Introduction

This book brings together for the first time the collected wisdom of international leaders in the theory and practice in the emerging field of cultural heritage crowdsourcing. It features eight accessible case studies of groundbreaking projects from leading cultural heritage and academic institutions, and four thought-­‐provoking essays that reflect on the wider implications of this engagement for participants and on the institutions themselves

Life editing: Third-party perspectives on lifelog content

Lifelog collections digitally capture and preserve personal experiences and can be mined to reveal insights and understandings of individual significance. These rich data sources also offer opportunities for learning and discovery by motivated third parties. We employ a custom-designed storytelling application in constructing meaningful lifelog summaries from third-party perspectives. This storytelling initiative was implemented as a core component in a university media-editing course. We present promising results from a preliminary study conducted to evaluate the utility and potential of our approach in creatively interpreting a unique experiential dataset

Codes and Hypertext: the Intertextuality of International and Comparative Law

The field of information studies reveals gaps in the literature of international and comparative law as part of interdisciplinary and textual studies. To illustrate the kind of theoretical and text-based work that could be done, this essay provides an example of such a study. Religious law texts, civil law codes, treaties and constitutional texts may provide a means to reveal the nature of hypertext as the new format for commentary. Margins used to be used for commentary, and now this can be done with hypertext and links in footnotes. Scholarly communication in general is now intertextual, and texts derive value and meaning from being related to other texts. This paper draws upon examples chosen after observing relationships between text presentation and hypertext as well as detailing similar observations by scholars to date. However, this essay attempts to go beyond a descriptive level to argue that this intertextuality, and the hypertext nature of the web, bring together texts and traditions in a manner conducive to the study of legal systems and their points of convergence

Sift

Sift is a suite of drawings that serves as a personal record of a long hike in Iceland. Through an exploration of sediment as a metaphor, and the use of sedimentation as a drawing process, I am sifting through matter and what it means to be working with landscape, nature-based imagery, and a Romantic disposition in the twenty-first century. My work investigates how sentimental longing and personal recollections of the landscape can present an individual perspective on the world, and how the projection of memory in order to gain an understanding of encounters with one’s environment and personal recollections are small but political gestures that express the relationship individuals have with the world around them

Searching Data: A Review of Observational Data Retrieval Practices in Selected Disciplines

A cross-disciplinary examination of the user behaviours involved in seeking and evaluating data is surprisingly absent from the research data discussion. This review explores the data retrieval literature to identify commonalities in how users search for and evaluate observational research data. Two analytical frameworks rooted in information retrieval and science technology studies are used to identify key similarities in practices as a first step toward developing a model describing data retrieval

A collaborative approach to the use of archives in information literacy teaching and learning in an arts university

Why do significant parts of our art libraries collections remain undiscovered and unused? Seemingly invisible to students and staff, the university archive strong room creates a barrier, preventing our students and researchers from accessing and browsing materials, as they would with our open shelf collections. What happens when archive materials are freed from their confines, brought out into the studio and explored and used by arts students? Better still, what happens when librarian, archivist and academic collaborate to make this happen, enabling increased awareness of these resources and facilitating information literacy skills learning? Conclude this with an artistic response to this method of teaching and learning and you have the Animation Archive Day at the University for the Creative Arts. The day formed part of a longer term initiative put together by the archivist and librarian to raise awareness among students and staff of the opportunities to utilize archives in their subject specific creative arts learning and education. The project recognizes the importance of allowing students to steer and interact creatively with archive use in a library context

Microjewels: digital enchantment and new materiality

This article is an extended version of a paper presented at the xCoAx 2015 conference, and explores how smart materials, and in particular thermochromic silicone, can be integrated into a wearable object in combination with microelectronics to create aesthetically coherent stimulus-reactive jewellery. The different types and properties of thermochromics are discussed, including experiments with layering pigments that react at different temperatures within three dimensional silicone shapes. The concept of creating digital enchantment through playful interaction is introduced, illustrating how accessible microelectronics can be used to facilitate the creation of responsive jewellery objects. Bringing together digital methods of fabrication with craft methodologies to create objects that respond intimately to changes in the body of the wearer and the environment is presented as an outcome of this research project. Moving towards the notion of a posthuman body, potential practical applications for these jewellery objects exist in the areas of human– computer interaction, transplant technology, identity management and artificial body modification, where such symbiotic jewellery organisms could be used to develop visually engaging, multifunctional enhancements

Exhibition Season: Annual Archaeological Exhibitions in London, 1880s-1930s

Annual archaeological exhibitions were a visible symbol of archaeological research. Held mainly in London, the displays encapsulated a network of archaeologists, artists, architects and curators, and showcased the work of the first generations of trained archaeologists. The exhibition catalogues and published reviews of the displays provide a unique method for exploring the reception and sponsorship of archaeological work overseas and its promotion to a fascinated, well connected and well moneyed public. The exhibitions were a space in which conversation and networking were as important as educational enrichment. This paper analyses the social history of the “annual exhibition” in archaeology, highlighting the development and maintenance of the networks behind archaeological research, the geography of London as a way to examine influence in archaeology, and the utility of exhibitions for archaeological publicity during this period of exploration

A Rubbish Idea: The material dump, and casting trash talk in a new light

Inspired by the trash-art creations of artists such as Tim Noble and Sue Webster, this creative article-assemblage was gathered together over several months by the UNNC Litter Lovers collective. The aleatoric article attempts to provocatively explore alternative ways of thinking about (or with) trash, modern life and recycling. The article is formed by found, chanced upon, and recycled fragments of used cultural material, at times united by original-organic discussions and catalytic ideas, but ultimately demands the intellectual light of the reader to cast the concepts into relief. The collective utilises form and content to generate new ways of seeing and thinking about waste and rubbish, and like the actual trash heaps and trash-art that inspired this work, they attempt to show how matter itself and (used) material is not inert and passive but rather vibrant, expressive and alive: boasting productive powers and forces capable of bringing about unforeseen reactions and new forms of synthesis. The article is designed to ignite new processes within, between, across and ‘below’ the chaotically assembled fragments. The piece is in part motivated by a drive to ethically recycle in an inspiring and creative way, and be part of new things emerging out of the old. This alternative intellectual happening is also in part designed to help people ‘clean’ their collective conscience and learn to 'love rubbish.' We hope that this is in part achieved by de-centering the human, and foregrounding a polysemous concept of the material dump that forces readers to reinterrogate everyday (non-thought) notions of waste, nature, (human) resources, thought and art.Additional co-author: the UNNC Litter Lovers (a creative academic collective