Computer Vision algorithms performance in architectural heritage multi-image based projects. General overview and operative evaluation: the North Tower of Buñol's Castle (Spain)

[EN] Multi-image based modeling has proven to be effective providing solutions for surveying and documenting cultural heritage, and in particular architectural heritage. In addition to the issues related with instruments and captation strategy, the operativity of these projects is supported by three bases: Computer Vision (C.V.) algorithms, analytical close-range photogrammetry, and theory of errors. In this work we propose an approach that examines the importance of the first, from two points of view. On one hand, we present a brief overview of its intervention in the different processing stages, both in photomodeling as in photograms stitching projects, thus reviewing the fundaments regarding the two classic branches of architectural photogrammetry. On the other, we present a review of the operational strategy with these algorithms, through a case study that evaluates the results of two software applications, advancing some methodological improvements.Cabanes Ginés, JL.; Bonafé, C. (2021). Computer Vision algorithms performance in architectural heritage multi-image based projects. General overview and operative evaluation: the North Tower of Buñol's Castle (Spain). SCIRES-IT. 11(2):125-138. https://doi.org/10.2423/i22394303v11n2p12512513811

Large-scale morphometry of the subarachnoid space of the optic nerve.

BACKGROUND The meninges, formed by dura, arachnoid and pia mater, cover the central nervous system and provide important barrier functions. Located between arachnoid and pia mater, the cerebrospinal fluid (CSF)-filled subarachnoid space (SAS) features a variety of trabeculae, septae and pillars. Like the arachnoid and the pia mater, these structures are covered with leptomeningeal or meningothelial cells (MECs) that form a barrier between CSF and the parenchyma of the optic nerve (ON). MECs contribute to the CSF proteome through extensive protein secretion. In vitro, they were shown to phagocytose potentially toxic proteins, such as α-synuclein and amyloid beta, as well as apoptotic cell bodies. They therefore may contribute to CSF homeostasis in the SAS as a functional exchange surface. Determining the total area of the SAS covered by these cells that are in direct contact with CSF is thus important for estimating their potential contribution to CSF homeostasis. METHODS Using synchrotron radiation-based micro-computed tomography (SRµCT), two 0.75 mm-thick sections of a human optic nerve were acquired at a resolution of 0.325 µm/pixel, producing images of multiple terabytes capturing the geometrical details of the CSF space. Special-purpose supercomputing techniques were employed to obtain a pixel-accurate morphometric description of the trabeculae and estimate internal volume and surface area of the ON SAS. RESULTS In the bulbar segment, the ON SAS microstructure is shown to amplify the MECs surface area up to 4.85-fold compared to an "empty" ON SAS, while just occupying 35% of the volume. In the intraorbital segment, the microstructure occupies 35% of the volume and amplifies the ON SAS area 3.24-fold. CONCLUSIONS We provided for the first time an estimation of the interface area between CSF and MECs. This area is of importance for estimating a potential contribution of MECs on CSF homeostasis

Doctor of Philosophy

dissertationInteractive editing and manipulation of digital media is a fundamental component in digital content creation. One media in particular, digital imagery, has seen a recent increase in popularity of its large or even massive image formats. Unfortunately, current systems and techniques are rarely concerned with scalability or usability with these large images. Moreover, processing massive (or even large) imagery is assumed to be an off-line, automatic process, although many problems associated with these datasets require human intervention for high quality results. This dissertation details how to design interactive image techniques that scale. In particular, massive imagery is typically constructed as a seamless mosaic of many smaller images. The focus of this work is the creation of new technologies to enable user interaction in the formation of these large mosaics. While an interactive system for all stages of the mosaic creation pipeline is a long-term research goal, this dissertation concentrates on the last phase of the mosaic creation pipeline - the composition of registered images into a seamless composite. The work detailed in this dissertation provides the technologies to fully realize interactive editing in mosaic composition on image collections ranging from the very small to massive in scale

