodological dilemmas associated with the micromanagement of the research process – an inherent danger of traditional and ‘virtual' ethnographic approaches. Similarly, this paper addresses the over-emphasis upon managerialist, structured and time-fixated praxis that is currently symptomatic of Information Systems research. All of these concerns are pivotal points of critique found within eventoriented literature. An examination of event-related theory within interpretative disciplines directs the focus of this paper towards the more specific realm of the ‘event scene’. The notion of the ‘event scene’ originated in the action based (and anti-academy) imperatives of the Situationists and emerged in an academic sense as critical situational analysis. Event scenes are a focus for contemporary critical theory where they are utilised as a means of representing theoried inquiry in order to loosen the restrictions that historical and temporally bound analysis imposes upon most interpretative approaches. The use of event scenes as the framework for critiquing established conceptual assumptions is exemplified by their use in CTheory. In this journal's version and articulation of the event scene poetry, commentary, multi-vocal narrative and other techniques are legitimated as academic forms. These various forms of multi-dimensional expression are drawn upon to enrich the understandings of the ‘event’, to extricate its meaning and to provide a sense of the moment from which the point of analysis stems. The objective of this paper is to advocate how Information Systems research can (or should) utilize an event scene oriented methodology

Chinese Photographers and Their Clientele in the Netherlands Indies, 1890-1940

This article examines the position of Chinese photographers in the visual colonial landscape. The Chinese toekang potret were involved in both commissioned photographs and the production of commercial images, but the latter was less widespread. Contrary to the image that Chinese photographers' clients were from the lower strata of society, this article shows that they were commissioned by the European, Chinese and Javanese elite. The image materiality of the portraits reveals the visual traces of circulation and exchange. Hence, the Chinese photographers were indirectly involved in these elite networks as well

Chinese Photographers and Their Clientele in the Netherlands Indies, 1890-1940

This article examines the position of Chinese photographers in the visual colonial landscape. The Chinese toekang potret were involved in both commissioned photographs and the production of commercial images, but the latter was less widespread. Contrary to the image that Chinese photographers' clients were from the lower strata of society, this article shows that they were commissioned by the European, Chinese and Javanese elite. The image materiality of the portraits reveals the visual traces of circulation and exchange. Hence, the Chinese photographers were indirectly involved in these elite networks as well

Written with the Finger of God: Divine and Human Writing in Exodus

The presence of writing in the book of Exodus must be considered not only for its contribution to the narrative as story, but also as a witness to several key socio-political issues (such as the interplay of textuality and orality in ancient Israel), for the role of writing in the history of Israel\u27s religion, and for the struggle to define, through several centuries and editorial layers, the nature of YHWH\u27s true image\u27\u27 in the world

PHYSICAL, PSYCHOLOGICAL AND VIRTUAL REALITIES

This chapter examines the similarities and differences between physical, psychological and virtual realities, and challenges some conventional, implicitly dualist assumptions about how these relate to each other. Virtual realities are not easily understood in either dualist or materialist reductive terms, as they exemplify the reflexive nature of perception. The chapter summarises some of the evidence for this “reflexive model”—and examines some of its consequences for the “hard” problem of consciousness. The chapter then goes on to consider how these realities might relate to some grounding reality or thing-itself, and considers some of the personal and social consequences of becoming increasingly immersed in virtual realities. Although this chapter was published in 1998 and develops work published in 1990, it presents a form of “radical externalism” that anticipates many themes in current (2006) internalism versus externalism debates about the nature of mind. It is also relevant to an understanding of virtual reality “presence.

CASE STUDY 3: Literature and Film - Reading Film: An Angel at My Table

A research case study within a chapter entitled, 'Literary Research and Other Media'; exploring the relationship between film adaptation, life writing and examining in particular the use of montage, with reference to Sergei Eisenstein's theories of montage and Jane Campion's film adaptation of Janet Frame's memoir, 'An Angel at My Table'