Audio Compression using a Modified Vector Quantization algorithm for Mastering Applications

Audio data compression is used to reduce the transmission bandwidth and storage requirements of audio data. It is the second stage in the audio mastering process with audio equalization being the first stage. Compression algorithms such as BSAC, MP3 and AAC are used as standards in this paper. The challenge faced in audio compression is compressing the signal at low bit rates. The previous algorithms which work well at low bit rates cannot be dominant at higher bit rates and vice-versa. This paper proposes an altered form of vector quantization algorithm which produces a scalable bit stream which has a number of fine layers of audio fidelity. This modified form of the vector quantization algorithm is used to generate a perceptually audio coder which is scalable and uses the quantization and encoding stages which are responsible for the psychoacoustic and arithmetical terminations that are actually detached as practically all the data detached during the prediction phases at the encoder side is supplemented towards the audio signal at decoder stage. Therefore, clearly the quantization phase which is modified to produce a bit stream which is scalable. This modified algorithm works well at both lower and higher bit rates. Subjective evaluations were done by audio professionals using the MUSHRA test and the mean normalized scores at various bit rates was noted and compared with the previous algorithms

Sparse and Cosparse Audio Dequantization Using Convex Optimization

The paper shows the potential of sparsity-based methods in restoring quantized signals. Following up on the study of Brauer et al. (IEEE ICASSP 2016), we significantly extend the range of the evaluation scenarios: we introduce the analysis (cosparse) model, we use more effective algorithms, we experiment with another time-frequency transform. The paper shows that the analysis-based model performs comparably to the synthesis-model, but the Gabor transform produces better results than the originally used cosine transform. Last but not least, we provide codes and data in a reproducible way

Structure-Constrained Basis Pursuit for Compressively Sensing Speech

Compressed Sensing (CS) exploits the sparsity of many signals to enable sampling below the Nyquist rate. If the original signal is sufficiently sparse, the Basis Pursuit (BP) algorithm will perfectly reconstruct the original signal. Unfortunately many signals that intuitively appear sparse do not meet the threshold for sufficient sparsity . These signals require so many CS samples for accurate reconstruction that the advantages of CS disappear. This is because Basis Pursuit/Basis Pursuit Denoising only models sparsity. We developed a Structure-Constrained Basis Pursuit that models the structure of somewhat sparse signals as upper and lower bound constraints on the Basis Pursuit Denoising solution. We applied it to speech, which seems sparse but does not compress well with CS, and gained improved quality over Basis Pursuit Denoising. When a single parameter (i.e. the phone) is encoded, Normalized Mean Squared Error (NMSE) decreases by between 16.2% and 1.00% when sampling with CS between 1/10 and 1/2 the Nyquist rate, respectively. When bounds are coded as a sum of Gaussians, NMSE decreases between 28.5% and 21.6% in the same range. SCBP can be applied to any somewhat sparse signal with a predictable structure to enable improved reconstruction quality with the same number of samples

Identification of Sparse Audio Tampering Using Distributed Source Coding and Compressive Sensing Techniques

In the past few years, a large amount of techniques have been proposed to identify whether a multimedia content has been illegally tampered or not. Nevertheless, very few efforts have been devoted to identifying which kind of attack has been carried out, especially due to the large data required for this task. We propose a novel hashing scheme which exploits the paradigms of compressive sensing and distributed source coding to generate a compact hash signature, and we apply it to the case of audio content protection. The audio content provider produces a small hash signature by computing a limited number of random projections of a perceptual, time-frequency representation of the original audio stream; the audio hash is given by the syndrome bits of an LDPC code applied to the projections. At the content user side, the hash is decoded using distributed source coding tools. If the tampering is sparsifiable or compressible in some orthonormal basis or redundant dictionary, it is possible to identify the time-frequency position of the attack, with a hash size as small as 200 bits/second; the bit saving obtained by introducing distributed source coding ranges between 20% to 70%