The origins and evolution of the bra

This thesis marks the first biography of the evolution of the bra from a designer and patternmaker’s perspective. Although the bra has a very long history, it only became a truly iconic garment in the latter half of the Twentieth Century. To some extent this transformation was driven by rapid social and economic changes, but the evolution of this highly technical garment is also inextricably linked to developments in technology which have led to improvements in materials, design and manufacture. Initially these developments were related to designing a three-dimensional product from a two-dimensional flat patternmaking process, but more recently the advent of the moulded bra has offered opportunities to create a seamless three-dimensional garment without the need to construct a flat pattern, and this has enabled both increased design possibilities and raised the prospect of a better fitting product. Through an investigation of the origins of underwear in general, and the bra in particular, this thesis reviews secondary source historical data to chart major changes in design, patternmaking, and technology from the first recorded uses of underwear to the current challenges facing bra designers and patternmakers in an increasingly globalised industry. This historical review culminates in the identification of two distinctly diverging trends in current bra design and manufacture, both of which face significant challenges in terms of training new designers and producing better sizing and fitting protocols. The two primary source studies which emanate from this historical review contribute new knowledge to each of these diverging directions in bra design. The first study provides an entirely new approach to the teaching, and subsequent current commercial practice of flat patternmaking for what many regard as the ‘traditional’ cut-and-sewn variety of bra. This study culminates in a new way of producing, learning and teaching the art of flat patternmaking, enabling underwear design graduates to leave university with the core skills they need to survive in a fast moving global industry. The second major study investigates the salient challenge of providing an excellent fit for both major types of bra across globally diverse and perhaps ethnically different body types. Consequently, it employs cutting-edge threedimensional body scanning technology to demonstrate how the design, sizing, and 2 fitting of both cut-and-sewn and moulded varieties of garment might be significantly improved in the future. Both primary source data studies therefore stand at the beginning of the future evolution of the most technically complex garment in human history, the not so humble bra

Material relationships: the textile and the garment, the maker and the machine. Developing a composite pattern weaving system

This research brings together the disciplines of woven textile design, zero waste pattern cutting and fashion design to form the Composite Pattern Weaving system; an innovative approach to woven garment design and construction which assimilates textile and garment lay-plan design and construction to produce engineered zero waste and integrally shaped woven garments, containing multiple fabric qualities, from a single length of woven textile. The approach challenges conventional textile and fashion design processes and systems by adopting a holistic and simultaneous approach to the design and production of textile and garment components; facilitating the integration of functional and sustainable design strategies to enhance garment durability and longevity through the implementation of a multi-method lifecycle approach to design. This research adopts the Transitional Design Methodology; an alternative approach of working between traditional and advanced technologies which challenges the constraints of the two modes of production whilst capitalising on their advantages. This cyclical iterative approach emphasises the importance of the relationship between the maker, materials and the machine(s), whilst recognising the potential for a transitional dialogue and knowledge transfer between all aspects of hand and digital production. Employing both modes of production in parallel, the Transitional Design Methodology facilitates a reciprocal relationship whereby concepts, designs and ways of working evolve as the maker moves between modes. Through the production of zero waste woven garment prototypes using hand and digital weaving technologies, the research establishes new integral shaping techniques and woven garment construction methods to minimise material production, consumption and waste, and identifies some of the limitations of fully-fashioned and composite garment weaving. The garment prototypes embody the learning and knowledge derived through the application of the Transitional Design Methodology. They demonstrate the advantages of working iteratively between hand and digital modes of design and construction to produce innovative (and interconnected) design outcomes, to advance skills and processes, and enhance personal practice

Organic User Interfaces for InteractiveInterior Design

PhD ThesisOrganic User Interfaces (OUIs) are flexible, actuated, digital interfaces characterized by being aesthetically pleasing, physically manipulated and ubiquitously embedded within real-world environments. I postulate that OUIs have specific qualities that offer great potential to realize the vision of smart spaces and ubiquitous computing environments. This thesis makes the case for embedding OUI interaction into architectural spaces, interior elements and decorative artefacts using smart materials – a concept I term ‘OUI Interiors’. Through this thesis, I investigate: 1) What interactive materials and making techniques can be used to design and build OUIs? 2) What OUI decorative artefacts and interior elements can we create? and 3) What can we learn for design by situating OUI interiors? These key research questions form the basis of this PhD and guide all stages of inquiry, analysis, and reporting. Grounded by the state-of-the-art of Interactive Interiors in both research and practice, I developed new techniques of seamlessly embedding smart materials into interior finishing materials via research through design exploration (in the form of a Swatchbook). I also prototyped a number of interactive decorative objects that change shape and colour as a form of organicactuation, in response to seamless soft-sensing (presented in a Product Catalogue). These inspirational artefacts include table-runners, wall-art, pattern-changing wall-tiles, furry-throw, vase, cushion and matching painting, rug, objets d’art and tasselled curtain. Moreover, my situated studies of how people interact idiosyncratically with interactive decorative objects provide insights and reflections on the overall material experience. Through multi-disciplinary collaboration, I have also put these materials in the hands of designers to realize the potentials and limitations of such a paradigm and design three interactive spaces. The results of my research are materialized in a tangible outcome (a Manifesto) exploring design opportunities of OUI Interior Design, and critically considering new aesthetic possibilities

