Melvillean Parasites

Melvillean Parasites addresses an aspect of Herman Melville’s authorship largely overlooked by previous scholars: the abundance of narrators and characters in his writings in search of food—an aim they typically pursue through sponging off the people they encounter. Deploying the conceptual figure of the parasite as its primary analytical tool, the book interprets how the dream of a free meal plays out and is given literary form in Typee (1846), “Bartleby, the Scrivener” (1853), “Jimmy Rose” (1855), and The Confidence-Man (1857). In so doing, Melvillean Parasites aims to explain how Melville’s engagement with ethico-political issues concerning nourishment, dependency upon others, hospitality, and responsibility toward strangers, evolved and changed over time. Compared to the tendency of dehumanizing the parasite found in many of his contemporaries, the book claims that what sets him apart, is his insight into the unavoidable parasitic tendencies of us all: Herman Melville—patron saint of the parasite. Melvillean Parasites is intended for scholars, students, and general readers with an interest in the concept of the parasite, as well as Herman Melville’s authorship, American literature, and 19th century studies in general. Anders M. Gullestad is Associate Professor at the Department of Linguistic, Literary and Aesthetic Studies at the University of Bergen

Melvillean Parasites

Melvillean Parasites addresses an aspect of Herman Melville’s authorship largely overlooked by previous scholars: the abundance of narrators and characters in his writings in search of food—an aim they typically pursue through sponging off the people they encounter. Deploying the conceptual figure of the parasite as its primary analytical tool, the book interprets how the dream of a free meal plays out and is given literary form in Typee (1846), “Bartleby, the Scrivener” (1853), “Jimmy Rose” (1855), and The Confidence-Man (1857). In so doing, Melvillean Parasites aims to explain how Melville’s engagement with ethico-political issues concerning nourishment, dependency upon others, hospitality, and responsibility toward strangers, evolved and changed over time. Compared to the tendency of dehumanizing the parasite found in many of his contemporaries, the book claims that what sets him apart, is his insight into the unavoidable parasitic tendencies of us all: Herman Melville—patron saint of the parasite. Melvillean Parasites is intended for scholars, students, and general readers with an interest in the concept of the parasite, as well as Herman Melville’s authorship, American literature, and 19th century studies in general. Anders M. Gullestad is Associate Professor at the Department of Linguistic, Literary and Aesthetic Studies at the University of Bergen

Quinceañera: Girls’ Coming-of-Age Rituals in Contemporary Havana, Cuba

In this chapter, the author explores the phenomenon of flamboyant girls’ fifteenth birthday parties (quinceañeras) as a gender–specific ritual. The author discusses the ways that this life–cycle ritual celebrates the girl’s entry into sexual adulthood, portrays her as an object of heterosexual desire, while simultaneously granting the girls ritual and exotic agency. The author concludes that contemporary quinceañera rituals also reflect the island’s recent political and economic turn toward a more capitalist society and displays the growing racialized and gendered inequalities on the island.Peer reviewe

Bowdoin Orient v.94, no.1-24 (1964-1965)

https://digitalcommons.bowdoin.edu/bowdoinorient-1960s/1005/thumbnail.jp