The Orality of a Silent Age: The Place of Orality in Medieval Studies

'The Orality of a Silent Age: The Place of Orality in Medieval Studies' uses a brief survey of current work on Old English poetry as the point of departure for arguing that although useful, the concepts of orality and literacy have, in medieval studies, been extended further beyond their literal referents of spoken and written communication than is heuristically useful. Recent emphasis on literate methods and contexts for the writing of our surviving Anglo-Saxon poetry, in contradistinction to the previous emphasis on oral ones, provides the basis for this criticism. Despite a significant amount of revisionist work, the concept of orality remains something of a vortex into which a range of only party related issues have been sucked: authorial originality/communal property; impromptu composition/meditated composition; authorial and audience alienation/immediacy. The relevance of orality to these issues is not in dispute; the problem is that they do not vary along specifically oral/literate axes. The article suggests that this is symptomatic of a wider modernist discourse in medieval studies whereby modern, literate society is (implicitly) contrasted with medieval, oral society: the extension of the orality/literacy axis beyond its literal reference has to some extent facilitated the perpetuation of an earlier contrast between primitivity and modernity which deserves still to be questioned and disputed. Pruning back our conceptions of the oral and the literate to their stricter denotations, we might hope to see more clearly what areas of medieval studies would benefit from alternative interpretations

From Oral Literature to Technauriture: What’s in a Name?

Russell H. Kaschula is Professor of African Language Studies and Head of the School of Languages at Rhodes University, Grahamstown, South Africa. His doctoral research focussed on African literature, and his works of creative writing have received a number of prestigious literature and short story prizes. Professor Kaschula is an author of both English and isiXhosa academic and literary works, with novels including The Tsitsa River and Beyond and Mama, I Sing to You. In 2011, his short story Six Teaspoons of Sweetness was included in the International PEN-Studzinski award. Andre M. Mostert is a research associate at the School of Languages at Rhodes University, Grahamstown, South Africa, where he recently completed a master’s thesis on the literary work of the poet Bongani Sitole. Mostert’s interests focus on entrepreneurship and enterprise in schools, the use of ICT in education and training, and the role of ICT in promoting the capture and dissemination of oral poetry. Mostert is the gaming scientist for the EU Player project to support young entrepreneurs and, together with Professor Kaschula, co-developed the ‘publish and thrive’ model of supporting the research records of emerging academics.Oral traditions and oral literature have long contributed to human communication, yet the advent of arguably the most influential technology—the written word—altered the course of creative ability. Despite its potential and scope, the development of the written word resulted in an insidious dichotomy. As the written word evolved, the oral word became devalued and pushed to the fringes of society. One of the unfortunate consequences of this transition to writing has been a focus on the systems and conventions of orality and oral tradition. Although of importance, a more appropriate focus would be on ways of supporting and maintaining the oral word, and its innate value to human society, in the face of rampant technological development. Yet it is ironic that technology is also helping to create a fecund environment for the rebirth of orality. This paper offers an overview of the debate about the relationship between oral literature, the written word and technology, and suggests that the term technauriture may offer a suitable encompassing paradigm for further engagement with the oral word and its application to modern society. We discuss the late Bongani Sitole, a poet whose oral works were transformed into public and educational resources through the application of technology, and we consider the utility of the term technauriture for describing the relationship between orality, literature and technology

Orality and literacy: epic heroes of human destiny?

Human Speech has often been presented as the crucial line dividing humanity from animals, with Literacy then entering in as the fulfiller of human destiny, the redeemer from primitive orality, and, in alphabetic apotheosis, the all-conquering hero of the west's civilising mission. This epic tale, pervasive as it still remains, is now under attack from many directions, not least in the expanding work on multiple literacy practices. This paper takes the complementary line of starting from the 'oral' end of the apparent equation. Building on anthropological fieldwork, experience of teaching at the UK's Open University, and the gathering comparative literature, it questions the limiting linguistic bias of this tale – itself a kind of myth explaining and justifying the social order. Verbal language is just one of many modes and media of human communication and can only be fully understood in conjunction with them. The traditional myth also underplays the multiplex nature of language itself: researchers across several disciplines are now increasingly revealing the multimodal nature of human speech and writing. To focus on narrower definitions of language and, as in the heroic elevation of 'orality' and 'literacy', to propose the treatment of language as the crucial factor in human culture is to proffer a thin and single-line tale of human history and, with it, a misleading and ethnocentric account not only of humanity more generally but also of many of our actual educational practices. It needs to be replaced by a broader, more cross-cultural and more generous model of both learning and communication

