Sooo Sweeet!:Presence of long vowels in brand names lead to expectations of sweetness

Throughout the history of languages, poets and writers have used linguistic tools to enhance euphony in their creations. One of the widely used tools to convey melody in any written (or spoken) creative art form is the use of long vowels. This paper examines the linkages between long (vs. short) vowel sounds and taste expectations of sweetness. Across four studies, we demonstrate that people expect products with brand names containing long vowels to taste sweeter than those including short vowel sounds. In studies 1 and 2, we demonstrate this association with the use of self-reported measures, and in studies 3 and 4, we employ indirect measures (implicit taste-shape correspondence and Single Category Implicit Association Test (SC-IAT) paradigm) to show the effect holds at a subconscious level of processing. Previous research in this field has typically linked vowel position (high vs. low or front vs. back) with product or brand attribute expectations. This paper contributes to the growing body of literature in this field by demonstrating the importance of vowel length in sound symbolism, and more precisely, how it pertains to the taste continuum.Published versio

Rhotics.New Data and Perspectives

This book provides an insight into the patterns of variation and change of rhotics in different languages and from a variety of perspectives. It sheds light on the phonetics, the phonology, the socio-linguistics and the acquisition of /r/-sounds in languages as diverse as Dutch, English, French, German, Greek, Hebrew, Italian, Kuikuro, Malayalam, Romanian, Slovak, Tyrolean and Washili Shingazidja thus contributing to the discussion on the unity and uniqueness of this group of sounds

Eavesdropping with a Master: Leoš Janáček and the Music of Speech

The composer Leos Janácek (1854-1928) has been noted for his interest in speech melodies. Little discussion has focused however on the field methods that he used in gathering them, nor on the products themselves. Janácek spent more than three decades, transcribing thousands of what he termed nápevky mluvy [tunelets of speech] in standard musical notation. The record that remains of these efforts is impressive both for its volume and its quality, as well as for its potential to reveal aspects of the perceptual overlap between music and language. Heretofore his pioneering efforts in the study of speech prosody and music perception have neither been recognized nor acknowledged. The present study provides a background for and an overview of the transcriptions, along with comparative musicological and linguistic analyses of the materials presented. With this analysis as a starting point, I indicate promising avenues for further collaborations between linguists and musicologists, seeking an integrated theory of music and language cognition

Performing abroad: ‘Lucnica Slovak National Folklore Ballet’ in Melbourne, 2007

This thesis explores the significance of a Slovak traditional music and dance performance in Melbourne in October 2007 by Lucnica: Slovak National Folklore Ballet’. While the troupe represents a genre of traditional music performance that is revered by many Slovaks, it is also criticized in the community and scholarly narratives as being ‘artificial’. This thesis shows that Lucnica’s performances are deeply significant, however, and that they constitute a legitimate form of music folklore practice for performers and Slovak audiences, embodying the Slovak landscape and history, despite artistic modifications. However, by taking an interactional viewpoint, this thesis shows that on foreign soil, complex meanings were thrown into relief. While Lucnica’s stated mission is to spread Slovak traditional music culture abroad, it was found that in multicultural Melbourne, Lucnica’s performance generated a variety of discursive strands. The same performance confirmed and celebrated Slovak ethnicity for Slovak Australians, and at the same time, contributed to the discourse of British hegemony and marginalization of the same. A second, but equally important focus of the thesis, is that it addresses the dialectic between theory and data. Ethnographic notes were analyzed according to Goffman’s model for non-verbal interaction, an ethnographic interview was analyzed according to the methods of Conversation Analysis, and an audience survey was conducted. These varied data and methodologies were unified by adopting an over-arching Foucauldian theoretical framework, thus aligning theory, data, and methodologies, and giving findings added cogency

