A companion screen application for TV broadcasts annotated with Linked Open Data

Increasingly, European citizens consume television content together with devices connected to the Internet where they can look up related information. In parallel, growing amounts of Linked Open Data are being published on the Web, including rich metadata about its cultural heritage. Linked Data and semantic technologies could enable broadcasters to achieve added value for their content at low cost through the re-use of existing and extracted metadata. We present ongoing work in the LinkedTV project, whose goal is to achieve seamless interlinking between TV and Web content on the basis of semantic annotations: two scenarios validated by user trials - Linked News and the Hyperlinked Documentary - and a companion screen application which provides related information for those programs during viewing

Pseudo-archaeology: The Appropriation and Commercialization of Cultural Heritage

Heritage can be defined as the use of the past to construct ideas about identity in the present. The past that this definition references is most commonly linked to tangible objects, and therefore archaeological artifacts. As such, archaeology becomes inexorably linked with cultural heritage in that many cultures are dependent on archaeological objects helping them continue to define their identity. However, there are various threats to cultural heritage, especially as more groups of peoples attempt to evoke objects as belonging to their own cultural background. This has been happening throughout history, but in the nineteenth-century pseudo-archaeology became a new threat. Pseudoarchaeology does not fall in line with academic archaeology and often attempts to appropriate or commercialize heritage to ends that are not scientific or beneficial to the conservation of heritage. Williams argues, “…pseudo-archaeology [is] one of the two greatest challenges to contemporary archaeologists- the other being the destruction of archaeological remains” (Williams 1991: 08). Merely placing pseudo-archaeology on the same level as the actual destruction of tangible heritage shows the threat the adherence to such practices imposes. In this paper, I explore the popularity of pseudo-archaeology that has emerged from several different factors, including nationalism to populism (the way pseudo-archaeology attempts to simplify archaeology for the masses). This popularity poses a threat to cultural heritage by way of appropriation and commercialization

Some reflections on 'Creative Europe'

No abstract available

Film-induced tourism in the UK: the role of British Film Institute on promoting the image of the country

Film-induced tourism-also referred to as Film Tourism- is a recent growing phenomenon whose main purpose is to explore the potential tourist’s motivations when planning their upcoming visit to a destination. Furthermore, this phenomenon gives power to the future filming locations in terms of creating new film heritage museums, film tours, developing new destination marketing and so on. Thus, we will study the brand new type of tourist: ‘Core Screen Tourist’. Core screen tourists are those who would not travel to a destination where a film has been shot unless they have seen it on screen previously. Films provide a powerful way to shape people's perceptions of the place, creating new and strengthening old ones. Gaining the power to increase international tourism and the entertainment industry, the development of the film is seen as a growing phenomenon, which must be taken into account for each tourism promotion strategy.Universidad de Sevilla. Grado en Turism

Audiovisual research collections and their preservation

The basic problem of primary audio and video research materials is clearly shown by the survey: A great and important part of the entire heritage is still outside archival custody in the narrower sense, scattered over many institutions in fairy small collections, and even in private hands. reservation following generally accepted standards can only be carried out effectively if collections represent critical mass. Specialised audiovisual archives will solve their problems, as they will sooner or later succeed in getting appropriate funding to achieve their aims. A very encouraging example is the case of the Netherlands. The larger audiovisual research archives will also manage, more or less autonomously, the transfer of contents in time. For a considerable part of the research collections, however, the concept of cooperative models and competence centres is the only viable model to successfullly safeguard their holdings. Their organisation and funding is a considerable challenge for the scientific community. TAPE has significantly raised awareness of the fact that, unless action is swiftly taken, the loss of audiovisual materials is inevitable. TAPE’s international and regional workshops were generally overbooked. While TAPE was already underway, several other projects for the promotion of archives have received grants from organisations other than the European Commission, inter alia support for the St. Petersburg Phonogram Archive, and the Folklore Archive in Tirana, obviously as a result of a better understanding of the need for audiovisual preservation. When the TAPE project started its partners assumed that cooperative projects would fail because of the notorious distrust of researchers, specifically in the post-communist countries. One of the most encouraging surprises was to learn that, at least in the most recent survey, it became apparent that this social obstacle is fading out. TAPE may have contributed to this important development

Exploration of audiovisual heritage using audio indexing technology

This paper discusses audio indexing tools that have been implemented for the disclosure of Dutch audiovisual cultural heritage collections. It explains the role of language models and their adaptation to historical settings and the adaptation of acoustic models for homogeneous audio collections. In addition to the benefits of cross-media linking, the requirements for successful tuning and improvement of available tools for indexing the heterogeneous A/V collections from the cultural heritage domain are reviewed. And finally the paper argues that research is needed to cope with the varying information needs for different types of users

The Groomers and the Question of Race

The last decade has witnessed a number of prominent police-led operations relating to child sexual exploitation (CSE) in England. Whilst much of the public discourse related to Operation Yewtree, Operation Fernbridge, and others has focused on the criminal nature of CSE, race has been absent from that discourse; conversely, the public debates relating to grooming cases by men of Pakistani heritage have been marked by the presence of race. By critically evaluating the above cases this article aims to put forward three related arguments. First, it aims to highlight and explain contrasting ways in which CSE is debated vis-á-vis the category of racialised politics. Second, it demonstrates how racialised discourse of CSE, initially considered to be a feature of far-right rhetoric, has taken centre ground. Finally, drawing upon analysis of various reports it aims to question the links between race and CSE to show how racialised discourse of CSE helps undermine its victims