Stroke Based Painterly Rendering

International audienceMany traditional art forms are produced by an artist sequentially placing a set of marks, such as brush strokes, on a canvas. Stroke based Rendering (SBR) is inspired by this process, and underpins many early and contemporary Artistic Stylization algorithms. This Chapter outlines the origins of SBR, and describes key algorithms for placement of brush strokes to create painterly renderings from source images. The chapter explores both local greedy, and global optimization based approaches to stroke placement. The issue of creative control in SBR is also briefly discussed

Eugene: a generic interactive genetic algorithm controller

This paper outlines the development of an open source generic hardware-based interactive Genetic Algorithm controller (Eugene) and explores contexts in which it may be deployed. The system was first applied to the generation of synthetic sound using MIDI and a simple analogue synthesiser with 27 continuous controller values. It was then applied in the area of image evaluation using an image enhancer program with 7 continuous controller values. The system was evaluated by experimental observation of users attempting various tasks with different success criteria. This led to the identification of issues, some of which were specific to, and others divorced from the application domain. These are discussed together with areas for improvement

Enhancement and stylization of photographs

Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2013.Cataloged from PDF version of thesis.Includes bibliographical references (p. 89-95).A photograph captured by a digital camera may be the final product for many casual photographers. However, for professional photographers, this photograph is only the beginning: experts often spend hours on enhancing and stylizing their photographs. These enhancements range from basic exposure and contrast adjustments to dramatic alterations. It is these enhancements - along with composition and timing - that distinguish the work of professionals and casual photographers. The goal of this thesis is to narrow the gap between casual and professional photographers. We aim to empower casual users with methods for making their photographs look better. Professional photographers could also benefit from our findings: our enhancement methods produce a better starting point for professional processing. We propose and evaluate three different methods for image enhancement and stylization. First method is based on photographic intuition and is fully automatic. The second method relies on expert's input for training; after the training this method can be used to automatically predict expert adjustments for previously unseen photographs. The third method uses a grammar-based representation to sample the space of image filter and relies on user input to select novel and interesting filters.by Vladimir Leonid Bychkovsky.Ph.D

Higher level techniques for the artistic rendering of images and video

EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Hierarchical Image Descriptions for Classification and Painting

The overall argument this thesis makes is that topological object structures captured within hierarchical image descriptions are invariant to depictive styles and offer a level of abstraction found in many modern abstract artworks. To show how object structures can be extracted from images, two hierarchical image descriptions are proposed. The first of these is inspired by perceptual organisation; whereas, the second is based on agglomerative clustering of image primitives. This thesis argues the benefits and drawbacks of each image description and empirically show why the second is more suitable in capturing object strucutures. The value of graph theory is demonstrated in extracting object structures, especially from the second type of image description. User interaction during the structure extraction process is also made possible via an image hierarchy editor. Two applications of object structures are studied in depth. On the computer vision side, the problem of object classification is investigated. In particular, this thesis shows that it is possible to classify objects regardless of their depictive styles. This classification problem is approached using a graph theoretic paradigm; by encoding object structures as feature vectors of fixed lengths, object classification can then be treated as a clustering problem in structural feature space and that actual clustering can be done using conventional machine learning techniques. The benefits of object structures in computer graphics are demonstrated from a Non-Photorealistic Rendering (NPR) point of view. In particular, it is shown that topological object structures deliver an appropriate degree of abstraction that often appears in well-known abstract artworks. Moreover, the value of shape simplification is demonstrated in the process of making abstract art. By integrating object structures and simple geometric shapes, it is shown that artworks produced in child-like paintings and from artists such as Wassily Kandinsky, Joan Miro and Henri Matisse can be synthesised and by doing so, the current gamut of NPR styles is extended. The whole process of making abstract art is built into a single piece of software with intuitive GUI.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Hybrid learning-based model for exaggeration style of facial caricature

Prediction of facial caricature based on exaggeration style of a particular artist is a significant task in computer generated caricature in order to produce an artistic facial caricature that is very similar to the real artist’s work without the need for skilled user (artist) input. The exaggeration style of an artist is difficult to be coded in algorithmic method. Fortunately, artificial neural network, which possesses self-learning and generalization ability, has shown great promise in addressing the problem of capturing and learning an artist’s style to predict a facial caricature. However, one of the main issues faced by this study is inconsistent artist style due to human factors and limited collection on image-caricature pair data. Thus, this study proposes facial caricature dataset preparation process to get good quality dataset which captures the artist’s exaggeration style and a hybrid model to generalize the inconsistent style so that a better, more accurate prediction can be obtained even using small amount of dataset. The proposed data preparation process involves facial features parameter extraction based on landmark-based geometric morphometric and modified data normalization method based on Procrustes superimposition method. The proposed hybrid model (BP-GANN) combines Backpropagation Neural Network (BPNN) and Genetic Algorithm Neural Network (GANN). The experimental result shows that the proposed hybrid BP-GANN model is outperform the traditional hybrid GA-BPNN model, individual BPNN model and individual GANN model. The modified Procrustes superimposition method also produces a better quality dataset than the original one

Supervised and unsupervised segmentation of textured images by efficient multi-level pattern classification

This thesis proposes new, efficient methodologies for supervised and unsupervised image segmentation based on texture information. For the supervised case, a technique for pixel classification based on a multi-level strategy that iteratively refines the resulting segmentation is proposed. This strategy utilizes pattern recognition methods based on prototypes (determined by clustering algorithms) and support vector machines. In order to obtain the best performance, an algorithm for automatic parameter selection and methods to reduce the computational cost associated with the segmentation process are also included. For the unsupervised case, the previous methodology is adapted by means of an initial pattern discovery stage, which allows transforming the original unsupervised problem into a supervised one. Several sets of experiments considering a wide variety of images are carried out in order to validate the developed techniques.Esta tesis propone metodologías nuevas y eficientes para segmentar imágenes a partir de información de textura en entornos supervisados y no supervisados. Para el caso supervisado, se propone una técnica basada en una estrategia de clasificación de píxeles multinivel que refina la segmentación resultante de forma iterativa. Dicha estrategia utiliza métodos de reconocimiento de patrones basados en prototipos (determinados mediante algoritmos de agrupamiento) y máquinas de vectores de soporte. Con el objetivo de obtener el mejor rendimiento, se incluyen además un algoritmo para selección automática de parámetros y métodos para reducir el coste computacional asociado al proceso de segmentación. Para el caso no supervisado, se propone una adaptación de la metodología anterior mediante una etapa inicial de descubrimiento de patrones que permite transformar el problema no supervisado en supervisado. Las técnicas desarrolladas en esta tesis se validan mediante diversos experimentos considerando una gran variedad de imágenes