A NEW METHOD OF WAVELENGTH SCANNING INTERFEROMETRY FOR INSPECTING SURFACES WITH MULTI-SIDE HIGH-SLOPED FACETS

With the development of modern advanced manufacturing technologies, the requirements for ultra-precision structured surfaces are increasing rapidly for both high value-added products and scientific research. Examples of the components encompassing the structures include brightness enhancement film (BEF), optical gratings and so forth. Besides, specially designed structured surfaces, namely metamaterials can lead to specified desirable coherence, angular or spatial characteristics that the natural materials do not possess. This promising field attracts a large amount of funding and investments. However, owing to a lack of effective means of inspecting the structured surfaces, the manufacturing process is heavily reliant on the experience of fabrication operators adopting an expensive trial-and-error approach, resulting in high scrap rates up to 50-70% of the manufactured items. Therefore, overcoming this challenge becomes increasingly valuable. The thesis proposes a novel methodology to tackle this challenge by setting up an apparatus encompassing multiple measurement probes to attain the dataset for each facet of the structured surface and then blending the acquired datasets together, based on the relative location of the probes, which is achieved via the system calibration. The method relies on wavelength scanning interferometry (WSI), which can achieve areal measurement with axial resolutions approaching the nanometre without the requirement for the mechanical scanning of either the sample or optics, unlike comparable techniques such as coherence scanning interferometry (CSI). This lack of mechanical scanning opens up the possibility of using a multi-probe optics system to provide simultaneous measurement with multi adjacent fields of view. The thesis presents a proof-of-principle demonstration of a dual-probe wavelength scanning interferometry (DPWSI) system capable of measuring near-right-angle V-groove structures in a single measurement acquisition. The optical system comprises dual probes, with orthogonal measurement planes. For a given probe, a range of V-groove angles is measurable, limited by the acceptance angle of the objective lenses employed. This range can be expanded further by designing equivalent probe heads with varying angular separation. More complicated structured surfaces can be inspected by increasing the number of probes. The fringe analysis algorithms for WSI are discussed in detail, some improvements are proposed, and experimental validation is conducted. The scheme for calibrating the DPSWI system and obtaining the relative location between the probes to achieve the whole topography is implemented and presented in full. The appraisal of the DPWSI system is also carried out using a multi-step diamond-turned specimen and a sawtooth brightness enhancement film (BEF). The results showed that the proposed method could achieve the inspection of the near-right-angle V-groove structures with submicrometre scale vertical resolution and micrometre level lateral resolution

Coordinates and maps of the Apollo 17 landing site

We carried out an extensive cartographic analysis of the Apollo 17 landing site and determined and mapped positions of the astronauts, their equipment, and lunar landmarks with accuracies of better than ±1 m in most cases. To determine coordinates in a lunar body‐fixed coordinate frame, we applied least squares (2‐D) network adjustments to angular measurements made in astronaut imagery (Hasselblad frames). The measured angular networks were accurately tied to lunar landmarks provided by a 0.5 m/pixel, controlled Lunar Reconnaissance Orbiter Camera (LROC) Narrow Angle Camera (NAC) orthomosaic of the entire Taurus‐Littrow Valley. Furthermore, by applying triangulation on measurements made in Hasselblad frames providing stereo views, we were able to relate individual instruments of the Apollo Lunar Surface Experiment Package (ALSEP) to specific features captured in LROC imagery and, also, to determine coordinates of astronaut equipment or other surface features not captured in the orbital images, for example, the deployed geophones and Explosive Packages (EPs) of the Lunar Seismic Profiling Experiment (LSPE) or the Lunar Roving Vehicle (LRV) at major sampling stops. Our results were integrated into a new LROC NAC‐based Apollo 17 Traverse Map and also used to generate a series of large‐scale maps of all nine traverse stations and of the ALSEP area. In addition, we provide crater measurements, profiles of the navigated traverse paths, and improved ranges of the sources and receivers of the active seismic experiment LSPE