Towards a silent speech interface for Portuguese: Surface electromyography and the nasality challenge

A Silent Speech Interface (SSI) aims at performing Automatic Speech Recognition (ASR) in the absence of an intelligible acoustic signal. It can be used as a human-computer interaction modality in high-background-noise environments, such as living rooms, or in aiding speech-impaired individuals, increasing in prevalence with ageing. If this interaction modality is made available for users own native language, with adequate performance, and since it does not rely on acoustic information, it will be less susceptible to problems related to environmental noise, privacy, information disclosure and exclusion of speech impaired persons. To contribute to the existence of this promising modality for Portuguese, for which no SSI implementation is known, we are exploring and evaluating the potential of state-of-the-art approaches. One of the major challenges we face in SSI for European Portuguese is recognition of nasality, a core characteristic of this language Phonetics and Phonology. In this paper a silent speech recognition experiment based on Surface Electromyography is presented. Results confirmed recognition problems between minimal pairs of words that only differ on nasality of one of the phones, causing 50% of the total error and evidencing accuracy performance degradation, which correlates well with the exiting knowledge.info:eu-repo/semantics/acceptedVersio

Interfaces de fala silenciosa multimodais para português europeu com base na articulação

Doutoramento conjunto MAPi em InformáticaThe concept of silent speech, when applied to Human-Computer Interaction (HCI), describes a system which allows for speech communication in the absence of an acoustic signal. By analyzing data gathered during different parts of the human speech production process, Silent Speech Interfaces (SSI) allow users with speech impairments to communicate with a system. SSI can also be used in the presence of environmental noise, and in situations in which privacy, confidentiality, or non-disturbance are important. Nonetheless, despite recent advances, performance and usability of Silent Speech systems still have much room for improvement. A better performance of such systems would enable their application in relevant areas, such as Ambient Assisted Living. Therefore, it is necessary to extend our understanding of the capabilities and limitations of silent speech modalities and to enhance their joint exploration. Thus, in this thesis, we have established several goals: (1) SSI language expansion to support European Portuguese; (2) overcome identified limitations of current SSI techniques to detect EP nasality (3) develop a Multimodal HCI approach for SSI based on non-invasive modalities; and (4) explore more direct measures in the Multimodal SSI for EP acquired from more invasive/obtrusive modalities, to be used as ground truth in articulation processes, enhancing our comprehension of other modalities. In order to achieve these goals and to support our research in this area, we have created a multimodal SSI framework that fosters leveraging modalities and combining information, supporting research in multimodal SSI. The proposed framework goes beyond the data acquisition process itself, including methods for online and offline synchronization, multimodal data processing, feature extraction, feature selection, analysis, classification and prototyping. Examples of applicability are provided for each stage of the framework. These include articulatory studies for HCI, the development of a multimodal SSI based on less invasive modalities and the use of ground truth information coming from more invasive/obtrusive modalities to overcome the limitations of other modalities. In the work here presented, we also apply existing methods in the area of SSI to EP for the first time, noting that nasal sounds may cause an inferior performance in some modalities. In this context, we propose a non-invasive solution for the detection of nasality based on a single Surface Electromyography sensor, conceivable of being included in a multimodal SSI.O conceito de fala silenciosa, quando aplicado a interação humano-computador, permite a comunicação na ausência de um sinal acústico. Através da análise de dados, recolhidos no processo de produção de fala humana, uma interface de fala silenciosa (referida como SSI, do inglês Silent Speech Interface) permite a utilizadores com deficiências ao nível da fala comunicar com um sistema. As SSI podem também ser usadas na presença de ruído ambiente, e em situações em que privacidade, confidencialidade, ou não perturbar, é importante. Contudo, apesar da evolução verificada recentemente, o desempenho e usabilidade de sistemas de fala silenciosa tem ainda uma grande margem de progressão. O aumento de desempenho destes sistemas possibilitaria assim a sua aplicação a áreas como Ambientes Assistidos. É desta forma fundamental alargar o nosso conhecimento sobre as capacidades e limitações das modalidades utilizadas para fala silenciosa e fomentar a sua exploração conjunta. Assim, foram estabelecidos vários objetivos para esta tese: (1) Expansão das linguagens suportadas por SSI com o Português Europeu; (2) Superar as limitações de técnicas de SSI atuais na deteção de nasalidade; (3) Desenvolver uma abordagem SSI multimodal para interação humano-computador, com base em modalidades não invasivas; (4) Explorar o uso de medidas diretas e complementares, adquiridas através de modalidades mais invasivas/intrusivas em configurações multimodais, que fornecem informação exata da articulação e permitem aumentar a nosso entendimento de outras modalidades. Para atingir os objetivos supramencionados e suportar a investigação nesta área procedeu-se à criação de uma plataforma SSI multimodal que potencia os meios para a exploração conjunta de modalidades. A plataforma proposta vai muito para além da simples aquisição de dados, incluindo também métodos para sincronização de modalidades, processamento de dados multimodais, extração e seleção de características, análise, classificação e prototipagem. Exemplos de aplicação para cada fase da plataforma incluem: estudos articulatórios para interação humano-computador, desenvolvimento de uma SSI multimodal com base em modalidades não invasivas, e o uso de informação exata com origem em modalidades invasivas/intrusivas para superar limitações de outras modalidades. No trabalho apresentado aplica-se ainda, pela primeira vez, métodos retirados do estado da arte ao Português Europeu, verificando-se que sons nasais podem causar um desempenho inferior de um sistema de fala silenciosa. Neste contexto, é proposta uma solução para a deteção de vogais nasais baseada num único sensor de eletromiografia, passível de ser integrada numa interface de fala silenciosa multimodal

