An Analysis of How Interactive Technology Supports the Appreciation of Traditional Chinese Puppetry: A Review of Case Studies

From the perspective of safeguarding Chinese Cultural Heritage, this paper discusses how to enhance the appreciation of traditional Chinese puppetry through the support of interactive technology. The author analyses extensive, yet current case studies, based on the findings described in the interactive systems for puppetry performances and interactive technology for puppetry appreciation. The author summarises four aspects of how to enhance the appreciation of, and engagement with, traditional Chinese puppetry: (1) maintaining originality is necessary for the design phase; (2) it is crucial to explore how to use interactive technology in order to design a way for adults to appreciate this form of art; (3) it is also necessary to determine ways to support adult audiences in grasping the cultural significance and folk customs of traditional Chinese puppetry; and (4) the study’s further main research goals are to investigate ways to use emotional expressions, digital storytelling and other methods in conjunction with interactive technology to help multi-cultural users comprehend traditional Chinese puppetry

Metadata annotation for dramatic texts

This paper addresses the problem of the metadata annotation for dramatic texts. Metadata for drama describe the dramatic qualities of a text, connecting them with the linguistic expressions. Relying on an ontological representation of the dramatic qualities, the paper presents a proposal for the creation of a corpus of annotated dramatic texts.Questo articolo affronta il problema dell’annotazione di metadati per i testi drammatici. I metadati per il dramma descrivono le qualità drammatiche di un testo, connettendole alle espressioni linguistiche. Basandosi su una rappresentazione ontologica delle qualità drammatiche, l’articolo presenta una proposta per la creazione di un corpus di testi drammatici annotati

Bringing Authoritative Models to Computational Drama (Encoding Knebel’s Action Analysis)

Maria Knebel is one of the most influential scholars in the field of Drama Analysis. Her work with Stanislavsky has been foundational in the history of theatre: she devised the method of Action Analysis to read the play as a score of actions to be executed by the actors. This paper aims at encoding Knebel\u2019s principles in a formal representation using a computational ontology (Drammar) to prove its expressiveness and to test its efficacy in a production point of view. As an example we use Knebel\u2019s analysis of Pogodin\u2019s Kremlin Chimes

Rethinking Intangible Cultural Heritage and Expressions of Folklore: A Lesson from the FCC’s Localism Standards

This article reviews the underlying societal imperatives reflected in a policy of intangible cultural heritage and the intellectual property-like regimes being developed to protect these interests. It contrasts UNESCO efforts with more narrowly tailored efforts of WIPO and juxtaposes those approaches with the localism model developed under the FCC. While aspects of the WIPO protection efforts focusing on trademark-like and trade secret-like protections benefit the people and cultures these policies hope to serve, additional copyright-like protections will likely do more harm than good. Instead, global public policy will be far better served through emphasis on the FCC\u27s localism attributes of developing human capital to improve the quality of content being produced and encouraging local communities to focus on the content of their own choosing

Protection and preservation of traditional cultural expressions & traditional knowledge in handicraft trade: advocating the need for a global cultural policy framework

To protect cultural heritage, advance sustainable lives and economic growth, and promote environmental sustainability, traditional knowledge and cultural expressions in the handicraft sector must be protected. Additionally, it encourages cross-cultural dialogue and mutual respect, highlighting the importance of each community's distinctive contributions to the world's cultural environment. The preservation of cultural legacy and sustainable lifestyles for indigenous populations become more important as the cross-border interchange of commodities and ideas grows. The study highlights the UN Declaration on the Rights of Indigenous Peoples' (UNDRIP) initiatives related to protecting traditional knowledge and traditional cultural expressions along with the United Nations Educational, Scientific and Cultural Organization’s (UNESCO) understanding of tangible and intangible cultural heritage. The study focuses on the limits of the present intellectual property systems in addressing the particular difficulties encountered by indigenous communities and craftspeople, especially due to exploitation done by commercial entities. It promotes the need for a thorough global framework for a cultural policy that acknowledges these groups' collective rights to their traditional cultural manifestations and knowledge. The paper also explores the function of domestic, regional, and global legal frameworks in safeguarding TCE and TK, highlighting instances of effective sui generis systems and their potential advantages. The article concludes by advocating for a comprehensive and inclusive global framework for cultural policy in order to successfully protect traditional cultural expressions and expertise in the handicraft industry

Localism as a Production Imperative: An Alternative Framework to Promoting Intangible Cultural Heritage and Expressions of Folklore

In the United States, the policy of localism – the legislative goal of fostering local community expression and competence to deliver local content – finds its home in the Telecommunications Act rather than either the Copyright Act or Trademark Act. Other nations have introduced values of localism into trade policy, content distribution rules, and international efforts to protect intangible cultural heritage and expressions of folklore. Jurisdictions in every continent are struggling to address the pressures of globalism through efforts to protect indigenous peoples’ and minority communities’ languages and culture. These efforts take many forms. Nations have introduced efforts to protect these interests into trade policy, content distribution rules, and the legal regimes of copyright and trademark. Some jurisdictions, for example, emphasize the need for historical preservation of particular culture and content. Other jurisdictions emphasize localism to promote domestic employment and economic growth. At the same time, however, other regulators are cloaking governmental censorship under the guise of protectionism. These efforts assume, arguendo, that some model of protectionism is necessary to assist these communities. Because there are many different types of intangible cultural heritage – local languages, tribal customs, religious traditions, folklore, styles of artworks, etc. – this assumption may be counterproductive. Particularly in our increasingly networked, global information community, assumptions of territorial protections must be reconsidered. This article reviews the underlying societal imperatives reflected in a policy of intangible cultural heritage and the intellectual property-like regimes being developed to protect these interests. It contrasts UNESCO efforts with more narrowly tailored efforts of WIPO and juxtaposes those approaches with the localism model developed under the FCC. While aspects of the WIPO protection efforts focusing on trademark-like and trade secret-like protections benefit the people and cultures these policies hope to serve, additional copyright-like protections will likely do more harm than good. Instead, global public policy will be far better served through emphasis on localism’s attributes of developing human capital to improve the quality of content being produced and encouraging local communities to focus on the content of their own choosing. http://ssrn.com/abstract=168717