Nonlinear modes of clarinet-like musical instruments

The concept of nonlinear modes is applied in order to analyze the behavior of a model of woodwind reed instruments. Using a modal expansion of the impedance of the instrument, and by projecting the equation for the acoustic pressure on the normal modes of the air column, a system of second order ordinary differential equations is obtained. The equations are coupled through the nonlinear relation describing the volume flow of air through the reed channel in response to the pressure difference across the reed. The system is treated using an amplitude-phase formulation for nonlinear modes, where the frequency and damping functions, as well as the invariant manifolds in the phase space, are unknowns to be determined. The formulation gives, without explicit integration of the underlying ordinary differential equation, access to the transient, the limit cycle, its period and stability. The process is illustrated for a model reduced to three normal modes of the air column

Oscillation threshold of a clarinet model: a numerical continuation approach

This paper focuses on the oscillation threshold of single reed instruments. Several characteristics such as blowing pressure at threshold, regime selection, and playing frequency are known to change radically when taking into account the reed dynamics and the flow induced by the reed motion. Previous works have shown interesting tendencies, using analytical expressions with simplified models. In the present study, a more elaborated physical model is considered. The influence of several parameters, depending on the reed properties, the design of the instrument or the control operated by the player, are studied. Previous results on the influence of the reed resonance frequency are confirmed. New results concerning the simultaneous influence of two model parameters on oscillation threshold, regime selection and playing frequency are presented and discussed. The authors use a numerical continuation approach. Numerical continuation consists in following a given solution of a set of equations when a parameter varies. Considering the instrument as a dynamical system, the oscillation threshold problem is formulated as a path following of Hopf bifurcations, generalizing the usual approach of the characteristic equation, as used in previous works. The proposed numerical approach proves to be useful for the study of musical instruments. It is complementary to analytical analysis and direct time-domain or frequency-domain simulations since it allows to derive information that is hardly reachable through simulation, without the approximations needed for analytical approach

Harmonic analysis of oscillators through standard numerical continuation tools

In this paper, we describe a numerical continuation method that enables harmonic analysis of nonlinear periodic oscillators. This method is formulated as a boundary value problem that can be readily implemented by resorting to a standard continuation package - without modification - such as AUTO, which we used. Our technique works for any kind of oscillator, including electronic, mechanical and biochemical systems. We provide two case studies. The first study concerns itself with the autonomous electronic oscillator known as the Colpitts oscillator, and the second one with a nonlinear damped oscillator, a non-autonomous mechanical oscillator. As shown in the case studies, the proposed technique can aid both the analysis and the design of the oscillators, by following curves for which a certain constraint, related to harmonic analysis, is fulfilled.Comment: 20 pages, 4 figure

Systems control theory applied to natural and synthetic musical sounds

Systems control theory is a far developped field which helps to study stability, estimation and control of dynamical systems. The physical behaviour of musical instruments, once described by dynamical systems, can then be controlled and numerically simulated for many purposes. The aim of this paper is twofold: first, to provide the theoretical background on linear system theory, both in continuous and discrete time, mainly in the case of a finite number of degrees of freedom ; second, to give illustrative examples on wind instruments, such as the vocal tract represented as a waveguide, and a sliding flute

Proving Abstractions of Dynamical Systems through Numerical Simulations

A key question that arises in rigorous analysis of cyberphysical systems under attack involves establishing whether or not the attacked system deviates significantly from the ideal allowed behavior. This is the problem of deciding whether or not the ideal system is an abstraction of the attacked system. A quantitative variation of this question can capture how much the attacked system deviates from the ideal. Thus, algorithms for deciding abstraction relations can help measure the effect of attacks on cyberphysical systems and to develop attack detection strategies. In this paper, we present a decision procedure for proving that one nonlinear dynamical system is a quantitative abstraction of another. Directly computing the reach sets of these nonlinear systems are undecidable in general and reach set over-approximations do not give a direct way for proving abstraction. Our procedure uses (possibly inaccurate) numerical simulations and a model annotation to compute tight approximations of the observable behaviors of the system and then uses these approximations to decide on abstraction. We show that the procedure is sound and that it is guaranteed to terminate under reasonable robustness assumptions