Review-Driven Multi-Label Music Style Classification by Exploiting Style Correlations

This paper explores a new natural language processing task, review-driven multi-label music style classification. This task requires the system to identify multiple styles of music based on its reviews on websites. The biggest challenge lies in the complicated relations of music styles. It has brought failure to many multi-label classification methods. To tackle this problem, we propose a novel deep learning approach to automatically learn and exploit style correlations. The proposed method consists of two parts: a label-graph based neural network, and a soft training mechanism with correlation-based continuous label representation. Experimental results show that our approach achieves large improvements over the baselines on the proposed dataset. Especially, the micro F1 is improved from 53.9 to 64.5, and the one-error is reduced from 30.5 to 22.6. Furthermore, the visualized analysis shows that our approach performs well in capturing style correlations

Next Generation of Product Search and Discovery

Online shopping has become an important part of people’s daily life with the rapid development of e-commerce. In some domains such as books, electronics, and CD/DVDs, online shopping has surpassed or even replaced the traditional shopping method. Compared with traditional retailing, e-commerce is information intensive. One of the key factors to succeed in e-business is how to facilitate the consumers’ approaches to discover a product. Conventionally a product search engine based on a keyword search or category browser is provided to help users find the product information they need. The general goal of a product search system is to enable users to quickly locate information of interest and to minimize users’ efforts in search and navigation. In this process human factors play a significant role. Finding product information could be a tricky task and may require an intelligent use of search engines, and a non-trivial navigation of multilayer categories. Searching for useful product information can be frustrating for many users, especially those inexperienced users. This dissertation focuses on developing a new visual product search system that effectively extracts the properties of unstructured products, and presents the possible items of attraction to users so that the users can quickly locate the ones they would be most likely interested in. We designed and developed a feature extraction algorithm that retains product color and local pattern features, and the experimental evaluation on the benchmark dataset demonstrated that it is robust against common geometric and photometric visual distortions. Besides, instead of ignoring product text information, we investigated and developed a ranking model learned via a unified probabilistic hypergraph that is capable of capturing correlations among product visual content and textual content. Moreover, we proposed and designed a fuzzy hierarchical co-clustering algorithm for the collaborative filtering product recommendation. Via this method, users can be automatically grouped into different interest communities based on their behaviors. Then, a customized recommendation can be performed according to these implicitly detected relations. In summary, the developed search system performs much better in a visual unstructured product search when compared with state-of-art approaches. With the comprehensive ranking scheme and the collaborative filtering recommendation module, the user’s overhead in locating the information of value is reduced, and the user’s experience of seeking for useful product information is optimized

Affective Image Content Analysis: Two Decades Review and New Perspectives

Images can convey rich semantics and induce various emotions in viewers. Recently, with the rapid advancement of emotional intelligence and the explosive growth of visual data, extensive research efforts have been dedicated to affective image content analysis (AICA). In this survey, we will comprehensively review the development of AICA in the recent two decades, especially focusing on the state-of-the-art methods with respect to three main challenges -- the affective gap, perception subjectivity, and label noise and absence. We begin with an introduction to the key emotion representation models that have been widely employed in AICA and description of available datasets for performing evaluation with quantitative comparison of label noise and dataset bias. We then summarize and compare the representative approaches on (1) emotion feature extraction, including both handcrafted and deep features, (2) learning methods on dominant emotion recognition, personalized emotion prediction, emotion distribution learning, and learning from noisy data or few labels, and (3) AICA based applications. Finally, we discuss some challenges and promising research directions in the future, such as image content and context understanding, group emotion clustering, and viewer-image interaction.Comment: Accepted by IEEE TPAM

Semantic multimedia modelling & interpretation for annotation

The emergence of multimedia enabled devices, particularly the incorporation of cameras in mobile phones, and the accelerated revolutions in the low cost storage devices, boosts the multimedia data production rate drastically. Witnessing such an iniquitousness of digital images and videos, the research community has been projecting the issue of its significant utilization and management. Stored in monumental multimedia corpora, digital data need to be retrieved and organized in an intelligent way, leaning on the rich semantics involved. The utilization of these image and video collections demands proficient image and video annotation and retrieval techniques. Recently, the multimedia research community is progressively veering its emphasis to the personalization of these media. The main impediment in the image and video analysis is the semantic gap, which is the discrepancy among a user’s high-level interpretation of an image and the video and the low level computational interpretation of it. Content-based image and video annotation systems are remarkably susceptible to the semantic gap due to their reliance on low-level visual features for delineating semantically rich image and video contents. However, the fact is that the visual similarity is not semantic similarity, so there is a demand to break through this dilemma through an alternative way. The semantic gap can be narrowed by counting high-level and user-generated information in the annotation. High-level descriptions of images and or videos are more proficient of capturing the semantic meaning of multimedia content, but it is not always applicable to collect this information. It is commonly agreed that the problem of high level semantic annotation of multimedia is still far from being answered. This dissertation puts forward approaches for intelligent multimedia semantic extraction for high level annotation. This dissertation intends to bridge the gap between the visual features and semantics. It proposes a framework for annotation enhancement and refinement for the object/concept annotated images and videos datasets. The entire theme is to first purify the datasets from noisy keyword and then expand the concepts lexically and commonsensical to fill the vocabulary and lexical gap to achieve high level semantics for the corpus. This dissertation also explored a novel approach for high level semantic (HLS) propagation through the images corpora. The HLS propagation takes the advantages of the semantic intensity (SI), which is the concept dominancy factor in the image and annotation based semantic similarity of the images. As we are aware of the fact that the image is the combination of various concepts and among the list of concepts some of them are more dominant then the other, while semantic similarity of the images are based on the SI and concept semantic similarity among the pair of images. Moreover, the HLS exploits the clustering techniques to group similar images, where a single effort of the human experts to assign high level semantic to a randomly selected image and propagate to other images through clustering. The investigation has been made on the LabelMe image and LabelMe video dataset. Experiments exhibit that the proposed approaches perform a noticeable improvement towards bridging the semantic gap and reveal that our proposed system outperforms the traditional systems

