Haptics: Science, Technology, Applications

This open access book constitutes the proceedings of the 12th International Conference on Human Haptic Sensing and Touch Enabled Computer Applications, EuroHaptics 2020, held in Leiden, The Netherlands, in September 2020. The 60 papers presented in this volume were carefully reviewed and selected from 111 submissions. The were organized in topical sections on haptic science, haptic technology, and haptic applications. This year's focus is on accessibility

Haptics: Science, Technology, Applications

This open access book constitutes the proceedings of the 13th International Conference on Human Haptic Sensing and Touch Enabled Computer Applications, EuroHaptics 2022, held in Hamburg, Germany, in May 2022. The 36 regular papers included in this book were carefully reviewed and selected from 129 submissions. They were organized in topical sections as follows: haptic science; haptic technology; and haptic applications

Haptics: Science, Technology, Applications

This open access book constitutes the proceedings of the 12th International Conference on Human Haptic Sensing and Touch Enabled Computer Applications, EuroHaptics 2020, held in Leiden, The Netherlands, in September 2020. The 60 papers presented in this volume were carefully reviewed and selected from 111 submissions. The were organized in topical sections on haptic science, haptic technology, and haptic applications. This year's focus is on accessibility

Enriching passive touch sensation on flat surfaces using visual feedback

While human computer interaction has evolved around touch interaction a lot in recent years, it's been lacking any haptic feedback from the very beginning. Nowadays, devices using touch interaction all to do on a flat surface, using either a projection of digital contents or a touch screen. Since haptic feedback is an important factor in human surface perception, people have tried various ways to simulate haptic feedback even on completely flat surfaces. One of these ways is electrotacile feedback, which has mostly been used to simulate surface properties on active touch where the user has to move their finger over the surface in order to feel the haptic sensation. Previous research shows that vision is also a very important factor in surface perception and proprioception in general. We conducted a user study to investigate the influence of visual feedback on passive touch using electrotactile feedback. We concentrated on simulating depth instead of roughness which doesn't word particularly well for passive touch. We found that even though both electrotactile and visual feedback work well for depth or softness if applied individually, as soon as we presented our study subjects a condition with both feedback types, they did not repond to it anymore.Während sich die Mensch-Computer-Interaktion in den letzten Jahren stark um Touch-Interaktion entwickelt hat, hat dieser Interaktion von Anfang an jegliche Form des haptischen Feedbacks gefehlt. Heutzutage nuten alle touchfähigen Gerate flache Displays oder Projektionen von digitalen Inhalten auf flache Oberflächen. Da haptisches Feedback ein wichtiger Faktor der menschlichen Oberflächenwahrnehmung ist wurden schon viele Wege erforscht um haptisches Feedback auf komplett flachen Oberflächen zu simulieren. Eine dieser Wege ist elektrotaktiles Feedback was bisher hauptsächlich benutzt wurde um Oberflächeneigenschaften bei aktiver Berührung zu simulieren, also bei einem sich bewegenden Finger auf der Oberfläche. Vorige Studien zeigen auch, dass Visuelle Reize ein wichtiger Faktor bei der Oberflächenwahrnehmung sind und sogar die Wahrnehmung im Generellen dominieren. Wir haben eine Benutzerstudie durchgeführt um den Einfluss von visuellem Feedback auf passive Berührungen mit elektrotaktilem Feedback zu bestimmen. Wir haben und auf die Simulaton von Tiefe statt Rauhheit konzentriert, was schlecht mit passiven Berührungen funktioniert. Unsere Studie hat gezeigt dass obwohl das elektrotaktile und das visuelle Feedback alleine gut funktionieren um Weichheit oder Tiefe zu simulieren, beide Feedbackarten zusammen keine signifikanten Unterschiede erzielen

Ubiquitous haptic feedback in human-computer interaction through electrical muscle stimulation

