Ambrose Bierce is Missing: And Other Historical Mysteries

What constitutes historical truth is often subject to change. Through ingenious detection, the accepted wisdom of one generation may become the discredited legend of another—or vice versa. In this wide- ranging study of historical investigation, former detective Joe Nickell allows the reader to look over his shoulder as he demonstrates the use of varied techniques in solving some of the world\u27s most perplexing mysteries. All the major categories of historical mystery are here—ancient riddles, biographical enigmas, hidden identity, “fakelore,” questioned artifacts, suspect documents, lost texts, obscured sources, and scientific challenges. Each is then illustrated by a complete case from the author\u27s own files. Nickell’s investigation of the giant Nazca drawings in Peru, for example—thought by some to provide proof of ancient extraterrestrial visitations—uses innovative techniques to reveal a very different origin. Other cases concern the 1913 disappearance of writer and journalist Ambrose Bierce, the authenticity of the Shroud of Turin, the truth about the identity of John Demjanjuk (“Ivan the Terrible” to Polish death camp victims), the fate of a lost colonial American text, the authenticity of Abraham Lincoln\u27s celebrated Bixby letter, and the apparent real-life model for a mysterious character in a novel by Nathaniel Hawthorne. In reaching his solutions, Nickell demonstrates a wide variety of investigative techniques—chemical and instrumental analyses, physical experimentation, a “psychological autopsy,” forensic identification, archival research, linguistic analysis, folklore study, and many others. His highly readable book will intrigue the scholar and the history buff no less than the mystery lover. Joe Nickell, a former investigator for a world-famous detective agency, teaches at the University of Kentucky and is author of several books, including Pen, Ink, and Evidence.https://uknowledge.uky.edu/upk_history_in_general/1002/thumbnail.jp

Writing, Medium, Machine: Modern Technographies

Writing, Medium, Machine: Modern Technographies is a collection of thirteen essays by leading scholars which explores the mutual determination of forms of writing and forms of technology in modern literature. The essays unfold from a variety of historical and theoretical perspectives the proposition that literature is not less but more mechanical than other forms of writing: a transfigurative ideal machine. The collection breaks new ground archaeologically, unearthing representations in literature and film of a whole range of decisive technologies from the stereopticon through census-and slot-machines to the stock ticker, and from the Telex to the manipulation of genetic code and the screens which increasingly mediate our access to the world and to each other. It also contributes significantly to critical and cultural theory by investigating key concepts which articulate the relation between writing and technology: number, measure, encoding, encryption, the archive, the interface. Technography is not just a modern matter, a feature of texts that happen to arise in a world full of machinery and pay attention to that machinery in various ways. But the mediation of other machines has beyond doubt assisted literature to imagine and start to become the ideal machine it is always aspiring to be. Contributors: Ruth Abbott, John Attridge, Kasia Boddy, Mark Byron, Beci Carver, Steven Connor, Esther Leslie, Robbie Moore, Julian Murphet, James Purdon, Sean Pryor, Paul Sheehan, Kristen Treen

Detecting Forgery: Forensic Investigation of Documents

Detecting Forgery reveals the complete arsenal of forensic techniques used to detect forged handwriting and alterations in documents and to identify the authorship of disputed writings. Joe Nickell looks at famous cases such as Clifford Irving\u27s autobiography of Howard Hughes and the Mormon papers of document dealer Mark Hoffman, as well as cases involving works of art. Detecting Forgery is a fascinating introduction to the growing field of forensic document examination and forgery detection. Seldom does a book about forgery come along containing depth of subject matter in addition to presenting clear and understandable information. This book has both, plus a readability that is accessible to those studying questioned documents as well as seasoned experts. -- Journal of Forensic Identification The author\u27s expertise in historical documents is unmistakably evident throughout the book. Once I began reading, I found it hard to put down. -- Journal of Questioned Document Examination Guides the reader through various methods and techniques of identifying fakes and phone manuscripts. -- Manchester (KY) Enterprisehttps://uknowledge.uky.edu/upk_legal_studies/1000/thumbnail.jp

Writing, Medium, Machine: Modern Technographies

Writing, Medium, Machine: Modern Technographies is a collection of thirteen essays by leading scholars which explores the mutual determination of forms of writing and forms of technology in modern literature. The essays unfold from a variety of historical and theoretical perspectives the proposition that literature is not less but more mechanical than other forms of writing: a transfigurative ideal machine. The collection breaks new ground archaeologically, unearthing representations in literature and film of a whole range of decisive technologies from the stereopticon through census-and slot-machines to the stock ticker, and from the Telex to the manipulation of genetic code and the screens which increasingly mediate our access to the world and to each other. It also contributes significantly to critical and cultural theory by investigating key concepts which articulate the relation between writing and technology: number, measure, encoding, encryption, the archive, the interface. Technography is not just a modern matter, a feature of texts that happen to arise in a world full of machinery and pay attention to that machinery in various ways. But the mediation of other machines has beyond doubt assisted literature to imagine and start to become the ideal machine it is always aspiring to be. Contributors: Ruth Abbott, John Attridge, Kasia Boddy, Mark Byron, Beci Carver, Steven Connor, Esther Leslie, Robbie Moore, Julian Murphet, James Purdon, Sean Pryor, Paul Sheehan, Kristen Treen