Semantic prosody in Thai

Semantic prosody is an important concept and has become a primary research interest in corpus linguistics. This thesis undertakes the groundwork of fundamental research into semantic prosody in Thai, a language which has not been subject to studies of semantic prosody before, to set out the parameters for subsequent research in this area. In particular, it addresses these three research questions: 1. What are the advantages and disadvantages of the major approaches to semantic prosody proposed in the literature for describing semantic prosody in Thai? 2. What variation in semantic prosodies across genres can be identified for Thai words? 3. To what extent are the semantic prosodies of words identified as translation-equivalents in widely-used bilingual dictionaries in Thai and English similar or different? The datasets employed in the analysis are the Thai National Corpus and the British National Corpus. To address each research question, a small number of Thai words are selected for the analysis. Two primary approaches, the polarity-oriented approach and the EUM-oriented approach, are employed to identify semantic prosody. Within the polarity-oriented approach, which is founded in work by Louw, Stubbs, and Partington, semantic prosody is identified based on collocates, and is restricted to the positive vs. negative opposition. Within the EUM-oriented approach, which is based in the studies of Sinclair, semantic prosody is identified by examining concordance lines for a pragmatic function or meaning that is spread across an extended unit of meaning. The results of the analysis show that the two primary approaches to semantic prosody do operate successfully with the Thai data. A range of semantic prosodies are identified for /kreeŋcay/ ‘considerate’, /kɔ̀ ɔhâykə̀ ət/ ‘cause’, and /chɔ̂ɔp/ ‘like’, the objects under study, by the two approaches. The discussion of these semantic prosodies shows that the two approaches are useful for different purposes. The polarity-oriented approach is useful when one’s aim is to investigate a word’s tendency to co-occur with positive or negative words. Particularly, it reveals the hidden evaluative potential of words whose evaluation is not obvious from their core semantics. The EUM-oriented approach is, by contrast, suitable for the examination of an extended unit of meaning and its pragmatic function in the Sinclairian sense. They both also have some advantages and disadvantages in terms of practicality. On the issue of variation in semantic prosodies across genres, some variation is indeed found to exist. From the concordance analysis of 19 verbs, each in four different genres, namely academic writing, fiction, newspaper stories, and non-academic non-fiction, 21 different extended units of meaning are identified from 14 of the verbs. The level of variation in the use of these extended units of meaning across genres, which implies variation in semantic prosodies, is considerable with some extended units of meaning, but is limited with others. In particular, a notable contrast is identified between academic and fiction genres in terms of which extended units (and semantic prosodies) are common. Finally, the majority of the translationequivalent pairs under study (36 out of 48) show the same semantic prosody; of these, most present a neutral semantic prosody. In cases where the pairs show different semantic prosodies, there are not any cases where one word in the pair shows a positive semantic prosody, and the other shows a negative semantic prosody, and vice versa. It is thus arguable that there is a relationship between semantic prosody in Thai and English – not a genetic or areal relationship, but one that arises from a functional basis, that is, the meanings that the pairs of words under study express in both languages

Semantic prosody in Thai

Semantic prosody is an important concept and has become a primary research interest in corpus linguistics. This thesis undertakes the groundwork of fundamental research into semantic prosody in Thai, a language which has not been subject to studies of semantic prosody before, to set out the parameters for subsequent research in this area. In particular, it addresses these three research questions: 1. What are the advantages and disadvantages of the major approaches to semantic prosody proposed in the literature for describing semantic prosody in Thai? 2. What variation in semantic prosodies across genres can be identified for Thai words? 3. To what extent are the semantic prosodies of words identified as translation-equivalents in widely-used bilingual dictionaries in Thai and English similar or different? The datasets employed in the analysis are the Thai National Corpus and the British National Corpus. To address each research question, a small number of Thai words are selected for the analysis. Two primary approaches, the polarity-oriented approach and the EUM-oriented approach, are employed to identify semantic prosody. Within the polarity-oriented approach, which is founded in work by Louw, Stubbs, and Partington, semantic prosody is identified based on collocates, and is restricted to the positive vs. negative opposition. Within the EUM-oriented approach, which is based in the studies of Sinclair, semantic prosody is identified by examining concordance lines for a pragmatic function or meaning that is spread across an extended unit of meaning. The results of the analysis show that the two primary approaches to semantic prosody do operate successfully with the Thai data. A range of semantic prosodies are identified for /kreeŋcay/ ‘considerate’, /kɔ̀ ɔhâykə̀ ət/ ‘cause’, and /chɔ̂ɔp/ ‘like’, the objects under study, by the two approaches. The discussion of these semantic prosodies shows that the two approaches are useful for different purposes. The polarity-oriented approach is useful when one’s aim is to investigate a word’s tendency to co-occur with positive or negative words. Particularly, it reveals the hidden evaluative potential of words whose evaluation is not obvious from their core semantics. The EUM-oriented approach is, by contrast, suitable for the examination of an extended unit of meaning and its pragmatic function in the Sinclairian sense. They both also have some advantages and disadvantages in terms of practicality. On the issue of variation in semantic prosodies across genres, some variation is indeed found to exist. From the concordance analysis of 19 verbs, each in four different genres, namely academic writing, fiction, newspaper stories, and non-academic non-fiction, 21 different extended units of meaning are identified from 14 of the verbs. The level of variation in the use of these extended units of meaning across genres, which implies variation in semantic prosodies, is considerable with some extended units of meaning, but is limited with others. In particular, a notable contrast is identified between academic and fiction genres in terms of which extended units (and semantic prosodies) are common. Finally, the majority of the translationequivalent pairs under study (36 out of 48) show the same semantic prosody; of these, most present a neutral semantic prosody. In cases where the pairs show different semantic prosodies, there are not any cases where one word in the pair shows a positive semantic prosody, and the other shows a negative semantic prosody, and vice versa. It is thus arguable that there is a relationship between semantic prosody in Thai and English – not a genetic or areal relationship, but one that arises from a functional basis, that is, the meanings that the pairs of words under study express in both languages

