72 research outputs found

    An efficient rate control algorithm for a wavelet video codec

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    Rate control plays an essential role in video coding and transmission to provide the best video quality at the receiver's end given the constraint of certain network conditions. In this paper, a rate control algorithm using the Quality Factor (QF) optimization method is proposed for the wavelet-based video codec and implemented on an open source Dirac video encoder. A mathematical model which we call Rate-QF (R - QF) model is derived to generate the optimum QF for the current coding frame according to the target bitrate. The proposed algorithm is a complete one pass process and does not require complex mathematical calculation. The process of calculating the QF is quite simple and further calculation is not required for each coded frame. The experimental results show that the proposed algorithm can control the bitrate precisely (within 1% of target bitrate in average). Moreover, the variation of bitrate over each Group of Pictures (GOPs) is lower than that of H.264. This is an advantage in preventing the buffer overflow and underflow for real-time multimedia data streaming

    Comparative analysis of DIRAC PRO-VC-2, H.264 AVC and AVS CHINA-P7

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    Video codec compresses the input video source to reduce storage and transmission bandwidth requirements while maintaining the quality. It is an essential technology for applications, to name a few such as digital television, DVD-Video, mobile TV, videoconferencing and internet video streaming. There are different video codecs used in the industry today and understanding their operation to target certain video applications is the key to optimization. The latest advanced video codec standards have become of great importance in multimedia industries which provide cost-effective encoding and decoding of video and contribute for high compression and efficiency. Currently, H.264 AVC, AVS, and DIRAC are used in the industry to compress video. H.264 codec standard developed by the ITU-T Video Coding Experts Group (VCEG) together with the ISO/IEC Moving Picture Experts Group (MPEG). Audio-video coding standard (AVS) is a working group of audio and video coding standard in China. VC-2, also known as Dirac Pro developed by BBC, is a royalty free technology that anyone can use and has been standardized through the SMPTE as VC-2. H.264 AVC, Dirac Pro, Dirac and AVS-P2 are dedicated to High Definition Video, while AVS-P7 is to mobile video. Out of many standards, this work performs a comparative analysis for the H.264 AVC, DIRAC PRO/SMPTE-VC-2 and AVS-P7 standards in low bitrate region and high bitrate region. Bitrate control and constant QP are the methods which are employed for analysis. Evaluation parameters like Compression Ratio, PSNR and SSIM are used for quality comparison. Depending on target application and available bitrate, order of performance is mentioned to show the preferred codec

    An efficient rate control algorithm for a wavelet video codec

    Get PDF
    Rate control plays an essential role in video coding and transmission to provide the best video quality at the receiver's end given the constraint of certain network conditions. In this paper, a rate control algorithm using the Quality Factor (QF) optimization method is proposed for the wavelet-based video codec and implemented on an open source Dirac video encoder. A mathematical model which we call Rate-QF (R - QF) model is derived to generate the optimum QF for the current coding frame according to the target bitrate. The proposed algorithm is a complete one pass process and does not require complex mathematical calculation. The process of calculating the QF is quite simple and further calculation is not required for each coded frame. The experimental results show that the proposed algorithm can control the bitrate precisely (within 1% of target bitrate in average). Moreover, the variation of bitrate over each Group of Pictures (GOPs) is lower than that of H.264. This is an advantage in preventing the buffer overflow and underflow for real-time multimedia data streaming

    Cubic-panorama image dataset analysis for storage and transmission

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    Influence of Chroma Subsampling on Objective Video Quality Assessment for High Resolutions

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    This paper deals with the influence of chroma subsampling on video quality measured by objective metrics for H.264/AVC and H.265/HEVC compression standards. The evaluation is done for eight types of sequences with full HD and ultra HD resolutions depending on content. The experimental results showed that there is no impact of chroma subsampling on the video. According to the results, it can also be said that H.265/HEVC codec yields better compression efficiency than H.264/AVC and the different is more visible in UHD resolution. The bigger difference in quality is in lower bitrates, with increasing bitrate the quality of H.264/AVC codec approaches the H.265/HEVC codec

    Video coding standards

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    Review by Ashraf A. Kassim, Professor, Department of Electrical & Computer Engineering, and Associate Dean, School of Engineering, National University of Singapore.     The book consists of eight chapters of which the first two provide an overview of various video & image coding standards, and video formats. The next four chapters present in detail the Audio & video standard (AVS) of China, the H.264/MPEG-4 Advanced video coding (AVC) standard, High efficiency video coding (HEVC) standard and the VP6 video coding standard (now VP10) respectively. The performance of the wavelet based Dirac video codec is compared with H.264/MPEG-4 AVC in chapter 7. Finally in chapter 8, the VC-1 video coding standard is presented together with VC-2 which is based on the intra frame coding of Dirac and an outline of a H.264/AVC to VC-1 transcoder.   The authors also present and discuss relevant research literature such as those which document improved methods & techniques, and also point to other related resources including standards documents, open source software, review papers, and keynote speeches. The numerous projects presented in the later chapters are particularly thought provoking and challenging. These would be useful for readers, especially graduate students, helping them develop a deeper understanding of the standards and also direct them to further research. True to its name, “Video Coding Standards” would serve as a unique resource for researchers, developers and graduate students in the video coding field, enabling them to achieve a good understanding of these current standards including the differences in performance and limitations, as well as keep abreast of latest developments

    Influence of Bit Depth on Objective Video Quality Assessment for High Resolutions

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    This paper deals with the influence of bit depth on the objective quality assessment. All tests were conducted on eight video sequences, while each one has different spatial and temporal information; 8-bit and 10-bit bit depths were used; analysed videos were in full and ultra HD resolutions, and coding efficiency of H.264 and H.265 was compared. The metrics PSNR and SSIM for evaluation of objective video quality were used

    EXPERIMENTS ON VIDEO STREAMING OVER COMPUTER NETWORKS

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    Video traffic (including streaming video service) is dominating the Internet traffic today. Video can be streamed using a dedicated server, a content delivery network (CDN), or peer-to-peer (P2P) overlays across a network. Video can be transmitted in multiple formats and at different resolutions. Video is also being distributed to a variety of devices (fixed and mobile)
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