352 research outputs found
Audio Coding Based on Integer Transforms
Die Audiocodierung hat sich in den letzten Jahren zu einem sehr
populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere
gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3
(MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur
effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für
professionelle Anwendungen, wie etwa die Archivierung und Übertragung im
Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht.
Die bisherigen Ansätze für gehörangepasste und verlustlose
Audiocodierung sind technisch völlig verschieden. Moderne
gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der
überlappenden orthogonalen Transformation "Modifizierte Diskrete
Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen
verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige
Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden
bisher versucht.
Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das
Lifting-Schema auf die in der gehörangepassten Audiocodierung
verwendeten überlappenden Transformationen anwendet. Dies ermöglicht
eine invertierbare Integer-Approximation der ursprünglichen
Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die
selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung
angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler
Lifting-Ansatz und eine Technik zur Spektralformung von
Quantisierungsfehlern eine Verbesserung der Approximation der
ursprünglichen Transformation.
Basierend auf diesen neuen Integer-Transformationen werden in dieser
Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren
umfassen verlustlose Audiocodierung, eine skalierbare verlustlose
Erweiterung eines gehörangepassten Audiocoders und einen integrierten
Ansatz zur fein skalierbaren gehörangepassten und verlustlosen
Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen
ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen
Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for
research and applications. Especially perceptual audio coding schemes,
such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are
widely used for efficient storage and transmission of music
signals. Nevertheless, for professional applications, such as archiving
and transmission in studio environments, lossless audio coding schemes
are considered more appropriate.
Traditionally, the technical approaches used in perceptual and lossless
audio coding have been separate worlds. In perceptual audio coding, the
use of filter banks, such as the lapped orthogonal transform "Modified
Discrete Cosine Transform" (MDCT), has been the approach of choice being
used by many state of the art coding schemes. On the other hand,
lossless audio coding schemes mostly employ predictive coding of
waveforms to remove redundancy. Only few attempts have been made so far
to use transform coding for the purpose of lossless audio coding.
This work presents a new approach of applying the lifting scheme to
lapped transforms used in perceptual audio coding. This allows for an
invertible integer-to-integer approximation of the original transform,
e.g. the IntMDCT as an integer approximation of the MDCT. The same
technique can also be applied to low-delay filter banks. A generalized,
multi-dimensional lifting approach and a noise-shaping technique are
introduced, allowing to further optimize the accuracy of the
approximation to the original transform.
Based on these new integer transforms, this work presents new audio
coding schemes and applications. The audio coding applications cover
lossless audio coding, scalable lossless enhancement of a perceptual
audio coder and fine-grain scalable perceptual and lossless audio
coding. Finally an approach to data hiding with high data rates in
uncompressed audio signals based on integer transforms is described
Audio Coding Based on Integer Transforms
Die Audiocodierung hat sich in den letzten Jahren zu einem sehr
populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere
gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3
(MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur
effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für
professionelle Anwendungen, wie etwa die Archivierung und Übertragung im
Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht.
Die bisherigen Ansätze für gehörangepasste und verlustlose
Audiocodierung sind technisch völlig verschieden. Moderne
gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der
überlappenden orthogonalen Transformation "Modifizierte Diskrete
Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen
verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige
Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden
bisher versucht.
Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das
Lifting-Schema auf die in der gehörangepassten Audiocodierung
verwendeten überlappenden Transformationen anwendet. Dies ermöglicht
eine invertierbare Integer-Approximation der ursprünglichen
Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die
selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung
angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler
Lifting-Ansatz und eine Technik zur Spektralformung von
Quantisierungsfehlern eine Verbesserung der Approximation der
ursprünglichen Transformation.
Basierend auf diesen neuen Integer-Transformationen werden in dieser
Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren
umfassen verlustlose Audiocodierung, eine skalierbare verlustlose
Erweiterung eines gehörangepassten Audiocoders und einen integrierten
Ansatz zur fein skalierbaren gehörangepassten und verlustlosen
Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen
ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen
Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for
research and applications. Especially perceptual audio coding schemes,
such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are
widely used for efficient storage and transmission of music
signals. Nevertheless, for professional applications, such as archiving
and transmission in studio environments, lossless audio coding schemes
are considered more appropriate.
Traditionally, the technical approaches used in perceptual and lossless
audio coding have been separate worlds. In perceptual audio coding, the
use of filter banks, such as the lapped orthogonal transform "Modified
Discrete Cosine Transform" (MDCT), has been the approach of choice being
used by many state of the art coding schemes. On the other hand,
lossless audio coding schemes mostly employ predictive coding of
waveforms to remove redundancy. Only few attempts have been made so far
to use transform coding for the purpose of lossless audio coding.