Investigating the Role of the Lombard Reflex in Non-Audible Murmur (NAM) Recognition

INTERSPEECH2005: the 9th European Conference on Speech Communication and technology, September 4-8, 2005, Lisbon, Portugal.In this paper, we report non-audible murmur (NAM) recognition results in noisy environments and investigate the effect of the Lombard reflex on non-audible murmur recognition. Non-Audible murmur is speech uttered very quietly and captured through body tissue by a special acoustic sensor (e.g., NAM microphone). A system based on non-audible murmur recognition can be applied in cases when privacy is preferable in human-machine communication. Moreover, due to direct body-transmission, the environmental noises do not affect the performance markedly. Previously, we reported non-audible murmur automatic recognition in a clean environment with very promising results. We also carried out experiments using clean models and simulated noisy data, showing that the performance did not change significantly. Using, however, real noisy test data, the performance decreased markedly. To investigate this problem, we studied the Lombard reflex and conducted non-audible murmur recognition experiments using Lombard data. Results show, that Lombard reflex affects non-audible murmur recognition

A Silent-Speech Interface using Electro-Optical Stomatography

Sprachtechnologie ist eine große und wachsende Industrie, die das Leben von technologieinteressierten Nutzern auf zahlreichen Wegen bereichert. Viele potenzielle Nutzer werden jedoch ausgeschlossen: Nämlich alle Sprecher, die nur schwer oder sogar gar nicht Sprache produzieren können. Silent-Speech Interfaces bieten einen Weg, mit Maschinen durch ein bequemes sprachgesteuertes Interface zu kommunizieren ohne dafür akustische Sprache zu benötigen. Sie können außerdem prinzipiell eine Ersatzstimme stellen, indem sie die intendierten Äußerungen, die der Nutzer nur still artikuliert, künstlich synthetisieren. Diese Dissertation stellt ein neues Silent-Speech Interface vor, das auf einem neu entwickelten Messsystem namens Elektro-Optischer Stomatografie und einem neuartigen parametrischen Vokaltraktmodell basiert, das die Echtzeitsynthese von Sprache basierend auf den gemessenen Daten ermöglicht. Mit der Hardware wurden Studien zur Einzelworterkennung durchgeführt, die den Stand der Technik in der intra- und inter-individuellen Genauigkeit erreichten und übertrafen. Darüber hinaus wurde eine Studie abgeschlossen, in der die Hardware zur Steuerung des Vokaltraktmodells in einer direkten Artikulation-zu-Sprache-Synthese verwendet wurde. Während die Verständlichkeit der Synthese von Vokalen sehr hoch eingeschätzt wurde, ist die Verständlichkeit von Konsonanten und kontinuierlicher Sprache sehr schlecht. Vielversprechende Möglichkeiten zur Verbesserung des Systems werden im Ausblick diskutiert.:Statement of authorship iii Abstract v List of Figures vii List of Tables xi Acronyms xiii 1. Introduction 1 1.1. The concept of a Silent-Speech Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 1.2. Structure of this work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 2. Fundamentals of phonetics 7 2.1. Components of the human speech production system . . . . . . . . . . . . . . . . . . . 7 2.2. Vowel sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 2.3. Consonantal sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 2.4. Acoustic properties of speech sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 2.5. Coarticulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 2.6. Phonotactics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 2.7. Summary and implications for the design of a Silent-Speech Interface (SSI) . . . . . . . 21 3. Articulatory data acquisition techniques in Silent-Speech Interfaces 25 3.1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 3.2. Scope of the literature review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 3.3. Video Recordings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 3.4. Ultrasonography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 3.5. Electromyography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 3.6. Permanent-Magnetic Articulography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 3.7. Electromagnetic Articulography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 3.8. Radio waves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 3.9. Palatography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 3.10.Conclusion and Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 4. Electro-Optical Stomatography 55 4.1. Contact sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 4.2. Optical distance sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 4.3. Lip sensor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 4.4. Sensor Unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 4.5. Control Unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 4.6. Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 5. Articulation-to-Text 99 5.1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 5.2. Command word recognition pilot study . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 5.3. Command word recognition small-scale study . . . . . . . . . . . . . . . . . . . . . . . . 102 6. Articulation-to-Speech 109 6.1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 6.2. Articulatory synthesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 6.3. The six point vocal tract model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 6.4. Objective evaluation of the vocal tract model . . . . . . . . . . . . . . . . . . . . . . . . 116 6.5. Perceptual evaluation of the vocal tract model . . . . . . . . . . . . . . . . . . . . . . . . 120 6.6. Direct synthesis using EOS to control the vocal tract model . . . . . . . . . . . . . . . . 125 6.7. Pitch and voicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 7. Summary and outlook 145 7.1. Summary of the contributions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 7.2. Outlook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 A. Overview of the International Phonetic Alphabet 151 B. Mathematical proofs and derivations 153 B.1. Combinatoric calculations illustrating the reduction of possible syllables using phonotactics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 B.2. Signal Averaging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 B.3. Effect of the contact sensor area on the conductance . . . . . . . . . . . . . . . . . . . . 155 B.4. Calculation of the forward current for the OP280V diode . . . . . . . . . . . . . . . . . . 155 C. Schematics and layouts 157 C.1. Schematics of the control unit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 C.2. Layout of the control unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 C.3. Bill of materials of the control unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 C.4. Schematics of the sensor unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 C.5. Layout of the sensor unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166 C.6. Bill of materials of the sensor unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 D. Sensor unit assembly 169 E. Firmware flow and data protocol 177 F. Palate file format 181 G. Supplemental material regarding the vocal tract model 183 H. Articulation-to-Speech: Optimal hyperparameters 189 Bibliography 191Speech technology is a major and growing industry that enriches the lives of technologically-minded people in a number of ways. Many potential users are, however, excluded: Namely, all speakers who cannot easily or even at all produce speech. Silent-Speech Interfaces offer a way to communicate with a machine by a convenient speech recognition interface without the need for acoustic speech. They also can potentially provide a full replacement voice by synthesizing the intended utterances that are only silently articulated by the user. To that end, the speech movements need to be captured and mapped to either text or acoustic speech. This dissertation proposes a new Silent-Speech Interface based on a newly developed measurement technology called Electro-Optical Stomatography and a novel parametric vocal tract model to facilitate real-time speech synthesis based on the measured data. The hardware was used to conduct command word recognition studies reaching state-of-the-art intra- and inter-individual performance. Furthermore, a study on using the hardware to control the vocal tract model in a direct articulation-to-speech synthesis loop was also completed. While the intelligibility of synthesized vowels was high, the intelligibility of consonants and connected speech was quite poor. Promising ways to improve the system are discussed in the outlook.:Statement of authorship iii Abstract v List of Figures vii List of Tables xi Acronyms xiii 1. Introduction 1 1.1. The concept of a Silent-Speech Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 1.2. Structure of this work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 2. Fundamentals of phonetics 7 2.1. Components of the human speech production system . . . . . . . . . . . . . . . . . . . 