[no abstract

Haptic Media Scenes

The aim of this thesis is to apply new media phenomenological and enactive embodied cognition approaches to explain the role of haptic sensitivity and communication in personal computer environments for productivity. Prior theory has given little attention to the role of haptic senses in influencing cognitive processes, and do not frame the richness of haptic communication in interaction design—as haptic interactivity in HCI has historically tended to be designed and analyzed from a perspective on communication as transmissions, sending and receiving haptic signals. The haptic sense may not only mediate contact confirmation and affirmation, but also rich semiotic and affective messages—yet this is a strong contrast between this inherent ability of haptic perception, and current day support for such haptic communication interfaces. I therefore ask: How do the haptic senses (touch and proprioception) impact our cognitive faculty when mediated through digital and sensor technologies? How may these insights be employed in interface design to facilitate rich haptic communication? To answer these questions, I use theoretical close readings that embrace two research fields, new media phenomenology and enactive embodied cognition. The theoretical discussion is supported by neuroscientific evidence, and tested empirically through case studies centered on digital art. I use these insights to develop the concept of the haptic figura, an analytical tool to frame the communicative qualities of haptic media. The concept gauges rich machine- mediated haptic interactivity and communication in systems with a material solution supporting active haptic perception, and the mediation of semiotic and affective messages that are understood and felt. As such the concept may function as a design tool for developers, but also for media critics evaluating haptic media. The tool is used to frame a discussion on opportunities and shortcomings of haptic interfaces for productivity, differentiating between media systems for the hand and the full body. The significance of this investigation is demonstrating that haptic communication is an underutilized element in personal computer environments for productivity and providing an analytical framework for a more nuanced understanding of haptic communication as enabling the mediation of a range of semiotic and affective messages, beyond notification and confirmation interactivity

Touching on elements for a non-invasive sensory feedback system for use in a prosthetic hand

Hand amputation results in the loss of motor and sensory functions, impacting activities of daily life and quality of life. Commercially available prosthetic hands restore the motor function but lack sensory feedback, which is crucial to receive information about the prosthesis state in real-time when interacting with the external environment. As a supplement to the missing sensory feedback, the amputee needs to rely on visual and audio cues to operate the prosthetic hand, which can be mentally demanding. This thesis revolves around finding potential solutions to contribute to an intuitive non-invasive sensory feedback system that could be cognitively less burdensome and enhance the sense of embodiment (the feeling that an artificial limb belongs to one’s own body), increasing acceptance of wearing a prosthesis.A sensory feedback system contains sensors to detect signals applied to the prosthetics. The signals are encoded via signal processing to resemble the detected sensation delivered by actuators on the skin. There is a challenge in implementing commercial sensors in a prosthetic finger. Due to the prosthetic finger’s curvature and the fact that some prosthetic hands use a covering rubber glove, the sensor response would be inaccurate. This thesis shows that a pneumatic touch sensor integrated into a rubber glove eliminates these errors. This sensor provides a consistent reading independent of the incident angle of stimulus, has a sensitivity of 0.82 kPa/N, a hysteresis error of 2.39±0.17%, and a linearity error of 2.95±0.40%.For intuitive tactile stimulation, it has been suggested that the feedback stimulus should be modality-matched with the intention to provide a sensation that can be easily associated with the real touch on the prosthetic hand, e.g., pressure on the prosthetic finger should provide pressure on the residual limb. A stimulus should also be spatially matched (e.g., position, size, and shape). Electrotactile stimulation has the ability to provide various sensations due to it having several adjustable parameters. Therefore, this type of stimulus is a good candidate for discrimination of textures. A microphone can detect texture-elicited vibrations to be processed, and by varying, e.g., the median frequency of the electrical stimulation, the signal can be presented on the skin. Participants in a study using electrotactile feedback showed a median accuracy of 85% in differentiating between four textures.During active exploration, electrotactile and vibrotactile feedback provide spatially matched modality stimulations, providing continuous feedback and providing a displaced sensation or a sensation dispatched on a larger area. Evaluating commonly used stimulation modalities using the Rubber Hand Illusion, modalities which resemble the intended sensation provide a more vivid illusion of ownership for the rubber hand.For a potentially more intuitive sensory feedback, the stimulation can be somatotopically matched, where the stimulus is experienced as being applied on a site corresponding to their missing hand. This is possible for amputees who experience referred sensation on their residual stump. However, not all amputees experience referred sensations. Nonetheless, after a structured training period, it is possible to learn to associate touch with specific fingers, and the effect persisted after two weeks. This effect was evaluated on participants with intact limbs, so it remains to evaluate this effect for amputees.In conclusion, this thesis proposes suggestions on sensory feedback systems that could be helpful in future prosthetic hands to (1) reduce their complexity and (2) enhance the sense of body ownership to enhance the overall sense of embodiment as an addition to an intuitive control system