This work presents a new approach of applying the lifting scheme to
lapped transforms used in perceptual audio coding. This allows for an
invertible integer-to-integer approximation of the original transform,
e.g. the IntMDCT as an integer approximation of the MDCT. The same
technique can also be applied to low-delay filter banks. A generalized,
multi-dimensional lifting approach and a noise-shaping technique are
introduced, allowing to further optimize the accuracy of the
approximation to the original transform.
Based on these new integer transforms, this work presents new audio
coding schemes and applications. The audio coding applications cover
lossless audio coding, scalable lossless enhancement of a perceptual
audio coder and fine-grain scalable perceptual and lossless audio
coding. Finally an approach to data hiding with high data rates in
uncompressed audio signals based on integer transforms is described
WG1N5315 - Response to Call for AIC evaluation methodologies and compression technologies for medical images: LAR Codec
This document presents the LAR image codec as a response to Call for AIC evaluation methodologies and compression technologies for medical images.This document describes the IETR response to the specific call for contributions of medical imaging technologies to be considered for AIC. The philosophy behind our coder is not to outperform JPEG2000 in compression; our goal is to propose an open source, royalty free, alternative image coder with integrated services. While keeping the compression performances in the same range as JPEG2000 but with lower complexity, our coder also provides services such as scalability, cryptography, data hiding, lossy to lossless compression, region of interest, free region representation and coding
Scalable and perceptual audio compression
This thesis deals with scalable perceptual audio compression. Two scalable perceptual solutions as well as a scalable to lossless solution are proposed and investigated. One of the scalable perceptual solutions is built around sinusoidal modelling of the audio signal whilst the other is built on a transform coding paradigm. The scalable coders are shown to scale both in a waveform matching manner as well as a psychoacoustic manner. In order to measure the psychoacoustic scalability of the systems investigated in this thesis, the similarity between the original signal\u27s psychoacoustic parameters and that of the synthesized signal are compared. The psychoacoustic parameters used are loudness, sharpness, tonahty and roughness. This analysis technique is a novel method used in this thesis and it allows an insight into the perceptual distortion that has been introduced by any coder analyzed in this manner
Audio Compression using a Modified Vector Quantization algorithm for Mastering Applications
Audio data compression is used to reduce the transmission bandwidth and storage requirements of audio data. It is the second stage in the audio mastering process with audio equalization being the first stage. Compression algorithms such as BSAC, MP3 and AAC are used as standards in this paper. The challenge faced in audio compression is compressing the signal at low bit rates. The previous algorithms which work well at low bit rates cannot be dominant at higher bit rates and vice-versa. This paper proposes an altered form of vector quantization algorithm which produces a scalable bit stream which has a number of fine layers of audio fidelity. This modified form of the vector quantization algorithm is used to generate a perceptually audio coder which is scalable and uses the quantization and encoding stages which are responsible for the psychoacoustic and arithmetical terminations that are actually detached as practically all the data detached during the prediction phases at the encoder side is supplemented towards the audio signal at decoder stage. Therefore, clearly the quantization phase which is modified to produce a bit stream which is scalable. This modified algorithm works well at both lower and higher bit rates. Subjective evaluations were done by audio professionals using the MUSHRA test and the mean normalized scores at various bit rates was noted and compared with the previous algorithms
The JPEG2000 still image compression standard
The development of standards (emerging and established) by the International Organization for Standardization (ISO), the International Telecommunications Union (ITU), and the International Electrotechnical Commission (IEC) for audio, image, and video, for both transmission and storage, has led to worldwide activity in developing hardware and software systems and products applicable to a number of diverse disciplines [7], [22], [23], [55], [56], [73]. Although the standards implicitly address the basic encoding operations, there is freedom and flexibility in the actual design and development of devices. This is because only the syntax and semantics of the bit stream for decoding are specified by standards, their main objective being the compatibility and interoperability among the systems (hardware/software) manufactured by different companies. There is, thus, much room for innovation and ingenuity. Since the mid 1980s, members from both the ITU and the ISO have been working together to establish a joint international standard for the compression of grayscale and color still images. This effort has been known as JPEG, the Join
SCALABLE AUDIO CODING USING WATERMARKING
A scalable audio coding method is proposed using a technique, Quantization Index Modulation, borrowed from watermarking. Some of the information of each layer output is embedded (watermarked) in the previous layer. This approach leads to a saving in bitrate while keeping the distortion almost unchanged. This makes the scalable coding system more efficient in terms of Rate-Distortion. The results show that the proposed method outperforms the scalable audio coding based on reconstruction error quantization which is used in practical systems such as MPEG-4 AAC
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