59,204 research outputs found

    Didacticism and the Male Reader in Samuel Richardson\u27s Pamela

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    In lieu of an abstract, below is the first paragraph of the paper. One might say that Samuel Richardson\u27s 18th century novel Pamela is essentially a love story that, like the chick lit of today, appeals mostly to a female audience. Contrary to the stereotype that women were the only ones who liked reading such works is the fact that males were also avid novelreaders. Admittedly, male readership is often a barely-trodden segment in the pathway of the study of novels - particularly novels such as Pamela, Frances Burney\u27s Evelina, and Thomas Hardy\u27s Tess of the D\u27Urbervilles. Considering Richardson\u27s emphasis on virtue, submissiveness, and obedience, it\u27s fairly straightforward to determine the messages that female readers are supposed to get from reading Pamela. The message intended for male readers, however, may be a bit more complicated. Young women know what they\u27re supposed to get from Richardson\u27s text, but male readers don\u27t, which means that multiple messages can be acquired from reading Pamela from a male perspectiv

    Explorations in Ethnic Studies

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    “La culpa es de los tlaxcaltecas”: Gender, the Burden of Blame, and a Re-examination of the Myth of La Malinche

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    This paper explores Elena Garro’s short story “La culpa es de los tlaxcaltecas.” Supplementing close readings with analyses drawn from relevant authors and theorists, I highlight the key ideas regarding gender, identity, memory, and history that Garro weaves into her text, and I consider Garro’s emphasis on patriarchal control, the internalization of female culpability for the Spanish Conquest of Mexico, and women’s role in constructing and reconstructing historical discourses. By travelling into her own and Mexico’s past, Laura Aldama, one of the main female protagonists in the story, not only challenges gendered histories but also reveals how patriarchal thought continues to influence contemporary realities. In addition, by paralleling Laura’s guilt and feelings of betrayal with the La Malinche myth, Garro’s work restructures this cultural symbol. Ultimately, I argue that “La culpa es de los tlaxcaltecas” redefines women’s role in history and society; valorizes female solidarity, voice, and perspective; and encourages women to challenge the limitations of masculinist discourses

    The Secret Garden of Mary and Colin in The Comfort of Strangers by Ian McEwan

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    Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej nauk

    Lessons learned from evaluating eight password nudges in the wild

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    Background. The tension between security and convenience, when creating passwords, is well established. It is a tension that often leads users to create poor passwords. For security designers, three mitigation strategies exist: issuing passwords, mandating minimum strength levels or encouraging better passwords. The first strategy prompts recording, the second reuse, but the third merits further investigation. It seemed promising to explore whether users could be subtly nudged towards stronger passwords.Aim. The aim of the study was to investigate the influence of visual nudges on self-chosen password length and/or strength.Method. A university application, enabling students to check course dates and review grades, was used to support two consecutive empirical studies over the course of two academic years. In total, 497 and 776 participants, respectively, were randomly assigned either to a control or an experimental group. Whereas the control group received no intervention, the experimental groups were presented with different visual nudges on the registration page of the web application whenever passwords were created. The experimental groups’ password strengths and lengths were then compared that of the control group.Results. No impact of the visual nudges could be detected, neither in terms of password strength nor length. The ordinal score metric used to calculate password strength led to a decrease in variance and test power, so that the inability to detect an effect size does not definitively indicate that such an effect does not exist.Conclusion. We cannot conclude that the nudges had no effect on password strength. It might well be that an actual effect was not detected due to the experimental design choices. Another possible explanation for our result is that password choice is influenced by the user’s task, cognitive budget, goals and pre-existing routines. A simple visual nudge might not have the power to overcome these forces. Our lessons learned therefore recommend the use of a richer password strength quantification measure, and the acknowledgement of the user’s context, in future studies

    Lesbians and Transgenders in Japanese Media

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    Japanese GLBT appear to have always held a place in national media. From the the Edo period to the modern age, the Japanese people have constantly been exposed to different types of GLBT society, whether or not they realized it at the time. In this paper, I explore the representations of lesbians and transgenders during the Edo period (1600 to 1860) and in the modern and post-modern era (1868 to the present). I look at ukiyo-e from the Edo period and then Western-style theatre and newspaper stories from the modern era to grasp how lesbians have been portrayed through the years. Then I look at onnagata of Kabuki and modern-day new half in order to show how the concept of a transgender has changed over time in the media. Just how has the Japanese perspective changed after the mass introduction of Western culture and ideals during the Meiji period

    Diguise, Containment and the \u3cem\u3ePorgy and Bess\u3c/em\u3e Revival of 1952–1956

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    Life in the cultural shallows tested the character of American art. Where the Depression had encouraged artists to engage in social and political criticism, the early cold war years constricted and confounded them. By conflating dissent and disloyalty, the triumphant conservatism of the cold war not only shifted the frame of cultural reference dramatically to the right, it narrowed it as well. This had a profound impact on America’s cultural establishment. With conservatives now in possession of the moral absolutes, the more politically progressive artists felt pressed into the position of endorsing ambivalence and moderation. The result, for many, was a quiet retreat from principle; unwilling to blindly adopt the conservatives’ standard of good and evil, and yet unable to risk their own, forward-thinking artists ended up chronicling rather than challenging their age. So much of fifties art became an exploration of the ordinary—domestic comedy, social commentary, “wistful melodrama,” sermons on rootlessness or delinquency or affluence—instead of a questioning of the larger truths. Tragedy, which, by challenging certitudes, required the moral commitment of liberal writers, became, in this context, anachronistic. “We are not producing real tragedy,” observed Leonard Bernstein in 1952, because “caution prevents it, all the fears prevent it; and we are left, at the moment, with an art that is rather whiling away the time until the world gets better or blows up.” Art had adopted the Technicolor blandness of the age

    Mimetic Representation of Female Characters in ‘Their Language of Love’ by Bapsi Sidhwa

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    Females always have been the topic of discussion under different aspects discussed in literature. From some last decades there have been some debatable titles in writing especially postcolonial literature. There are many female writers in this period of postcolonial. In Pakistan, the persons who have a name on the conversation of feminism; Bapsi Sidwa is a good name in them. Feminism is a broad topic to mentioning but it would be interested when telling about particular comparative analysis with the male author representing the society. It is very perceptible when the relation between them is like a master-slave relationship as Hegel believes, or having a balance between them. It depends upon many factors like the cultural effect of the society. Pakistani society has a patriarchal building block in it so its criteria of debate and the way the others take it, are different. This study helps to enhance the space for a female in a society described by Bapsi Sidwa.  Life depends on the thought of society and it varies the representative style of the authors. Key Words: Feminism, Societal effect, Relationships, Memetic representation DOI: 10.7176/JLLL/66-10 Publication date:March 31st 202
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