The Prague School and Theories of Structure

Diese Reihe untersucht Gemeinsamkeiten und Unterschiede von Natur- und Geisteswissenschaftlichen. Das Konzept des »Einflusses« bzw. des »gegenseitigen Einflusses« soll zugunsten eines dynamischeren Konzepts des »Interfacing« (Verbindung/Vernetzung) hinterfragt werden. Ein grundlegender Ausgangspunkt ist die Erkenntnis, dass die beiden Wissenssphären, die geistes- und die naturwissenschaftliche, häufig zur gleichen Zeit neue Untersuchungsmodelle entwickeln und damit auf komplexe wissenschaftliche und kulturelle Phänomene reagieren. Das Konzept des »Interfacing« impliziert eine integrierte Sicht neuer Wissensgebiete in neuen Kontexten. Nicht länger an der traditionellen Vorstellung von »Ursache und Wirkung« gebunden, impliziert der Isomorphismus Gleichzeitigkeit statt Konsequentialität. Nicht immer beeinflusst die eine Sphäre die andere; Isomorphismus impliziert gemeinsame Entdeckungen, durch die beide Bereichen zur gleichen Zeit neue investigative Modelle und Darstellungssysteme entwickeln. Dialog und gegenseitiges Verständnis zwischen den beiden sogenannten »zwei Kulturen« werden so stimuliert. Wichtige Forschungsbereiche sind Interfacing-Modelle und Paradigmen in den Natur- und Geisteswissenschaften, kulturell bedingte Darstellungen von Naturwissenschaft und Technologie, wissenschaftliche Entdeckungen und narrative Diskurse, Lebenserinnerungen von Wissenschaftlerinnen und Wissenschaftlern, das Überschreiten von Grenzen zwischen Natur- und Geisteswissenschaft durch Lernen sowie die Bereicherung der Geisteswissenschaften durch angewandte Naturwissenschaften, einschließlich der Informationstechnologien. Die Reihe umfasst sowohl Monographien als auch Essaysammlungen in englischer, deutscher, französischer und italienischer Sprache. Das Nebeneinander verschiedener Sprachen zeugt von der Intention von Herausgeberschaft und wissenschaftlichem Beirats, ein integriertes Wissen aus europäischer Perspektive herauszubilden

Issues in Esahie Nominal Morphology: From Inflection to Word-formation

The present study is a documentation-oriented research which aims at exploring the nominal morphology of Esahie, an otherwise unexplored cross-border Kwa language. Essentially, it examines pertinent inflectional and word formation issues in the nominal domain of Esahie such as noun class system, agreement, syncretism, nominalization, and compounding. The overall goal of this thesis is to investigate and provide a comprehensive account of the attested types, structure, formation, and the lexical semantics of nouns and nominalizations in Esahie. This thesis also seeks to understand what the facts about the structure and formation of nouns and nominalizations in Esahie reveal about the nature of the interface between morphology, phonology, syntax, and semantics, and about the architecture of the grammar in general. In interpreting the Esahie data, we ultimately hope to contribute to current theoretical debates by presenting empirical arguments in support of an abstractive, rather than a constructive view of morphology, by arguing that adopting the formalism of Construction Morphology (CxM, see Booij 2010a-d), as an abstractive model, comes with many advantages. We show that the formalism espoused in CxM is able to deal adequately with all the inflectional and word formation issues discussed in this thesis, including the irregular (non-canonical) patterns which are characterized either by cumulative exponence or extra-compositionality. With regards to compounding, this study confirms the view (cf. Appah 2013; 2015; Akrofi-Ansah 2012b; Lawer 2017) that, in Kwa, notwithstanding the word class of the input elements, the output of a compounding operation is always a nominal. This characterization points to a fascinating (mutual) interplay between the word-formation phenomena of compounding and nominalization, since the former operation invariably feeds into the latter. Overall, this thesis shows that nominalization is a prominent word-formation operation in Kwa grammar. Data used in this thesis emanates from several fieldtrips carried out in some Esahie speaking communities in the Western-North region of Ghana, as well as other secondary sources