7 2.2. Vowel sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 2.3. Consonantal sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 2.4. Acoustic properties of speech sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 2.5. Coarticulation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 2.6. Phonotactics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 2.7. Summary and implications for the design of a Silent-Speech Interface (SSI) . . . . . . . 21 3. Articulatory data acquisition techniques in Silent-Speech Interfaces 25 3.1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 3.2. Scope of the literature review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 3.3. Video Recordings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 3.4. Ultrasonography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 3.5. Electromyography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 3.6. Permanent-Magnetic Articulography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 3.7. Electromagnetic Articulography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 3.8. Radio waves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 3.9. Palatography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 3.10.Conclusion and Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 4. Electro-Optical Stomatography 55 4.1. Contact sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 4.2. Optical distance sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 4.3. Lip sensor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 4.4. Sensor Unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 4.5. Control Unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 4.6. Software . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 5. Articulation-to-Text 99 5.1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 5.2. Command word recognition pilot study . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 5.3. Command word recognition small-scale study . . . . . . . . . . . . . . . . . . . . . . . . 102 6. Articulation-to-Speech 109 6.1. Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 6.2. Articulatory synthesis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 109 6.3. The six point vocal tract model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113 6.4. Objective evaluation of the vocal tract model . . . . . . . . . . . . . . . . . . . . . . . . 116 6.5. Perceptual evaluation of the vocal tract model . . . . . . . . . . . . . . . . . . . . . . . . 120 6.6. Direct synthesis using EOS to control the vocal tract model . . . . . . . . . . . . . . . . 125 6.7. Pitch and voicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132 7. Summary and outlook 145 7.1. Summary of the contributions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 145 7.2. Outlook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 A. Overview of the International Phonetic Alphabet 151 B. Mathematical proofs and derivations 153 B.1. Combinatoric calculations illustrating the reduction of possible syllables using phonotactics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 B.2. Signal Averaging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 155 B.3. Effect of the contact sensor area on the conductance . . . . . . . . . . . . . . . . . . . . 155 B.4. Calculation of the forward current for the OP280V diode . . . . . . . . . . . . . . . . . . 155 C. Schematics and layouts 157 C.1. Schematics of the control unit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158 C.2. Layout of the control unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 C.3. Bill of materials of the control unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164 C.4. Schematics of the sensor unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165 C.5. Layout of the sensor unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166 C.6. Bill of materials of the sensor unit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 167 D. Sensor unit assembly 169 E. Firmware flow and data protocol 177 F. Palate file format 181 G. Supplemental material regarding the vocal tract model 183 H. Articulation-to-Speech: Optimal hyperparameters 189 Bibliography 19