Beyond Flatland : exploring graphs in many dimensions

Societies, technologies, economies, ecosystems, organisms, . . . Our world is composed of complex networks—systems with many elements that interact in nontrivial ways. Graphs are natural models of these systems, and scientists have made tremendous progress in developing tools for their analysis. However, research has long focused on relatively simple graph representations and problem specifications, often discarding valuable real-world information in the process. In recent years, the limitations of this approach have become increasingly apparent, but we are just starting to comprehend how more intricate data representations and problem formulations might benefit our understanding of relational phenomena. Against this background, our thesis sets out to explore graphs in five dimensions: descriptivity, multiplicity, complexity, expressivity, and responsibility. Leveraging tools from graph theory, information theory, probability theory, geometry, and topology, we develop methods to (1) descriptively compare individual graphs, (2) characterize similarities and differences between groups of multiple graphs, (3) critically assess the complexity of relational data representations and their associated scientific culture, (4) extract expressive features from and for hypergraphs, and (5) responsibly mitigate the risks induced by graph-structured content recommendations. Thus, our thesis is naturally situated at the intersection of graph mining, graph learning, and network analysis.Gesellschaften, Technologien, Volkswirtschaften, Ökosysteme, Organismen, . . . Unsere Welt besteht aus komplexen Netzwerken—Systemen mit vielen Elementen, die auf nichttriviale Weise interagieren. Graphen sind natürliche Modelle dieser Systeme, und die Wissenschaft hat bei der Entwicklung von Methoden zu ihrer Analyse große Fortschritte gemacht. Allerdings hat sich die Forschung lange auf relativ einfache Graphrepräsentationen und Problemspezifikationen beschränkt, oft unter Vernachlässigung wertvoller Informationen aus der realen Welt. In den vergangenen Jahren sind die Grenzen dieser Herangehensweise zunehmend deutlich geworden, aber wir beginnen gerade erst zu erfassen, wie unser Verständnis relationaler Phänomene von intrikateren Datenrepräsentationen und Problemstellungen profitieren kann. Vor diesem Hintergrund erkundet unsere Dissertation Graphen in fünf Dimensionen: Deskriptivität, Multiplizität, Komplexität, Expressivität, und Verantwortung. Mithilfe von Graphentheorie, Informationstheorie, Wahrscheinlichkeitstheorie, Geometrie und Topologie entwickeln wir Methoden, welche (1) einzelne Graphen deskriptiv vergleichen, (2) Gemeinsamkeiten und Unterschiede zwischen Gruppen multipler Graphen charakterisieren, (3) die Komplexität relationaler Datenrepräsentationen und der mit ihnen verbundenen Wissenschaftskultur kritisch beleuchten, (4) expressive Merkmale von und für Hypergraphen extrahieren, und (5) verantwortungsvoll den Risiken begegnen, welche die Graphstruktur von Inhaltsempfehlungen mit sich bringt. Damit liegt unsere Dissertation naturgemäß an der Schnittstelle zwischen Graph Mining, Graph Learning und Netzwerkanalyse

Verifying tag annotation and performing genre classification in music data via association analysis

Music Information Retrieval aims to automate the access to large-volume music data, including browsing, retrieval, storage, etc. The work presented in this thesis tackles two non-trivial problems in the field. First problem deals with music tags, which provide descriptive and rich information about a music piece, including its genre, artist, emotion, instrument, etc. At present, tag annotation is largely a manual process, which often results in tags that are subjective, ambiguous, and error-prone. We propose a novel approach to verify the quality of tag annotation in a music dataset through association analysis. Second, we employ association analysis to predict music genres based on features extracted directly from music. We build an association-based classifier, which finds inherent associations between music features and genres. We demonstrate the effectiveness of our approaches through a series of simulations and experiments using various benchmark music datasets