Writing Knowledge in the Soul: Orality, Literacy, and Plato’s Critique of Poetry

In this essay I take up Plato’s critique of poetry, which has little to do with epistemology and representational imitation, but rather the powerful effects that poeticperformances can have on audiences, enthralling them with vivid image-worlds and blocking the powers of critical reflection. By focusing on the perceived psychological dangers of poetry in performance and reception, I want to suggest that Plato’s critique was caught up in the larger story of momentous shifts in the Greek world, turning on the rise of literacy and its far-reaching effects in modifying the original and persisting oral character of Greek culture. The story of Plato’s Republic in certain ways suggests something essential for comprehending the development of philosophy in Greece : that philosophy, as we understand it, would not have been possible apart from the skills and mental transformations stemming from education in reading and writing; and that primary features of oral language and practice were a significant barrier to the development of philosophical rationality. Accordingly, I go on to argue that the critique of writing in the Phaedrus is neither a defense or orality per se, nor a dismissal of writing, but rather a defense of a literate soul over against orality and the indiscriminate exposure of written texts to unworthy readers

Understanding Cognition Across Modalities for the Assessment of Digital Resources

Drawing from the theories of the cognitive process, this paper explores the transmission, retention and transformation of information across oral, written, and digital modes of communication and how these concepts can be used to examine the assessment of digital resource tools. The exploration of interactions across modes of communication is used to gain an understanding of the interaction between the student, digital resource and teacher. Cognitive theory is considered as a basis for the assessment of digital resource tools. Lastly, principles for the assessment of digital resource tools are presented along with how assessment can be incorporated in the educational practice to enhance learning in higher education

Written with the Finger of God: Divine and Human Writing in Exodus

The presence of writing in the book of Exodus must be considered not only for its contribution to the narrative as story, but also as a witness to several key socio-political issues (such as the interplay of textuality and orality in ancient Israel), for the role of writing in the history of Israel\u27s religion, and for the struggle to define, through several centuries and editorial layers, the nature of YHWH\u27s true image\u27\u27 in the world

Walter J. Ong, S.J.: A retrospective

Communication Research Trends usually charts current communication research, introducing its readers to recent developments across the range of inquiry into communication. This issue, however, takes a different tack, looking back on the writings of Walter J. Ong, S.J., who died at the age of 90 in August 2003. Ong spent his scholarly career at Saint Louis University, where he served as University Professor of Humanities, the William E. Haren Professor of English, and Professor of Humanities in Psychiatry at the Saint Louis University School of Medicine. In a career that spanned 60 years, Ong published 16 books, 245 articles, and 108 reviews. In addition, he edited a number of works and gave interviews that further explored his wide-ranging interests. Readers interested in a full bibliography of Ong’s works should refer to the web site prepared by Professor Betty Youngkin at the University of Dayton, at http://homepages.udayton.edu/~youngkin/biblio.htm. From the perspective of an interest in connections among many areas of human knowledge over such a long career, he explored a whole gamut of activities by careful observations of the threads that run through western culture and by insightful analysis of what he observed. Communication forms one of those many threads in the West—perhaps the dominant one—and so it occupies a similar place in Ong’s work. The tapestry Ong weaves has, bit by bit, influenced thinking about communication as well as research. And so, Communication Research Trends looks back on the writings of Walter Ong, S.J

Facing Up to the Media: Walter Ong and the Embrace of Technology

General photograph of J. Stevens' rides building up, taken J. Stevens' Fair, 20 June 1961 general view. See Leeson's notebook 9, pages 92-95 for notes