Investigating the tonal system of Plastic Mandarin: a cross-varietal comparison

The city of Changsha, Hunan Province, China has seen an increase in the use of Mandarin in the past decade, overshadowing the local non-Mandarin variety, Changsha. A new variety “Plastic Mandarin”, mostly spoken by millennials and younger generations, has emerged. It is defined in this thesis as a non-standard Mandarin accent that features the speech of young urban residents in Changsha and that has crystallised over the past few decades. This thesis presents a detailed phonetic investigation of the tonal system of Plastic Mandarin through a cross-varietal comparative approach, mainly divided into two streams: citation tones and neutral tones in contexts. The defining characteristic of the citation tone system for Plastic Mandarin is established first: a mid-level tone, a low to mid rising tone, a low falling tone, and a high rising tone. By comparing the citation tones of the three varieties that coexist in the city of Changsha, the thesis provides acoustic evidence that Plastic Mandarin may arise when Mandarin tones adapt the pitch pattern of some corresponding Changsha tones. In addition to citation tones, this thesis disentangles the sources of variability in the syllable duration and f0 contour of speech sequences containing neutral tone syllables, i.e. those do not have any of the four canonical lexical tones and often overlooked in prior studies of tones. The data show that f0 contours converge at the end of two consecutive neutral tone syllables at a low pitch in both Mandarin varieties. It suggests that a neutral tone or a sequence of consecutive neutral tones tends to be associated with a low pitch target, despite the varying f0 shapes largely predicted by the preceding lexical tone. The thesis proposes a probabilistic target-approaching model for Mandarin tones in connected speech, in which pitch targets may be fewer than the number of syllables. While the phonetic realisation of the four lexical tones in Plastic Mandarin is consistently different from that in Standard Mandarin, the pitch target of neutral tone syllables tends to remain constant in this process of Mandarin variation and change, which may be attributed to the stable transfer of prosodic structure

Beauty and Esthetics. Meanings of an Idea and Concept of the Senses. An Introduction to an Esthetic Communication Concept Facing the Perspectives Of Its Theory, History, and Cultural Traditions of the Beautiful.

When we ask for the definitions and forms of esthetics from a post-modern perspective, we must take into account that the perspective today is a re-constructive one allowing us to trace back historically, but also allowing various forms of research such as empirical research, or quantitative and qualitative research. This book is devided into chapters. Each of them has a different approach towards esthetics according to the definition of esthetics as a theoretical field, esthetics as a phenomenon of beauty, and esthetics as a specific phenomenon in a certain cultural context. We will focus on the contemporary state of research regarding esthetics from branches of the humanities and natural sciences. Our interest here is to join the classical theoretical terminology of esthetics derived from the humanities with contemporary concepts of research also not related to the humanities

Laughter, inframince and cybernetics - Exploring the Curatorial as Creative Act

This thesis identifies and responds to a contemporary impasse in the curatorial, which is thought of as the realm that encompasses curating as a complex action and interaction; a verb that includes the conceiving, organising and executing of exhibitions as well as critical thinking around curation as a discipline. The current impasse in curation the thesis responds to is caused, on the one hand, through its rapid expansion since the late 1980s and, on the other, through its mainstream and populist appropriation, which confuses understandings of it. The thesis proposes a strategy for the recovery for curating’s most basic work of ‘taking care’ and situates the curatorial as a creative act. It adopts Duchamp’s inframince as an artistic concept, and uses it as a lens to reveal the role of the speculative, poetic and absurd, the personal and subjective and the instant of emergence of creativity in curatorial practice. This facilitates an essentially diffractive methodology as well as a textual method of ‘an imaginative leap’ through friction, rhythm and repetition, building on Whitehead and Barad, (among others) to connect ideas of non-linearity and relay in (art) history. Opening up this rich meshwork thus allows for a reconnection of the curatorial to its original provenance and connoisseurship. The poetic investigation of an invisible force, the inframince, which is seen as instrumental to the curatorial and meaning making in general, is underpinned by the investigation of two other major, intertwining narratives – laughter and cybernetics. This liberates the inframince’s versatility and makes it potentially an operative tool, following Deleuze and Guattari’s concept of becoming minor and O’Sullivan’s interpretation, within a wider trans-disciplinary framework of art-science collaborations. Through this discussion, the thesis then reaffirms the curatorial (as it is intended here) as a practice that shapes the collaboration between specific human and nonhuman elements: the curator, and the artist (and/or scientist) and texts, artefacts, spaces and time