The Role of Female Cryptanalysts from 1914 to 1946

This thesis shows that the history of cryptanalysis in Britain in the first half of the twentieth century has focussed on the contribution of men to the virtual exclusion of that of women, and produces evidence to prove that, from the First World War onwards, women, although in a minority, were working at the same level as their male counterparts, despite their lack of mention in the published literature which generally holds that only men worked as cryptanalysts during this period. The present research identifies that this was not the case, and that though the number of confirmed female cryptanalysts remains small and elusive, these women were nonetheless important for the role that they played. This thesis examines published work on British cryptanalysis between 1914 and 1946, demonstrating that these accounts are almost exclusively by men and about men. The research presented uses original documentation and interviews to advance and place on record knowledge about female cryptanalysts who worked in high-level codebreaking during time both of war and peace in a gendered approach. The analysis sets out the case studies of six women - four cryptanalysts, one linguist and a decoder - who typify the roles that women held in cryptanalysis between 1914 and 1946, providing an in-depth study of their backgrounds and roles they carried out for the British Admiralty’s Room 40, the War Office’s MI1(b) and HushWAACs, and the Foreign Office’s Government Code and Cypher School (GC&CS). The thesis provides a detailed historiographical chronology in a gendered approach of the women’s role in cryptanalysis from the beginnings of modern codebreaking in the First World War, through the interwar creation of GC&CS, to the vast cryptanalytical organisation at Bletchley Park during the Second World War, setting out the context of relevant literature and archival materials. Definitions are derived for key terms whose meanings have changed over the period, causing confusion and erroneous conclusions to be drawn, and key themes are identified which can be used in the identification of future female cryptanalysts. This thesis clearly identifies that women were working as high-grade cryptanalysts during the period 1914 to 1946, and offers pointers and analytical tools to potential further identifications in future research

Writing Around the Ancient Mediterranean

Writing in the ancient Mediterranean existed against a backdrop of very high levels of interaction and contact. In the societies around its shores, writing was a dynamic practice that could serve many purposes – from a tool used by elites to control resources and establish their power bases to a symbol of local identity and a means of conveying complex information and ideas. This volume presents a group of papers by members of the Contexts of and Relations between Early Writing Systems (CREWS) research team and visiting fellows, offering a range of different perspectives and approaches to problems of writing in the ancient Mediterranean. They focus on practices, viewing writing as something that people do within a wider social and cultural context, and on adaptations, considering the ways in which writing changed and was changed by the people using it

Writing Around the Ancient Mediterranean

Writing in the ancient Mediterranean existed against a backdrop of very high levels of interaction and contact. In the societies around its shores, writing was a dynamic practice that could serve many purposes – from a tool used by elites to control resources and establish their power bases to a symbol of local identity and a means of conveying complex information and ideas. This volume presents a group of papers by members of the Contexts of and Relations between Early Writing Systems (CREWS) research team and visiting fellows, offering a range of different perspectives and approaches to problems of writing in the ancient Mediterranean. They focus on practices, viewing writing as something that people do within a wider social and cultural context, and on adaptations, considering the ways in which writing changed and was changed by the people using it

Writing, medium, machine: Modern technographies

Writing, Medium, Machine: Modern Technographies is a collection of thirteen essays by leading scholars which explores the mutual determination of forms of writing and forms of technology in modern literature. The essays unfold from a variety of historical and theoretical perspectives the proposition that literature is not less but more mechanical than other forms of writing: a transfigurative ideal machine. The collection breaks new ground archaeologically, unearthing representations in literature and film of a whole range of decisive technologies from the stereopticon through census-and slot-machines to the stock ticker, and from the Telex to the manipulation of genetic code and the screens which increasingly mediate our access to the world and to each other. It also contributes significantly to critical and cultural theory by investigating key concepts which articulate the relation between writing and technology: number, measure, encoding, encryption, the archive, the interface. Technography is not just a modern matter, a feature of texts that happen to arise in a world full of machinery and pay attention to that machinery in various ways. But the mediation of other machines has beyond doubt assisted literature to imagine and start to become the ideal machine it is always aspiring to be.Contributors: Ruth Abbott, John Attridge, Kasia Boddy, Mark Byron, Beci Carver, Steven Connor, Esther Leslie, Robbie Moore, Julian Murphet, James Purdon, Sean Pryor, Paul Sheehan, Kristen Treen