Spartan Daily, November 19, 1974

Volume 63, Issue 40https://scholarworks.sjsu.edu/spartandaily/5924/thumbnail.jp

February 18, 1993

The Breeze is the student newspaper of James Madison University in Harrisonburg, Virginia

MEMORYSCAPES: PLACE, MOBILITY, AND MEMORY IN THE POST-DICATORIAL SOUTHERN CONE

The urban landscapes of Chile, Argentina, and Uruguay lay bare the markings of these countries‘ turbulent political and economic pasts, their transition to democracy, and diverse efforts to preserve memory. Claudia Feld‘s observation that these countries have experienced a \u27memory boom‘—not a deficit—in recent years manifests itself as much culturally and politically as it does spatially, through the creation of memorials, memory parks, museums, and memory-related performances and discourses. Along these same lines, narratives of memory recur among artistic and cultural works of the post-dictatorial Southern Cone—not exclusively among memorials and other designated sites of recollection, but along the everyday corridors and causeways of some of South America‘s most populous cities, and rather unexpectedly, among seemingly generic sites of consumerism and transit. In fact, my reading of literary and cinematic works by Alberto Fuguet, Sergio Chejfec, Ignacio Agüero, and Fabián Bielinsky, and my examination of Uruguay‘s Punta Carretas Shopping Center, suggests that memory has not been easily corralled into designated sites nor erased through modern spaces and lifestyles; instead, each of the works analyzed in this study reveals that palimpsests of memory can appear often and, in many cases, spontaneously among all angles of the cityscape

Film & Culture

Készült az ELTE Felsőoktatási Struktúraátalakítási Alapból támogatott programja keretében

Narratives Crossing Boundaries: Storytelling in a Transmedial and Transdisciplinary Context

As the dominant narrative forms in the age of media convergence, films and games call for a transmedial perspective in narratology. Games allow a participatory reception of the story, bringing the transgression of the ontological boundary between the narrated world and the world of the recipient into focus. These diverse transgressions - medial and ontological - are the subject of this transdisciplinary compendium, which covers the subject in an interdisciplinary way from various perspectives: game studies and media studies, but also sociology and psychology, to take into account the great influence of storytelling on social discourses and human behavior

Sandspur, Vol. 63 No. 29, May 23, 1958

Rollins College student newspaper, written by the students and published at Rollins College. The Sandspur started as a literary journal

The Trail, 1974-03-01

https://soundideas.pugetsound.edu/thetrail_all/2119/thumbnail.jp

SDSU Collegian, October 19, 1977

Vol. 86, No. 8https://openprairie.sdstate.edu/collegian_1970-1979/1257/thumbnail.jp

Nelly Richard's crítica cultural : theoretical debates and politico-aesthetic explorations in Chile (1970-2015)

This thesis describes and analyses the intellectual trajectory of the Franco-Chilean cultural critic Nelly Richard between 1970 and 2015. Using a transdisciplinary approach, this investigation not only analyses Richard's series of theoretical, political, and essayistic experimentations, it also explores Chile’s artistic production (particularly in the visual arts) and political-cultural processes over the past 45 years. In this sense, it is an examination, on the one hand, of how her critical work and thought emerged in a social context characterized by historical breaks and transformations and, on the other, of how these biographical experiences and critical-theoretical experiments derived from a specific intellectual practice that has marked her professional profile: crítica cultural. The first chapter proposes an exploration of Nelly Richard’s arrival in Chile as well as of her first critical texts on the artistic production of the 1970s. The second chapter analyses the process of institutionalization of Nelly Richard’s critical art writing during the 1980s, as well as her analytical turn towards new areas of critical thinking (such as Kristeva’s theory of signification, post-modern theory and feminism). Chapter 3 deals with Chile’s democratic transition between 1990 and 2000, as well as an in-depth analysis of the specific methodological, conceptual, and political aspects of Richard’s crítica cultural. The fourth chapter explores the way Richard has discussed and developed the question of memory in Chile from 2000 to the present. This thesis concludes that the challenge of Richard’s crítica cultural is to insist upon the search for cultural texts that are not only resistant to the culturally homogenizing policies of global capitalism and their impact on the local cultural landscape, but which also unveil and de-centre strategies of symbolic legitimization that institutionalize domination in all its forms. In this light, crítica cultural is a process of permanent refoundation

CTRL SHIFT

CTRL SHIFT makes a case for design under contemporary computation. The abstractions of reading, writing, metaphors, mythology, code, cryptography, interfaces, and other such symbolic languages are leveraged as tools for understanding. Alternative modes of knowledge become access points through which users can subvert the control structures of software. By challenging the singular expertise of programmers, the work presented within advocates for the examination of internalized beliefs, the redistribution of networked power, and the collective sabotage of computational authority