AN INVESTIGATION OF DIFFERENT VIDEO WATERMARKING TECHNIQUES

Watermarking is an advanced technology that identifies to solve the problem of illegal manipulation and distribution of digital data. It is the art of hiding the copyright information into host such that the embedded data is imperceptible. The covers in the forms of digital multimedia object, namely image, audio and video. The extensive literature collected related to the performance improvement of video watermarking techniques is critically reviewed and presented in this paper. Also, comprehensive review of the literature on the evolution of various video watermarking techniques to achieve robustness and to maintain the quality of watermarked video sequences

Audio Compression using a Modified Vector Quantization algorithm for Mastering Applications

Audio data compression is used to reduce the transmission bandwidth and storage requirements of audio data. It is the second stage in the audio mastering process with audio equalization being the first stage. Compression algorithms such as BSAC, MP3 and AAC are used as standards in this paper. The challenge faced in audio compression is compressing the signal at low bit rates. The previous algorithms which work well at low bit rates cannot be dominant at higher bit rates and vice-versa. This paper proposes an altered form of vector quantization algorithm which produces a scalable bit stream which has a number of fine layers of audio fidelity. This modified form of the vector quantization algorithm is used to generate a perceptually audio coder which is scalable and uses the quantization and encoding stages which are responsible for the psychoacoustic and arithmetical terminations that are actually detached as practically all the data detached during the prediction phases at the encoder side is supplemented towards the audio signal at decoder stage. Therefore, clearly the quantization phase which is modified to produce a bit stream which is scalable. This modified algorithm works well at both lower and higher bit rates. Subjective evaluations were done by audio professionals using the MUSHRA test and the mean normalized scores at various bit rates was noted and compared with the previous algorithms

A novel semi-fragile forensic watermarking scheme for remote sensing images

Peer-reviewedA semi-fragile watermarking scheme for multiple band images is presented. We propose to embed a mark into remote sensing images applying a tree structured vector quantization approach to the pixel signatures, instead of processing each band separately. The signature of themmultispectral or hyperspectral image is used to embed the mark in it order to detect any significant modification of the original image. The image is segmented into threedimensional blocks and a tree structured vector quantizer is built for each block. These trees are manipulated using an iterative algorithm until the resulting block satisfies a required criterion which establishes the embedded mark. The method is shown to be able to preserve the mark under lossy compression (above a given threshold) but, at the same time, it detects possibly forged blocks and their position in the whole image.Se presenta un esquema de marcas de agua semi-frágiles para múltiples imágenes de banda. Proponemos incorporar una marca en imágenes de detección remota, aplicando un enfoque de cuantización del vector de árbol estructurado con las definiciones de píxel, en lugar de procesar cada banda por separado. La firma de la imagen hiperespectral se utiliza para insertar la marca en el mismo orden para detectar cualquier modificación significativa de la imagen original. La imagen es segmentada en bloques tridimensionales y un cuantificador de vector de estructura de árbol se construye para cada bloque. Estos árboles son manipulados utilizando un algoritmo iteractivo hasta que el bloque resultante satisface un criterio necesario que establece la marca incrustada. El método se muestra para poder preservar la marca bajo compresión con pérdida (por encima de un umbral establecido) pero, al mismo tiempo, detecta posiblemente bloques forjados y su posición en la imagen entera.Es presenta un esquema de marques d'aigua semi-fràgils per a múltiples imatges de banda. Proposem incorporar una marca en imatges de detecció remota, aplicant un enfocament de quantització del vector d'arbre estructurat amb les definicions de píxel, en lloc de processar cada banda per separat. La signatura de la imatge hiperespectral s'utilitza per inserir la marca en el mateix ordre per detectar qualsevol modificació significativa de la imatge original. La imatge és segmentada en blocs tridimensionals i un quantificador de vector d'estructura d'arbre es construeix per a cada bloc. Aquests arbres són manipulats utilitzant un algoritme iteractiu fins que el bloc resultant satisfà un criteri necessari que estableix la marca incrustada. El mètode es mostra per poder preservar la marca sota compressió amb pèrdua (per sobre d'un llindar establert) però, al mateix temps, detecta possiblement blocs forjats i la seva posició en la imatge sencera