The Cuervo Clipper, 12-28-1917

https://digitalrepository.unm.edu/cuervo_clipper_news/1161/thumbnail.jp

Holland City News, Volume 47, Number 3: January 17, 1918

Newspaper published in Holland, Michigan, from 1872-1977, to serve the English-speaking people in Holland, Michigan. Purchased by local Dutch language newspaper, De Grondwet, owner in 1888.https://digitalcommons.hope.edu/hcn_1918/1002/thumbnail.jp

The Cuervo Clipper, 01-04-1918

https://digitalrepository.unm.edu/cuervo_clipper_news/1162/thumbnail.jp

Washington University Eliot

November 1938 issue of The Eliot, a student literary magazine of Washington University in St. Louis. Cover says Eliot: Football Number.https://openscholarship.wustl.edu/eliot/1003/thumbnail.jp

Landings, vol. 27, no. 7

Landings content emphasizes science, history, resource sustainability, economic development, and human interest stories related to Maine’s lobster industry. The newsletter emphasizes lobstering as a traditional, majority-European American lifeway with an economic and social heritage unique to the coast of Maine. The publication focuses how ongoing research to engage in sustainable, non-harmful, and non-wasteful commercial fishing practices benefit both the fishery and Maine\u27s coastal legacy. Maine Lobstermen’s Community Alliance (MLCA) started publication of Landings, a 24-page newsletter in January 2013 as the successor of the Maine Lobstermen’s Association (MLA) Newsletter. As of 2022, the MLCA published over 6,500 copies of the monthly newsletter for distribution by mail to all of Maine’s commercial lobstermen, Maine state government agency staff, Maine Legislators, members of Maine\u27s U.S. Congressional delegation, subscribers, and marine businesses. For more information, please visit the Maine Lobstermen’s Community Alliance (MLCA) website. Headlines in this issue include: More Than a Thousand Lobstermen Turn Out for Coast-Wide Whale Meetings New Sensors Track Lobsters From Trap to Dealer Aquaculture Leases – Understanding the Process What can lobstermen learn from Cal. crab fishermen? Island Music Festival One of a Kind Maine Lobstermen’s Association Update NEFMC Approves Deeper Herring Cuts in 2020 Portland Artist Reflects Three Generations’ Link to the Sea Maine’s Lobster and Crab Baits MLMC highlighting lobster fishery conservation actions Lobstermen Join MLA in Response to Future Uncertainty Mainstay of Portland Waterfront Recognized Murry Promoted to Sergeant of Marine Patrol Section Five Six Dead Right Whales in Canada Portland OK’s Smaller Non-Marine Use Zone Working Waterfront Access Grants Awarde

The Wellesley Legenda 1932

Published by the 1932 Senior class of Wellesley College.https://repository.wellesley.edu/legenda/1042/thumbnail.jp

Maine Woods : Vol. 35, No. 38 April 17,1913 (Outing Edition)

https://digitalmaine.com/maine_woods_newspaper/1768/thumbnail.jp

Sites of Conflict: Identity, Sexuality & Reproduction

Theatre is now considered to be not just a site of entertainment but one of conflict: conflict of classes. gender and race. In this context the writer looks at several plays written and/or performed between 1908 and 1939 in which the African (i.e., all those descending from an African ancestor despite shade or mixture) has been portrayed on the London stage. in the main. by those of Euro-American descent. These plays featured African people and were set in broad area of the globe: Africa, the Caribbean. the USA. but they all conformed to a principal idea: that the African is to be represented as a stereotype as, for example, prostitute, seductress, coward, stupid, savage, etc. In looking at these plays the writer examines the orientation of the playwrights (in the context of ideology), interprets the meaning of the language used both in the words of the African and the European (either to each other or to themselves), and showing the historical and theoretical basis for comparisons with the characters and social life at the time. This involves the use of theatrical texts explored through the disciplines of psychoanalysis and cultural studies. Since the plays were produced during the period of the British empire. with the civil servant class in foreign countries. as well as the position of the African in post-slavery Southern United States and settlement in urban centres. enclaves of previously European and Euro-American settlement, the primary theoretical model used throughout the text is that of colonialism. The thesis proposes that not only was the theatre a site of conflict: the playwrights were themselves part of the social fabric of society and could not but produce a theatre which would be acceptable to their hegemonic patrons and audiences in terms of the working out of popular expectations of what the African was supposed to represent, but the colonial trauma of identity, sexuality and reproduction exacerbated fragile notions of self in foreign lands. Comparatively. the thesis puts forward the notion that exploitation of racial and sexual difference was not an isolated phenomenon in relation to the African exclusively: European and American society being unequal amongst its citizens. practised a wide range of discrimination. Finally, in contact with other peoples and cultures Euro-Americans continued to express these' discriminations through the vehicle of the theatre while perpetuating new ones vis-a-vis the African